A collective manifesto for feminist art schools.

A photo report in an photo lab (artist's book).

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

Publication based on a cycle of exhibitions and events conceived by curator and art critic Elsa Vettier, inspired by the narrative arc of Bruce Sterling's 1980 science fiction novel of the same name, around questions of visibility, artificiality, control, surveillance, seduction and disappearance.

An editoeducational project by Ensba Lyon, Ravisius Textor, Stuart Bertolotti-Bailey & The Serving Library, & 019 Ghent.

Under a title in the form of an inventory that could list as many photographic subjects, this book exhaustively documents Pierre-Olivier Arnaud's work since the early 2000s.

The first published fiction text by art critic and author Camille Azaïs, which questions the return to the home of American women since the 2010s.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).

A search for the founding narratives of graphic design and typography (as there were such narratives in antiquity about art, painting, and sculpture) among Atlantist type designers of the 1930s, starting with the American typographer Beatrice Warde.

First monograph.

A compilation of texts, poems and stories whose title is borrowed from the safe words used in BDSM practices.

An interpretative study of a catalogue published on the occasion of the discovery of two sculptures in the canal of Livorno in 1984. Attributed to Modigliani, these sculptures were, in fact, a student hoax.

Une généalogie des grandes oreilles is the result of an iconographic research conducted by artist Lauren Tortil over the past three years on what she calls “Big Ears”: these military surveillance devices that call upon mediated listening – an increased listening through a mediator, such as a tool, an instrument, an architecture, a system, etc.—and that the modern man has relentlessly improved with the purpose of anticipating potential dangers.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

First monograph.

A landscape of Japanese playgrounds, at the intersection of architecture, urbanism, design, pedagogy and contemporary art.

This publication celebrates 10 years of Poptronics, a French online media dedicated to net-culture: net-art, video games, music and sound art, hacktivism, post-digital art… For its tenth anniversary, Poptronics brought up a collective archive of its materials, revisited by the French digital art scene.

Epistolary portrait of a seaman by his daughter (artist's book).

A visual  sprechgesang opera by Florent Dubois arranged by officeabc, with a libretto by Jill Gasparina, Stephen Knott, Aurèle Nourisson, Joël Riff, and Guiral & Domingues.

An educational investigation on the relationship between design and techniques.

An history of graphic design before modernity: this first volume is a transdisciplinary collection of documents recording the existence of graphic design before the development of the written form.

Bienvenue intends to bring back to life the forgotten story of the publication of Pour Jean Sénac, a book dedicated to gay poet and Algerian nationalist Jean Sénac. This edition gathers old and contemporary documents by graphic designer Christophe Jacquet on the project, and features a long conversation between Jacquet and Thierry Chancogne.

Anthology of selected commercial ads published within the US Playboy from 1960 to 2003, Boy constitutes a visual commentary on the normative representations of desire and on the masculine consumer's ideal of life at the end of the 20th century.

Artist book whose title embodies the aesthetical research led by Arthur Fouray on the shift between painting and the cinematographic experience. The publication alternates a series of painting/serigraphy on cushions and textual and typographical experimentation.

This exhibition catalogue offers a thorough examination of the artist's book as both an artistic and editorial medium. Focusing on the collection by Jean-Paul Guy, the publication presents 68 artists' books by the likes of Ed Ruscha, Dieter Roth, Michael Snow, and Robert Barry.

A collection of stories and of theoretical texts focusing on the modalities of existence of artworks, starting with a collection of items that used to be works of art.

First catalogue devoted to French artist Sarah Tritz, whose work is characterized by a multidisciplinary approach (sculpture, painting, collage, drawing). With texts by Claire Moulène and Paul Bernard, as well as an interview with the artist by Sandra Patron and Franck Balland.

This reader brings together the first 8 issues of Postdocument, the magazine on exhibition photography.

An overview of the contemporary state of print design.