Critical texts by Kim Gordon brought together for the first time.

Reference monograph.

A short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

This publication investigates the historical accumulation and commodification of artefacts and the representation of the human body as seen on ethnographic photographs. New material developed out of artistic research in the Weltkulturen Labor is presented together with unpublished scientific photography. Extended conversations between internationally renowned anthropologists, art historians, curators and artists offer new connections between past and present. Foreign Exchange responds to current interest in the remediation of ethnographic collections, colonial history, historical archives, and interdisciplinary curatorial practice.

Second volume of the anthology (1975-2000), focusing on performance and performativity.

Anne Van der Linden's drawings and paintings from 2008 to 2014.

A meeting of the GOL group with Brunhild Meyer-Ferrari around the piece composed in 1969 by Luc Ferrari, and an improvisation.

Framework is a series of graphic scores and recordings by Copenhagen-based musician Mads Emil Nielsen. Framework 1 consists of 14 hand-drawn graphic scores, printed in risograph, with simple instructions and a recording for each score.

First meeting recorded live at Swissnex, San-Francisco, in February 2009 (Fred Frith: electric guitar; Michel Doneda: soprano and sopranino saxes).

Milanese photographer Giuseppe Pino is known as a refined portraitist and an extraordinary observer of the jazz universe. This book contains timeless faces that have marked the past century, including Vladimir Nabokov, Andy Warhol, Frank Zappa, Giorgio Armani and more.

Exhaustive compendium of monsters drawings in colours and black and white by Frederic Fleury (Frederic Magazine/Vice).

New monograph.

On Purpose and Urgency: Cory Arcangel, Defne Ayas, Angie Keefer, Adam Kleinman, David Levine, Chus Martínez, Seth Price, João Ribas, Carey Young, Akram Zaatari; On Art and the Distributed Spectacle, Kevin Beasley, Caleb Considine, On Cooperation, Thomas Eggerer, GCC, hobbypopMUSEUM, Christina Mackie, Steve McQueen, Alan Moore by Hans Ulrich Obrist, Jon Pestoni, Pots on Video, Charles Ray, Tabor Robak, The Artist as Curator (a serial publication debuting in this issue), Luke Willis Thompson, The Value of Art Criticism, Dena Yago...

John Armleder & Fluxus.

Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.

Issue 01 of the zine edited by Jacopo Benassi et Federico Pepe (Le Dictateur): a series of photos taken by Benassi during an evening of performances and concerts at Btomic in La Spezia (Emidio Clementi & Corrado Nuccini, Little Debbie, Khan, Nicole Boitos, Lori Goldston, Z'ev, El Vez, C.J. Ramone...).

Listening: Discourses, Practices, Mediations.

This publication documents the architecture of the Kembs-Niffer lock in Alsace, conceived by Georges Heintz and Anne-Sophie Kehr. It also features the text of a performance from 2011 by Charles Pennequin.

Retrospective monograph: the first complete publication dedicated to Pierrette Bloch' practice from the 1950s to the 1980s.

Reference monograph.

Chilean journalist and independent curator Valentina Montero outlines some of the milestone events and moments that led to Chile's advanced neoliberalism, and its effects upon education and culture, detecting signs of hope in the lively student movement that emerged in 2011.

All musics done for Jean Dubuffet's Coucou Bazar show.

Drawing & performance special issue.

First French translation of the 1983 artist's fiction book by Richard Prince.

New monograph.

The first collection of Doug Ashford's writings and conversations.

First edition of Eugénie Paultre's Nous Verrons Bien. Etel Adnan has created the six drawings for this book.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

A collection of nonfiction essays that provides an illuminating meander through what we call culture today.

Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present.

The entrance of art into culture at large.

Guillaume Belhomme's first fictional narrative (limited edition with a musical piece by Michael Esposito on a mini CD).

La Tranchée Racine's new special issue (12 pages / 12 authors).

The 39th issue of the design research journal is dedicated to the animal.

New monograph.

A complete documentation on Roman Signer's first permanent public commission.

This first volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s.

Neomaterialism explores the meaning of the world of commodities, and reintroduces various notions of dialectical materialism into the conversation on the subjectivity and vitalism of things.

A fragmented & paranoïac narrative starring psychic murders and Disney's character Pete.

Reference monograph: an overview of Paulina Olowska's work, with an interview with Adam Szymczyk and an essay by Jan Verwoert.

An exhibition of textiles by women artists and designers who explore the social ramifications of couture and industrial/manual fabric production.

Facsimile reprint of the long-unavailable and much sought-after 1974 artist's book by Robert Overby (1935-1993), one of the most fascinating figures of the 1970s Californian art scene.