An in-depth exploration of the work and destiny of Ana Mendieta (1948-1985), with numerous illustrations and previously unpublished contributions.

The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In Inclusions, Nicolas Bourriaud proposes that artists are the anthropologists of this new era.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

The catalogue of the first edition of the Montpellier Biennale.

Catalogue of the graduation exhibition 2020 "Centaur's Requiem" at MO.CO. Esba (Montpellier School of Fine Arts), curated by Céline Kopp).

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

Documenting Pope.L's exhibition at La Panacée, this catalogue's content comprises texts from the curators, Nicolas Bourriaud and Noam Segal, and photographs of the show. Pope.L worked in close collaboration with graphic designer Johanna Himmelsbach on this editorial project.

The catalogue of the first exhibition of works by artists and chefs, curated by Nicolas Bourriaud and Andrea Petrini: assembling 25 chefs and 20 artists from around the world, Cookbook'19 explores through a large panorama the relationship between the future art of cooking and the edibleness of art.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

Collection of essays by Nicolas Bourriaud on the protean, poetic and Rabelaisian Swedish artist Erik Dietman.

A Constructed World is the collective project of Geoff Lowe and Jacqueline Riva, founded in 1993. This bilingual publication brings their complete writings from 2001 to 2018. In forty plus texts A Constructed World discuss the subject matter of their work, other artists work and subjects that seemed prescient and in need of discussion at the time.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Catalogue of the exhibition-manifesto curated by Nicolas Bourriaud, which takes as its starting point the integration of the notion of Anthropocene in today's artistic scene: the publication proposes an exploration of the output of a new generation of artists who are working on reality, and doing away with the traditional division between the notions of “culture” and “nature.” The catalogue reviews each exhibited work in detail, and offers an enlightening glossary.

Catalogue dedicated to one of the pioneers of European conceptual art, whose work adopts a critical approach of the art world and the avant-garde. The publication offers an overview of the Belgian artist's career, and gathers texts by Jean-Michel Botquin from 1960 to 1980, and recent contributions by Nicolas Bourriaud, Denys Riout, Denis Gielen, and Serge Bonati.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

Nicolas Bourriaud's most recent essay: a radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

The art of postproduction as a response to the proliferating chaos of global culture in the information age.

The art of postproduction as a response to the proliferating chaos of global culture in the information age (also available in English edition).

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

Also available in English edition.