Villa Arson

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

An epistemology of performance.

An epistemology of performance (also available in English edition).

Actions and discussions around personal skills in art and other disciplines, physical and film (performances, video), sports and burlesque.

Sixty years of sound and music creation on the French Riviera and beyond (with Jean Dupuy, Éliane Radigue, Arnaud Maguet, Jean-Jacques Lebel, Sun Ra, Yves Klein, Thomas Köner, Pascal Broccolichi, Lars Fredrikson, Robert Malaval, Ludovic Lignon, The Bells Angels...).

Bernard Heidsieck's typescripts.

Catalogue / artist's book.

Contemporary art and the French Riviera (a territory for experimentation).

Documenting works by artists dealing with performative issues between the 1960s and today, this catalogue, gathering numerous essays, questions the nature and the relevance of “performative” objects in contemporary practices (also available in English edition).

This publication explores the reexamination or the redeployment of forms and devices drawn from Minimal art by numerous contemporary artists (Achour, Afif, Armleder, Boyce, Creed, Curlet, Dafflon, Decrauzat, Gastaldon, Guyton, Hempel, Mercier, Monk, Mosset, Nicolai, Parrino, Peinado, Pettibon, Pinaud, Tremblay, van Golden, Walsh...).

This publication explores the reexamination or the redeployment of forms and devices drawn from Minimal art by numerous contemporary artists (Achour, Afif, Armleder, Boyce, Creed, Curlet, Dafflon, Decrauzat, Gastaldon, Guyton, Hempel, Mercier, Monk, Mosset, Nicolai, Parrino, Peinado, Pettibon, Pinaud, Tremblay, van Golden, Walsh...).

Visually expanding on the art world's tendency to see the world through the prism of modern and contemporary art, the book depicts some 200 images of found or researched situations taken “after” an artist's work – occupied realities that are, one might say, signed by the artists.

The most complete monograph available on Armajani's work until 1994.

Documenting works by artists dealing with performative issues between the 1960s and today (from Paul McCarthy to Jessica Warboys, Spartacus Chetwynd or John Bock), this catalogue, gathering numerous essays, questions the nature and the relevance of “performative” objects in contemporary practices.