This section includes all titles whose publishers or labels are not specifically listed in the main list of the publishers section. The complete list of publishers, labels and journals is available in the general index.
Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.
Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.
The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.
This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.
Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.
At the same time an artist's book and a brief historical investigation, Thomas Huber's The Shop Sign reports the birth of a painting, relates the fate of another one, and questions the art market, the transit of works of art and the links between artists, dealers and collectors, all the while Huber plays with interpictoriality the way others would use intertextuality.
A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).
This LP edition is an attempt at collecting various elements of Hans Rudolf Zeller's work. All recordings have been made within the last 10 years, yet many of the underlying concepts date back to the 1960s or 1970s.
This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.
Interviews with Fabrice Hyber, Tadashi Kawamata, Anne & Patrick Poirier, Daniel Buren, Miguel Chevalier, Marie-Ange Guilleminot, Jean-Marc Chapoulie, Kimsooja, François Ede, Guy Lelong, Hans-Walter Müller and Francesco Careri.
A book about a fictional architecture office in a modernist social housing complex in Brussels, where real architects and locals worked together to make scale models: a reflection on scale models as spaces of negotiation, on maquettes as places where the desire of the architect is visible without the compromises of reality.
This composition by Alessandra Eramo shows for the first time a vocal interpretation of eight onomatopoetic words from the Manifesto of Futurist Music The Art of Noises by Luigi Russolo, between sound poetry and noise.
A collective work conducted by students and teachers from the Design & Space Master at ESAAA art school that aims to highlight the atypical forms that young designers produce and address to our contemporary societies.
Since 2010, Sophie Lapalu and Jean-Christophe Norman have worked together in the form of interviews and critical writings focussing on artistic actions and their visibility. De l'action à la conversation (“From action to conversation”) forms part of this reflective approach.
Collection of poems bringing together French authors on the fringes of literary trends, past and present. Under the supervision of François Dominique and Bruno Lemoine. This edition includes a DVD of video-poems by Isabelle Filleul de Brohy.
A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.
