various

Reference catalogue that examines the notion of Art Brut in a time of new technologies. The first section of the volume features a selection of essays by specialists; the second and richly illustrated section introduces the works of 28 iconic or emerging artists.

A richly documented publication (written contributions by artists and a thousand illustrations) celebrating a decade of art performance at French independent art-space Le Generateur.

This issue explores the interfaces between clubs, clubbing culture and creative communities.

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

Catalogue of Orozco's eponymous in-situ work at Château de Chaumont-sur-Loire: inspired by the princely apartments's old tapestries, the installation looks back at the castle's history and draws on a reflection on memory.

Exhibition Guide from the Triennal 50JPG 2016 – 50 Days for Photography in Geneva, accompanied by the two artist's books published on the occasion of the exhibitions, Giacomo Bianchetti – Bilderberg 2015 et Sébastien Reuzé – Indian Springs (bundle).

The 2016-2017 edition of most complete paper pocket guide to the art world. A selection of art events, an art fairs agenda and listings from more than 50 countries.

This book explores a range of works made between 2002 and 2016 from Nicola Tyson's sketchbook pages to large graphite drawings and giant, life-sized ink drawings.

Queer theory as a critical tool against the very idea of identity in art.

A cosmopolitan post-punk compilation album, originally released in October 1985 on LTM Recordings. Featuring tracks by Section 25, The Anti-Group, Minny Pops, Tuxedomoon, Mazowsze, Eric Random, Dislocation Dance, The Happy Family, Crispy Ambulance, and A Primary Industry. With liner notes by LTM manager James Nice.

A cosmopolitan post-punk compilation album, originally released in October 1985 on LTM Recordings. Featuring tracks by Section 25, The Anti-Group, Minny Pops, Tuxedomoon, Mazowsze, Eric Random, Dislocation Dance, The Happy Family, Crispy Ambulance, and A Primary Industry. With liner notes by LTM manager James Nice.

A collection of musical works from the seventies by the Canadian multidisciplinary artist.

First major monograph documenting the artist's main projects and interests for in situ approach, urbanism, ephemeral structures, gesture and materials.

Proceedings of the 2015 National conference of the French Schools of Arts.

The fictional diary of Gabriel Krampus, an artist who has been living with his artist wife on a deserted island of the Indian ocean for 44 years.

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

A selection of radiophonic works from 2003 to 2011, completed with a 36-page booklet and 4 essays by Bosetti himself, Gregory Whitehead and Ksenija Stefanovic.

Recordings from Riehn's student years, including two versions of the composer's electronic translation of Lautreamont's masterpiece.

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

The first monogaphic study dedicated to French-Lebanese filmmaker and photograph Jocelyne Saab and her works from 1970 to 2015.

ECAL – University of Art and Design Lausanne is recognized as a world reference in terms of graphic design. This success is largely based on a strategy of workshops that allow students to learn from the best Swiss and international designers on the school premises. This book retraces projects conducted in the Bachelor's Graphic Design and Master's programs between 2010 to 2015.

An exegesis of My Bloody Valentine's noisy pop masterpiece Loveless.

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

41 watercolors and two installations' views by Francesco Clemente created after the poem Omeros by Derek Walcott—for which he received the Nobel Price—including excerpts from the poem.

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

This improvisational band founded in 1968 by Dutch musicians Paul Panhuysen, Remko Scha and Jan van Riet takes its source and inspiration from the works of George Maciunas. This LP edition features two pieces, both recorded on December 19, 1976, and never released before on any format. Here, the group comprised Leon van Noorden and Hans Schuurman, in addition to the founding members.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

Paloma Lanna narrates the first year of her brand Paloma Wool during which she has collaborated with some of Barcelona's most relevant contemporary artists and photographers.

An audio collage based on an archive of carpentry and hardware recordings from Mads Emil Nielsen's "SoundTales" project, released on limited edition CD with three printed drawings by French, Amsterdam-based visual artist Julie Dassaud.

Catalogue.

If France is a land of immigration, what about its variété genre? This issue of Volume! aims at tracing the French paths of artists of foreign origin—those who integrated the legacy of chanson française, and those who left a mark on their community by singing exile. As a protean form of expression, variété is an ideal object to observe the ways in which immigrant and foreign identities have been moulded in post-1945 popular music.

An original reading of Pier Paolo Pasolini's work and “impulses”, between aesthetic and psychoanalytic reflection.

Noël Dolla's iconoclastic artistic approach defies categories. This book seeks to explore the heterogeneity of Dolla's works to better demonstrate the singular common thread between them.

This book gathers the papers presented at an international symposium on artists' periodicals, organized by academical Marie Boivent and curator Stephen Perkins. It serves as a smart introduction to a broad range of publishing strategies adopted by artists and others who were experimenting across the field of periodical publishing in new and expanded ways from the 1960s onwards.

An interactive book where you are the hero, written by the game designer FibreTigre, edited by Fanette Mellier (a collector's item for graphic art lovers as well as for readers-players).

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

This catalogue, based on works and publications in the Serralves Collection, reconstitutes the trajectory of the KWY group and its members—from Lisbon to Paris, to Munich—, their collaborations with other artists and publications and their links to international avant-garde movements.

Special offer: the two complementary monographs États seconds and Perturbations.

New monograph.

Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

An unpublished manuscript, La Ferme radieuse et le centre coopératif (“The Radiant Farm and cooperative center”) describes the country planning project conceived by Le Corbusier and Norbert Bézard in the 1930's.

For this artist's book, Izet Sheshivari used three different photographic technologies to produce this selection of landscape images which play with the codes of classic road movies.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

L'herbier: marcher, classer, nommer le paysage / Où donc est passé le réel? (Valérie Belin, Damien Cabanes, Philippe Cognée, Esther Ferrer, Christian Lhopital, Philippe Ramette...) / Sophie Matter / Linda Sanchez / Myriam Mihindou / Farah Atassi / DVD Galeries Nomades 2014, Institut d'art contemporain, Villeurbanne (four exhibition films): Adélaïde Feriot, Maxime Lamarche, Nicolas Momein, Daniel Otero Torres.

First monograph.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.