Pisseurses brings together a series of oil pastel drawings and portraits of the artist and her comrades urinating outdoors in a variety of contexts. A brief science-fiction short story carries the whole into a utopian dimension that re-signifies the trivial act of miction.

The 22nd volume of the artist's journal that the photographer has been publishing for over two decades.

A layered graphic novel, conceived as a video-game trailer, weaving together diverse imaginaries, from Flaubert's The Temptation of St. Anthony to H.G. Wells' short stories, from brutalist architecture to generative artificial intelligence.

South African, Amsterdam-based artist Simnikiwe Buhlungu's most expansive publication to date.

The first documentary account by artist, curator and publisher Ludovic Burel, Le laboratoire de fermentation (The fermentation laboratory) retraces four years of investigation, carried out on several continents, into wild and cultivated plants and the means of fermenting them, questioning our relationship to both the human (individual and society) and the non-human (plant and other).

This first collection of texts in French by Félix Candela (1910-1997), a major figure in twentieth-century modern architecture, brings together writings and interviews published in specialized journals, as well as lectures and speeches delivered on various occasions by the Mexican architect and engineer of Spanish origin between 1953 and 1994

Breathtaking a cappella interpretations of the Octonaires de la Vanité du Monde by Paschal de L'Estocart (1582) and pieces from the Geneva Psalter (1562) meet the reworkings of Sylvain Chauveau.

A memetic exploration of the "poor images" found on the fringes of the internet's dynamic and ever-expanding reservoir of content.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

An hybrid editorial object based on the language of fashion, utilizing the eponymous exhibition at the MACRO museum as a starting point.

Writing as a shifting space in which to embody the singular relationship that artists—and art critics—can have with words, texts and language.

Kim Hastreiter, co-founder of the beloved Paper magazine, has spent the last 50 years amassing a vast and iconoclastic collection of stuff. This volume, aptly titled STUFF, chronicles an extraordinary slice of history and the people who defined it, using Hastreiter's singular edit of art, fashion, design, photography, books and ephemera as a lens.

Russell Haswell and Florian Hecker pursue their exploration of the computer music system invented by Xenakis.

A remastered 20th-anniversary reissue of the album released on the ~scape label in 2005 and long out of print on vinyl, with which Jan Jelinek turned away from his earlier jazz-glitch experiments and dance-floor incursions to venture into the organic sounds of early krautrock bands.

First monograph.

Rob Mazurek graces the Keroxen Records waves with a genre defying album of field recordings, modular electronics, trumpet harmonies and spirit call chants.

Following on from work carried out by artist Marianne Mispelaëre in schools, this book explores the diversity of languages that permeate our lives, as well as the political and social issues at stake.

A new revelation into the deeply personal soundworld of a true voyager of both ancient, present and forthcoming times.

A series of photographs of Naples, by Jim C. Nedd, blending and reinterpreting elements from diverse iconographic traditions, such as fashion photography, documentary, and tableau vivant.

An extensive survey of Romanian artist Ionuț Cioană's practice, with a selection of texts he wrote over the years.

A stark and contemplative tribute to composer and intellectual Alain Pierre (1948-2024) by Belgian artist Tim Onderbeke.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

An artist's book published in celebration of Peles Duo's twenty years of work.

A project conceived by artist Julien Prévieux around current issues in space law.

A previously unreleased theatre soundtrack made for Icelandic choreographer Margrét Sara Guðjónsdóttir, whom Peter Rehberg had a decade long collaboration with until his untimely passing in 2021. A psychological journey through the mental effects of sound on space and subsequently the mind.

The first-ever release on vinyl of the important 2001 lowercase work "Forms of Paper" by Steve Roden. Lovingly remastered by Taylor Deupree of 12K Masters in 2024 from the original recording, this limited-edition LP features Steve Roden's artwork on the cover/packaging.

A collection of essays discussing the role of spider/webs in different cultures from an inter-species perspective.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

Recorded in 2019 at the Centre Pompidou, Music for Today is the last public performance by Canadian artist Michael Snow, who died in 2023. Entirely improvised on a prepared piano, this musical piece is a true journey through the musical work of an artist who made perpetual experimentation an artistic practice in its own right.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

Writer Nicolas Tardy is an author associated with the 2022 exhibition season of La Kunsthalle Mulhouse. He immersed himself in the universe of three exhibitions, composed freely around the works and ideas he perceived there.

Writer Véronique Vassiliou is an author associated with the 2023 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.

An hybrid editorial object based on the language of fashion, utilizing the eponymous exhibition at the MACRO museum as a starting point.

Inside the drag-queen “Invasion” on Fire Island.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

Four epistolary exchanges between Thierry Chancogne and Richard Niessen about the Palace of Typographic Masonry, a project initiated in 2014 by the Dutch graphic designer as an imaginary architecture devoted entirely to the variety, abundance, digressions and poetry of graphic expression.

Two series of brutal, raw drawings by Miriam Cahn.

Issue 39 of the magazine of the Palais de Tokyo takes us into group dynamics conducive to the experience and learning of joy.

Michel Guet's intellectual diary, from his commitment to "Banalytique" (an experimental movement that emerged from French post-situationnism in the early 1980s in response to the triumph of the "colonization of reality by market value" and the injunctions to make work totally profitable) to the social critique of art and the vertigo of a planet on fire.

At the crossroads of design, art, architecture and popular culture, Alexandra Midal investigates the techniques developed by artists, designers and revolutionaries to conceal information and messages, through the lens of the coded language of flowers.

Mousse celebrates its 90th issue with a collectible edition, with a special design and format, entirely focused on fiction.

Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020—amidst the pandemic, no less—, the duo of Carlos Godinho and Mestre André return after their "Mãe D'Água" debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss.

The debut publication by French, New York-based, photographer Eric Guillemain offers a privileged insider's view into the captivating world of film sets.

Ergo Phizmiz creates a time loop with his ambient recordings made two decades before the memefication of ASMR videos.

A critical reflection on colonial spaces initiated by the Portuguese artist.

A major reissue of Roland Kayn's cybernetic music: a 5-CD boxed set based on the original recordings from the Lydia and Roland Kayn Archive, sensibly remastered by Jim O'Rourke.

An analysis of Mike Kelley's work as a position in materialist philosophy, which appears as the feature that is most at stake in his artistic practice, focusing on the pieces he produced around the issue of memory––his leitmotiv from 1995 onward (new edition).

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

Short Circuits features essays, interviews, and documentation that highlight Dubai based artist Vikram Divecha's interest in the often invisible structures of planning, construction, demolition and maintenance. It centres on his long-term collaborations with workers, contractors and decision-makers who shape the cities of the United Arab Emirates and beyond.