Un recueil d'essais publiés par e-flux qui examinent la manière dont les images en mouvement circulent, façonnent l'imaginaire politique, positionnent les sujets et servent d'instruments de connaissance et de preuve.
The e-flux Film Reader presents a collection of essays from e-flux journal that treat cinema and artists' moving image as active agents in contemporary social and political life. Rather than surveying the history of film and video, the volume is structured around four connected themes: how moving images function as objects in circulation; how cinema ideologically constructs subjects and how ideology is represented in cinema; the construction and expansion of subjectivity through image-making; and the camera as an instrument of knowledge and evidence production. Across these contexts, the book traces how images bind and divide publics, produce perspectives, and shape what can or cannot be recognized as truth. Organized as a compact reader, it represents a coherent interdisciplinary engagement with moving-image culture over the past decade.
