Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

A set of contributions that explore the conditions of possibility of speculative (and truly engaged) “gestures”, in the context of a widespread crisis of the modes of thinking of modernity (contributions by Didier Debaise, Donna J. Haraway, Bruno Latour, Pierre Montebello, Isabelle Stengers...).

The end of the “human world” A discussion-panorama of trends in current thinking (Badiou, Meillassoux, speculative realism, Latour, Stengers, Descola, Viveiros de Castro...) in Pierre Montebello's own metaphysical perspective.

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

First monograph.

New monograph.

Dedicated to the long-lasting ties between Mexico and France, this survey catalogue's common thread is the foundation of a Fourierist-inspired community in Jicaltepec in the 19th century. The historical event interacts throughout the volume with the works of artists questioning the notions of travel, exile, relationships and utopia.

A sourcebook / critical anthology of social art history.

A sourcebook / critical anthology of social art history.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

The aesthetic and functions of the mirror in contemporary art.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

Tracing the Parisian exile of Korean modernists painters Lee Ungno and Han Mook, this catalogue highlights the work and life of two artists who built an innovative work at the crossroads of Western and Eastern traditions.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

A typology of erasure as artistic gesture throughout the twentieth century.

An examination of the relationship between Antoine Bourdelle and Alberto Giacometti, thus also exploring the more general history of heritage and artistic education under modernity.

First French translation of a pioneering study on Hollywood musicals.

The concept of time in art history.

New monograph.

First monograph.

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

An historical and ethnographic investigation into the popular origin and environment of Cubist innovations.

Through 650 images drawn from the French National Institute for typographic research unpublished archives, this catalogue tells the untold story of a period of profound technological change, exploring the little-known world of typography design through a diverse selection of projects drawing on both an age-old craft tradition and the most radical innovation.

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

A collection of monographic texts and essays by the artist.

A collective publication on Jean Genet and the arts.

This volume brings together essays on the German writer W. G. Sebald (1944-2001), iconographic documents and manuscripts of the author, and a script written by Sebald for a film ever made about the life of the philosopher Ludwig Wittgenstein.

Ambiguity is inherent in images because visual perception is an interpretative act involving memory and imagination. Modern art has made this aspect of perception crucial to its relationship with the viewer. Images potentielles (Potential Images), the first systematic exploration of this topic, considers those works of art that rely to a great degree on imaginative response.

A collection of interviews with artists and curators.

A collection of previously unpublished texts by the French philosopher.

An introduction to the work of a pioneer in media, cinema and sport criticism in Japan, whose thinking deeply marked the counter-culture movements of the 60's.

Major monograph on Phillip King, whose work has been essential in the revival of British sculpture in the early 1960s through experiments with abstraction, construction and color. This book gathers various texts and an interview, exhibition views, and a complete illustrated chronology over 300 pages.

A theoretical, literary and critical dossier dedicated to the relationship between Maurice Blanchot and Georges Bataille; Jean-Luc Nancy's La Communauté désavouée, around the notion of community in Blanchot's oeuvre.

A theoretical, literary and critical dossier dedicated to the relationship between Maurice Blanchot and Georges Bataille; Jean-Luc Nancy's La Communauté désavouée, around the notion of community in Blanchot's oeuvre.

First monograph.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

This issue brings together four articles (by Michel Antony, Loïc Foulon, Gilles Gourbin, Jean-Claude Sosnowski), two projects (by Michel Cordillot and Patrick Samzun), and a great number of reading notes which demonstrate the significant vitality of the research on Fourier, Fourierism, and utopia.

The end of the “human world” A discussion-panorama of trends in current thinking (Badiou, Meillassoux, speculative realism, Latour, Stengers, Descola, Viveiros de Castro...) in Pierre Montebello's own metaphysical perspective.

New monograph.

First monograph.

An investigation into the enigma of the first abstract painting by Kandinsky.

A set of contributions that explore the conditions of possibility of speculative (and truly engaged) “gestures”, in the context of a widespread crisis of the modes of thinking of modernity (contributions by Didier Debaise, Donna J. Haraway, Bruno Latour, Pierre Montebello, Isabelle Stengers...).

First monograph devoted to French artist Anne Brégeaut's intimate, phantasmic and colorful universe, a world deceptively happy, sentimental and almost childlike, but contaminated with incongruous or absurd connections that make it successively disturbing, ambiguous or fragile.

Luxury edition of Anne Brégeaut's monograph, accompanied by a screenprinting limited to 50 copies.

The digital catalogue of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a radical and poetic take on daily life and the modern world.