This section includes all titles whose publishers or labels are not specifically listed in the main list of the publishers section. The complete list of publishers, labels and journals is available in the general index.
Two figures of adventurous and creative music discuss the relationship between improvised music and socio-political practices, through the prism of anarchist thought.
Les presses du réel – Contemporary art – Catalogues
A new reading of the links between artistic practices that emerged in Japan in the late 1960s, against a backdrop of reconstruction and massive industrialization, and those of contemporary artists addressing current environmental issues.
What meaning can be given to abstract art forms when the figurative is evacuated in favor of pure gesture and color? This book investigates the case of Hans Hartung, delving into the depths of his psyche—at the frontier between aesthetics, neuroscience, psychoanalysis and medicine.
For its second issue, Flash Art's yearly review Flash Art Volumes invited Michael Abel and Nile Greenberg of the New York–based architecture practice ANY as guest editors. They have titled this edition "Crisis Formalism."
The River is Elsewhere is a story in pictures from the last years of log driving on the Glomma River in
Norway. The book is both a work of art and a manual, an "ABC" of log driving.
An investigation into how spontaneous play and public interaction in contemporary art can subvert societal norms, based on the work of Oslo-based Iranian artist Shahrzad Malekian.
In the last element of a triptych debuted by Cycles and Script, J.J. Zana stretches his research on form/emptiness and offers a collage of pieces written between 2016 and 2023.
Christine Sun Kim, Sophie Calle, Nat Faulkner, Jon Rafman, Shirin Neshat, Tiffany Sia, Ebun Sodipo, Kelsey Isaacs, Maria-Thalia Carras, Lucy Beech, Zazou Roddam, Hardy Hill, Peng Zuqiang, Nana Wolke...
A collection of testimonials from Ukrainian students and researchers hosted at the Maison de l'Ukraine at the Cité internationale universitaire de Paris, who share their stories and future aspirations.
Charlie Boisson, Clara Cimelli, Clément Fourment, Paul Gibert, Juliette Green, Hippolyte Hentgen, Germain Marguillard, Loïc Pantaly, Smith, Stéphanie Solinas, Mary Sue and Stéphane Thidet, Éric Pessan...
D'ici Fessenheim replicates and extends Élise Alloin's artistic research in the Fessenheim area, following the shutdown in 2020 of France's oldest nuclear power plant and the first in a series of dismantling operations to come.
The sophomore effort by the German band Schatterau, as its title implies, delves into the cyclical nature of time, through 17 vignettes that reflect on the seasons, capturing their unique light and sounds, the passage of time, and the interplay of movement and stillness, as well as the perpetual transformation that leads to new beginnings.
Five improvisational pieces in which the instruments of Bertrand Gauguet (alto and baritone saxophones) and Jean-Luc Petit (contrabass clarinet and sopranino saxophone) swap from one track to the next, with timbres and temperaments varying according to the time of day.
First Aristide Bianchi's monograph, focusing on a plastic gesture born at the turn of the century: the material opening of a sheet of paper meets previous traces to form the drawing.
Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.
The 14th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews Brian Roettinger, Eliott Grunewald, Aurore Piedigrossi, Jean-Vincent Simonet, Mathilde Agius, Marvin Armand and Cécilia Poupon and a conversation between Erwan Bouroullec and Michel Roset.
A remastered 20th-anniversary reissue of the album released on the ~scape label in 2005 and long out of print on vinyl, with which Jan Jelinek turned away from his earlier jazz-glitch experiments and dance-floor incursions to venture into the organic sounds of early krautrock bands.
Writer Nicolas Tardy is an author associated with the 2022 exhibition season of La Kunsthalle Mulhouse. He immersed himself in the universe of three exhibitions, composed freely around the works and ideas he perceived there.
Writer Véronique Vassiliou is an author associated with the 2023 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.
The first album to come out of the collaboration between Jason Kahn (electronics) and Magda Mayas (piano and objects), who have been playing together regularly in concert since 2012.
Recorded in 2019 at the Centre Pompidou, Music for Today is the last public performance by Canadian artist Michael Snow, who died in 2023. Entirely improvised on a prepared piano, this musical piece is a true journey through the musical work of an artist who made perpetual experimentation an artistic practice in its own right.
A major reissue of Roland Kayn's cybernetic music: a 5-CD boxed set based on the original recordings from the Lydia and Roland Kayn Archive, sensibly remastered by Jim O'Rourke.
The first-ever release on vinyl of the important 2001 lowercase work "Forms of Paper" by Steve Roden. Lovingly remastered by Taylor Deupree of 12K Masters in 2024 from the original recording, this limited-edition LP features Steve Roden's artwork on the cover/packaging.
A critical exploration of the values and qualities inherent in independent educational organizations and the hurdles in the way of remaining "alternative" with the passing of time.
Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.
