Sub Rosa

166 minutes with Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

A tribute to film director Derek Jarman (reissue of the second full-length album by Robin Rimbaud / Scanner on Sub Rosa).

The complete series of works made by David Toop for Sub Rosa, 1996-2003.

All musics done for Jean Dubuffet's Coucou Bazar show.

Second time in 20 years Charlemagne Palestine and Z'ev are performing together / first time they are recording it... (unreleased material from Palestine's lair, a place now called Charleworld, where both fellows spent 3 days in June 2010).

Second time in 20 years Charlemagne Palestine and Z'ev are performing together / first time they are recording it... (unreleased material from Palestine's lair, a place now called Charleworld, where both fellows spent 3 days in June 2010).

Three substantial pieces by Luc Ferrari, with solo works of Brunhild Ferrari.

Two works by the Italian avant-garde composer of classical music Luigi Nono and the composer, sound artist and musicologist Hans van Eck.

A totally original and disturbing sound world mixing acoustic and electro-acoustic pieces.

Marianne Pousseur sings John Cage and James Joyce, Morton Feldman and Rainer Maria Rilke, Hanns Eisler and Bertolt Brecht, Giacinto Scelsi, György Kurtág, Henri Pousseur and Friederich Hölderlin, Frederic Rzewski and Langston Hughes, E. E. Cummings, Michel Butor, Théodore Botrel, Rudolf Sieczynski...

First posthumous recording of Henri Pousseur.

John Wynne's untitled installation for 300 speakers, pianola and vacuum cleaner, at once monumental, minimal and immersive, using sound and sculptural assemblage to explore and define architectural space and to investigate the borders between sound and music.

Two long time out of stock references, remastered at le Laboratoire Central.

An audio work by Peter Downsbrough, in collaboration with two musicians of the Buffle collective Xavier Garcia-Bardon and Benjamin Franklin.

One of Charlemagne Palestine's most important work to date: an impressive composition of more than 140 minutes based on an unique instrument, a double piano on which one keyboard is played by the feet.

Recorded four years before the death of Beat legend Brion Gysin, this live set features the poet reciting poems from the late '50s and early '60s, accompanied by a makeshift no wave backing band.

A work in progress evolving from the numerous recordings Stephen Vitiello made of the sculptures of American artist Donald Judd in Marfa, Texas.

A journey into Henri Pousseur's archives.

Released in Sub Rosa's Early Electronic series, this LP reveals the extraordinary diversity of research—almost all hidden—by Spanish musicians in the '50s and '60s.

Baudouin de Jaer pursues his exploration of the geomungo, a traditional six-string Korean bass zither, with a wordless opera in three acts.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The second volume si devoted to musician mediums.

Classic DAUU 1995 debut album, first time on vinyl.

Univers Zero's first new album since 10 years, a major new contribution to the discography of the band celebrating its fiftieth anniversary.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

29 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 72 page booklet with texts and pictures).

18 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 24 page booklet with texts and pictures).

The Dedalus Ensemble revisits the three pioneering works of ambient music.

The Dedalus Ensemble revisits the three pioneering works of ambient music.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

A field recording project initiated by Japanese sound artist Yasuhiro Morinaga, documenting traditional gong music by different Southeast Asian ethnic groups.

A field recording project initiated by Japanese sound artist Yasuhiro Morinaga, documenting traditional gong music by different Southeast Asian ethnic groups (2 CDs with a 52 page booklet).

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

Two rare historical recordings (1983 and 1986) by the godfather of Dark Ambient, originally released as single sides and gathered here for the first time.

The complete works of one of the pioneers of Belgian early electronics.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

Belgian soprano Sarah Defrise dedicates her first new music album to the American mezzo-soprano Cathy Berberian, featuring exclusively a capella pieces which were written for Berberian by some of the most prominent composers of her time.

A work for underwater performance that literally immerses the listener into an acoustical substance, released in Sub Rosa's Early Electronic series.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.