An archive of vandalism.

Conceived as an artist's book as well as a work of art, All I remember, is a collection of 477 backs of photos retrieved from the archives of the most important daily newspapers in the world, collected and photographed by the artist over the last three years. Benassi has selected the most significant photos of the 20th century in a backwards route through personal and collective memories.

A portrait gallery of metal monsters.

This issue explores the legacy of the mythological, religious, and scientific figures from modern Orientalism.

A series of drawings illustrating Haldernablou, an homoerotic text by 19-year-old Alfred Jarry and first published in 1894.

First monograph.

A global guidebook of transformation processes.

A selection of recent writings by the art critic, galvanizing central themes Verwoert has been developing in pursuit of a language to describe art's transformative potential in conceptual, performative, and emotional terms.

The Nightmare of Participation calls for a format of conflictual participation—no longer a process by which others are invited “in,” but a means of acting without mandate, as uninvited irritant: a forced entry into fields of knowledge that arguably benefit from exterior thinking.

First monograph on the work of the Swiss artist.

A collection of influential essays by Boris Groys.

First monograph dedicated to Franco-marocan video-artist's films (installations or movies), dealing with the notions of movement, relation and distance, on the borderline between visual arts, documentary, and cinema.

First monograph: Charline von Heyl's paintings chronologically presented, each vis-à-vis a detail view manipulated by the artist, with four texts that shed light on the evolution of her work and contextualize her practice regarding the question of the renewal of contemporary painting.

Learning to Breathe Protest / Alexandre Costanzo / Karl Holmqvist / Camille Pageard / Robert McKenzie / Gallien Déjean / Kim West / Elisabeth Lebovici / Clément Rodzielski...

Twenty-three portraits (emblematic paintings from 1959 to 2006).

Dada, Fluxus, futurism, spatialism, lettrism, concrete poetry, cut-up… a 560-page anthology of typographical explosions and poetic experiments by Al Dante.

10th issue, focusing on the blue hour and color (with Aki Goto, Susan Cianciolo, Bless, Laetitia Benat, Aoi Nagae, Yukinori Maeda, Akira Onozuka, Takashi Homma, Akira Minagawa, Nobuya Hitsuda, Shimabuku, Katsumi Omori, Mark Borthwick, Takehito Koganezawa).

The collaboration between J. G. Thirlwell (Foetus) and Fred Bigot (Electronicat).

Conversation with filmmaker, visual artist and farm worker Pierre Creton.

This book brings together visual and written documentation of BLESS's last twelve collections (N° 30–N° 41), continually prompting and challenging the question of where a product begins and ends.

Complete monograph bringing the diverse aspects of Moyra Davey's work together.

An investigation of the latent yet easily overlooked issue of social class in contemporary art.

A selection of Parreno's films and collaborative projects.

Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts.

Exhaustive monograph

Artist's book (limited edition).

A photographic journey.

With Beni Bischof, Chris Johanson, Dimitri Broquard, Hendrik Hegray, Ingo Giezendanner, Johanna Jackson, Kim Gordon, Rita Ackermann, Stefan Marx, Warja Lavater, Will Sweeney.

A performance piece about weakness and public embarrassment (edition of 30 numbered copies).

A performance piece about the Abu Ghraib tortures (edition of 30 numbered copies).

Reference monograph on French designer.

The 4th issue of May makes an atypical choice by publishing a very large section of archival material coming from what is called the“feminist nebula” in Italy in the 1970s. Beyond their great historical, aesthetic and literary value, these documents contribute to the line of thinking pursued by the magazine to re-posit the terms of a social critique in relation to the critique of present-day artistic production.

A new insight into Ronan & Erwan Bouroullec's creative process.

Artist's book (limited edition).

150 black-and-white photographs from the New York studio of Richard Nonas taken by the artist.

A series of intimate and melancholic portraits by Raffi Kalenderian.

An exploration of the relationship between language and visual arts (works by/essays on Pierre Ardouvin, Art Keller, Julien Audebert, Gérard Collin-Thiébaut, Éric Duyckaerts, Dora García, Mark Geffriaud, Martin Le Chevallier, Claude Lévêque, François Morellet, Christian Robert-Tissot, Charles Sandison, Yann Sérandour, Lawrence Weiner).

Analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's Leslie, by Matthieu Poirier, monographs (Laurent Montaron, Su-Mei Tse, Georgina Starr, Joachim Schmid) / interviews (Sébastien Faucon, Kerwin Rolland) / artist's interventions (Nicolas Fenouillat, Dominique Petitgand, Jérôme Poret, Samon Takahashi)...

Blexbolex has partnered with German artist Stefanie Schilling for the making of 47 papier mâché masks representing monsters, skulls, demons and animals... A colorful procession of resurrected souls on a Mexican day of the Dead.

Reference monograph (available in English edition).

The chronological compilation of Yona Friedman's plans, sketches, drawings, models, collages, installations, etc., since 1945: a monumental publication which offers a complete overview of the work of one of the greatest artists-architects and urbanist theoreticians today, in its many dimensions (urban, economic, ecological, cultural, social and political).

First monograph, including an essay by Michael Newman as well as Price's own critical take on his practice.

A set of 83 previously unpublished historical works from the 60's (artist's books with collages, drawings, watercolors and paintings), with an essay by Pierre Péju: early works that, under a minimalist and fragile appearance, announce most of the major themes developed in Kiefer's later grandiose oeuvre.

The societal efficacy of art.

First monograph devoted to the visual work of the New York alternative art scene mythical figure, a pioneer of minimalist electronic rock as the co-founder of the cult band Suicide.