Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A piece for mezzo, mouths, skins and Buchla, recorded with mezzo-soprano Loré Lixenberg (vinyl sleeve with a CD inside).

The Dynamics of archiving: interviews with Ernesto Oroza, Simone Osthoff, Red conceptualismos del Sur, Manu Luksch, Daniel G. Andujar; Anna Ramos presents the Memorabilia podcast series; the British Library's 140 years of recorded sound vs. Centuries of Sounds; Rhizome's Net Art Anthology; reports on ISEA 2017 – “Biocreation and Peace”, Lisbon's xCoAx 2017…

Box set including a book and a film on DVD dedicated to the Theatergarden Bestiarium exhibition.

Original motion picture soundtrack by Schneider TM for Omer Fast's acclaimed first feature film Remainder. A heuristic creative approach characterised the collaboration between Omer Fast and Schneider TM, where music and images beautifully intertwined in a compelling sonic structure.

Known for his extravagant neo-surrealist paintings, the Dutchman emigrated to New York Peter Schuyff is also a guitarist and singer. Illustrated with drawings by Eliane Gerrits, this book brings together the lyrics of the folk and psychedelic songs of the band The Woodwards, which he forms with the English singer Stevie Guy.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels.

Archivio is a new half-yearly magazine focused on archive's culture, in its many dimensions.This first issue features: Soviet subcultures; computer pioneer Charles Babbage; Studs Terkel radio archive; Milan's economic boom; Eighties Florence; the Whitechapel Gallery's archive; Stokholm city archives; fashion writer Anna Piaggi; young Pasolini; Joan Brossa's archives at MACBA; a project by Ugo la Pietra; scores by Sylvano Bussotti; film archives from Lucio Fulci and Kon Ichikawa, and much more…

Collector's edition box set including the soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack in the vinyl and CD formats, an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky, and the Blu-ray version of the film, in original language with English subtitles.

The first monographic publication dedicated to one of the foremost artists of his generation and a key figure in the development of Bucharest's artistic community in the early 2000s.

Will Sweeney's new graphic narrative is set in a retrofuturistic England ruled by a twisted elite who exploits a population inhabiting decadent urban centers. Monsters populate this strange world, and humanity's last chance lies in the power of the Vorpal Sword—a metaphysical blade of vital creative energy…

Catalogue of the exhibition-manifesto curated by Nicolas Bourriaud, which takes as its starting point the integration of the notion of Anthropocene in today's artistic scene: the publication proposes an exploration of the output of a new generation of artists who are working on reality, and doing away with the traditional division between the notions of “culture” and “nature.” The catalogue reviews each exhibited work in detail, and offers an enlightening glossary.

This extensive volume spans the drawings of Argentinian artist Guillermo Kuitca from 1971 to 2017. Gathering together for the first time more than 650 works on paper selected from a body of more than 3,000 produced over the course of 40 years, the book lies somewhere between a catalogue raisonné and an artist's book.

Craig Kalpakjian is a pionneer in the use of digital software for artistic purposes. This first monographic book is an in-depth look at Kalpakjian's work Black Box, an installation featuring a robotic dog taking pictures. The artist examines this work in cunjunction with declassified CIA and Army Intelligence interrogation manuals. The publication includes an interview with Bob Nickas, and essays by curator Paul Wombell and Gilles Deleuze.

An album for children about horror movies and monsters.

The second book in a series dedicated to the installations exhibited in the nave of the CAPC, De la source au poème documents artist Rosa Barba's eponymous video installation: an investigation on cultural legacy and spaces of memory. Designed as an artist's book, the publication offers a rich and poetic journey to the heart of the exhibition, and features an interview with Barba.

A critical perspective on Guyton's work.

The review of the Museum of Contemporary Arts in Grand-Hornu (MAC's) inaugurates its new formula with the theme of the museum and its criticism by artists. This issue showcases a selection of contemporary and international artistic projects reflecting on the concept of museum. With artists Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan, and Fred Wilson.

Transdisciplinary collection of essays and stories providing new propositions for the concepts associated with communism in relation to a variety of contemporary issues. Contributions are drawn from the project “The Kids Want Communism”—a clandestine public series of events marking the century of the Bolshevik Revolution.

Crossing perspectives on performance acts within the discursive space of contemporary art.

This February in Artforum: Dan Nadel on the art of Christina Ramberg, Howardena Pindell talks about her forthcoming retrospective at the Museum of Contemporary Art Chicago, Amy Taubin on Errol Morris's Wormwood, Caroline Lillian Schopp on the art of Franz Erhard Walther, plus reviews from New York, Detroit, Paris, Bologna, Mexico City, Sharjah, Tokyo, Beijing, and more.

This the very first LP of the new collection “Contra Naturam”, a collaboration between Brussels-based contemporary music ensemble Ictus Ensemble and music label Sub Rosa. This audio recording presents a percussion-based composition by Pierluigi Billone, performed by Tom De Cock. Booklet features an unpublished essay by Laurent Feneyrou (in English, Dutch, French).

Bienvenue intends to bring back to life the forgotten story of the publication of Pour Jean Sénac, a book dedicated to gay poet and Algerian nationalist Jean Sénac. This edition gathers old and contemporary documents by graphic designer Christophe Jacquet on the project, and features a long conversation between Jacquet and Thierry Chancogne.

Contemporary views on Egon Schiele; the controversial artistic treasury of the Gurlitt Collection; Macron's victory explained in literature; interviews with Giuseppe Penone and Lucy McKenzie; Glasgow: Britain's true artistic capital; photography in India; Tokyo's urbanistic issues; “Negative” section with Robert Menasse's Die Hauptstadt, Tonya Harding, Google, ballet's gender-free future, and a marriage advice for an American at Kensington Palace; portfolio by photographer Michele Borzoni.

