This section includes all titles whose publishers or labels are not specifically listed in the main list of the publishers section. The complete list of publishers, labels and journals is available in the general index.
Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.
An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.
A look back at all Nicolas Trembley's exhibitions over the past 10 years, the cross-fertilization of art and craft, and the various references he has used, both Western and Eastern.
The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.
Tom Burr, Lizzie Fitch & Ryan Trecartin, Brett Ginsburg, Coumba Samba, Matthew Barney, Gordon Matta-Clark; Laura Orozco, Jasmine Gregory, Maren Karlson, Elaine Cameron-Weir, B. Ingrid Olson, David L. Johnson, Nina Hartmann...
Double issue of the journal of popular music studies, with a feature on the sound factories of the global South, and a look back at the 20th anniversary of Volume!.
I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.
A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).
The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.
Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.
The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.
This collective publication explores the question of Earth rights through the interdisciplinary prism of socio-environmental humanities in relation to contemporary art.
trilingual edition (English / French / Portuguese)
This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.
A collective exploration of sound, music and the socio-political dimensions of listening, from researchers and artists with perspectives from the global South.
Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.
Journalist Olivier Namias and photographer Luc Boegly combine their views of the work carried out between 1970 and 2008 by architect Jean-Patrick Fortin (a villa, a pharmacy and a townhouse) in the Italian commune of Caprino Veronese.
As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.
The second album by the duo So Sner, composed of Susanna Gartmayer (bass clarinet) and Stefan Schneider (electronics), both stylistically cohesive and daringly uncompromising.
Logorrhea is an artist book focusing on the written word in Jean-Michel Wicker's work. It is a large and lighter-than-air paperback, the author's third void.
A first major monograph on Thierry Fournier's practice, French visual artist, with an extensive documentation of many recent works and a collection of texts and interviews.
JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.
Two sides off shimmering, tense compositions—culminating as one of Alessandra Novaga's most creatively ambitious and conceptually rich outings to date—freely inspired by the life and work of the Russian director Andrej Tarkovsky and the music of Johann Sebastian Bach.
A performance by Jérôme Lorichon (Buchla, electronics), Thierry Müller (electric guitar, iPad) and Quentin Rollet (saxophones), recorded live on May 5, 2016 at Le Détail, Paris.
