A collection of essays that reveals layers of unknowing and open-endedness within a diversity of contemporary art practices since the 1970s.

A selection of Jan Verwoert's most recent writings.

A long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa, on the theme of the stories and spirits of a parallel avant-garde.

An A-to-Z of the exhibition.

A collection of essays on contemporary art, literature, landscape, aesthetics, and cultural history.

A series of provocative projects by the architectural collective Decolonizing Architecture Art Residency (DAAR) that try to imagine “the morning after revolution.”

A compilation of interviews with thirty-one artists related to questions about the value of attention and spectacle..

Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space.

The collected essays presented here form the compartments of Hans Ulrich Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.

Models of subjective and situational ethics in the contemporary cultural field.

Surveying figures ranging from Clement Greenberg to Jacques Derrida, this compendium of 20 short essays by New York-based critic Barry Schwabsky focuses on his reflections on art writing itself.

Twelve theoretical investigations on the crisis (both economical and personal) issue—from fields as diverse as philosophy, politics, media theory, environmental activism, feminism, post-human theory, literature, geopolitics, art, and economics, originated with artist Deborah Ligorio's research.

Complex relationships inside art, culture, political economy, immaterial production, and the public realm today.

A collection of nonfiction essays that provides an illuminating meander through what we call culture today.

The entrance of art into culture at large.

Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present.

Viable forms of refusal and imagine prospects for a post-work future.

The genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s.

Neomaterialism explores the meaning of the world of commodities, and reintroduces various notions of dialectical materialism into the conversation on the subjectivity and vitalism of things.

An archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles, and Berlin.

A collection of documents of Tom McCarthy's “semi-fictitious organisation” International Necronautical Society, cofounded with Simon Critchley.

The first collection of texts by Steve Rushton, exploring the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy.

A study of the philosophical, ethical and political underpinnings of installation art.

An anthology that examines the poetics and politics of interior experience within the frame of contemporary art.

The sequel to The Future of Art – A Manual (2011), in which Niedling joined Niermann on his search for a new, epic artwork.

Reimagining and reanimating the infrastructure of cultural and intellectual life in contemporary cities.

A telling picture of the multiple forms of interactive, cooperative, and interdisciplinary practices in contemporary art (fifty-one artist interviews).

The contemporary field of sculpture.

Collective book with essays by leading art historians and experts based on a series of conferences held at Witte de With.

How the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation.

An anthology.

In 1831 Honoré de Balzac wrote a short story, “The Unknown Masterpiece,” in which he invented the abstract painting. Almost 200 years later, writer Ingo Niermann tries to follow in his footsteps to imagine a new epoch-making artwork. Together with the artist Erik Niedling he starts searching for the future of art and, seeking advice, meets key figures of the art world.

Changing political uses of the concept of care in neoliberal democracies, and how artists, architects, and designers both contribute to and attempt to critique its social manifestations.

A playful enquiry into “playfulness” as a value in critical cultural practice.

The book is comprised of texts on Susanne Kriemann's practice and its relation to the concept of Reading in a wider sense: reading photographs, archives, and texts and transforming these into new compositions with photography, urban space, and historiography.

Everything you ever wanted to know about Hans Ulrich Obrist but were afraid to ask has been asked by the sixteen practitioners in this book.

A collection of previously unpublished essays, both theoretical and visual, by artists, curators, a writer, a scholar, and a group of postgraduates from the Piet Zwart Institute's Fine Art programme in Rotterdam, who together founded the “Office for the Unknown.”

Twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.

Internal Necessity was the topic of the Sommerakademie 2009, curated by Tirdad Zolghadr. The result is an independent reader that does not aim to merely document the academy 2009, but reflects and develops its topics in a rich diversity of visual and textual forms.

An investigation of the latent yet easily overlooked issue of social class in contemporary art.

New musical practices, modes of production and reception of culture, since the emergence of electronic music in the 1990s.

A representative selection of Friedl's (partly unpublished) texts, along with a series of interviews.

A collection of essays and interview by an artist who captures the attention of 70,000 people each day through e-flux, as well as unitednationsplaza, Martha Rosler Library, and other traveling projects.

Net Pioneers 1.0 discusses media art history with a new, interdisciplinary look at the historical, social, and economic dynamics of our contemporary, networked society.

A theory of contemporary art in response to our moment, when artists and critics must respond to art's unprecedented popularity (illustrated by Wade Guyton).