Anicka Yi; on “post-work” by Tom McCarthy; Twing Peaks: The Return, by Philippe Parreno & Asad Raza; death of the art gallery model: a round table; Gilbert & George; Oliver Laric; new formats in digital art; Do we need a new avant-garde?; interview with the Contemporary Art Writing Daily; Courbet's La dame au podoscaphe; Documenta X (1997) by Daniel Baumann; John Russell by Tobias Madison; Manifesto for the public museum; reviews from London, Milan, New York, Paris…

The first publication by Roberto Timperi gathers more than ten years of photographic work: an intimate diary and a one-way ticket into the underground world.

The catalogue for Heman Chong's first solo museum exhibition in mainland China, at the Rockbund Art Museum, provides an insightful and critical look into the Singaporean artist's recent practice.

A story of love and drunkenness with Venus in Zurich's forest, by German writer Oskar Panizza. This edition comes with a musical piece and illustrations by experimental intermedia duo My Cat Is An Alien.

Some four thousand Polaroids depicting nearly fifteen years in the life of artist and former director of the Lausanne art school, ECAL. This photographic diary offers an intimate and erotic portrait of Keller, from its time in 1970s New York to trips to South America and Europe. With texts by Hans Ulrich Obrist and Stéphanie Moisdon.

An intimate diary in the shape of an apparently cold, monochromatic book, Negative Book collects a series of eighty-four black-and-white photographs taken by Grzeszykowska following a very particular procedure, which is both visual and performative.

This artist's book is based on a namesake project of video installations and art objects exploring the transformation of the image within time and space. With texts and drawings by curator Vitaly Patsyukov.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

In a junction of artist's book, illustrated sci-fi story, and a glossary of sculptural objects Ludovica Carbotta explores the concept of “fictional site-specificity” through different media, authorships, and descriptive strategies: a site-oriented practice that considers imaginary places, or real places within fictional contexts, to recover the role of imagination in the process of constructing knowledge.

Conceived by Sigismond de Vajay, this artist's book combines 70 of his drawings with commissioned essays by Mexican novelist Mario Bellatín, French biologist and glaciology researcher Bruno Jourdain, and geography and biotechnology expert Elizabeth R. Johnson. Together, thanks to their intertwined dialogue around reality, fiction, science, knowledge, and the power of artistic approaches, they express a subjective vision of our changing times.

Two new musical encounters.

Two new musical encounters.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this theoretical publication investigates educational processes and what it means to teach and learn fine arts in a city such as Zurich. It also reflects on the field works made by the MFA students in 2017 in Athens, Beirut, and Lesbos.

Composer/organist/musicologist Eva-Maria Houben's most compelling piece to date.

What can art do to relieve pain and heal wounds? This issue's main section addresses these questions through an examination of works by Kader Attia, Emily Falencki, Eric Fischl, Berlinde De Bruyckere and Teresa Margolles, as well as two essays by Édith-Anne Pageot and Mirna Boyadjian. Other features includes an interview with Marion Zilio, followed by the usual sections “Interview”, “Events” and “Reviews”.

Fiction as Method brings authors into dialogue with artists, technologists, theorists and filmmakers in order to examine the diverse ways in which fiction manifests. The aim is to explore the concept through direct and indirect means, ultimately considering how fictions proliferate, take on flesh and come to act in the world.

This catalogue / artist's book inaugurates a new series dedicated to the site-specific installations exhibited in the nave of the CAPC. The eponymous project by artist Leonor Antunes is a sculptural ensemble influenced by textile and architectural works, thus recalling the commercial past of the nave as well as the cultural legacy of modernism. The publication features an interview with the artist and a text by textile artist Anni Albers.

Armen Avanessian's Miami chronicles: An inventory of the self in the second person, intertwining thoughts on the art world and interrogations on our digital times.

This catalogue is the first survey of the art and practice of Art+Positive, a significant affinity group of ACT UP New York during the early years of the AIDS epidemic. The publication presents previously unseen archives featuring artworks, documents, protest ephemera, and meeting notes, as well as commissioned essays and unpublished writings.

Rita Mcbride, Julia Scher, Lu Yang, Michael Stevenson, Alexandra Pirici, Martin Arnold, Erika Verzutti, Julia Phillips & Aaron Gilbert, Simphiwe Ndzube, Diego Marcon, Tiona Nekkia Mcclodden, Diamond Stingily, Meriem Bennani, Siri Aurdal, Asad Raza, Lydia Ourahmane…

A companion to his previous book, Colour in Contextual Play, Joseph Kosuth's Neon in Contextual Play continues the artist's investigation of the interplay between language and reality, words and objects, color and light. Within these pairings, early neon works by Kosuth interact with those by Arte Povera artists who also used the industrial medium.

Artist Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho.

Three Double Tales is the first monographic publication on Aurélien Froment's work. Published in three languages and designed in collaboration with Åbäke, the book revisits the artist's interest in the questions of translation and wordplay. A photography book, an exhibition catalogue as well as an artist book, Three Double Tales unites three projects that share the use of photography, and whose sources – places and fantasy – have structured Froment's work for the past fifteen years.

Two-volume box set documenting a 2013 eponymous international festival reflecting on the impact of technologies in our present and future lives. Inspired by a seminal 1966 Stockholm festival, this event featured both lectures and artistic acts. The publication gathers the catalogue and proceedings of the 2013 event, archival materials, and includes unpublished correspondence by John Cage, and Buckminster Fuller, and texts by Alvin Lucier and Nam June Paik.

Comparative Studies of Neo-Avant-Gardes in a Bipolar World.