A monograph centered on a series of recent oil paintings on linen by Calvin Marcus, that depict magnified renderings of the artist's flesh, extending Marcus's investigation of media, process, and the abject in the familiar.

A collection of sketches and research notes, texts, transcriptions of sound works, and visuals that document Dominique Petitgand's sound work.

First monograph.

The second volume of the defiinitive reference work on Belgian artist Philippe Van Snick, richly illustrated and featuring in-depth essays, offers a comprehensive overview of the artist's oeuvre, and new insights and discoveries about his work.

Issue 1 of the journal of psychoanalysis and interdisciplinary discussions, focusing on the theme of vertigo.

Globalized popular culture as a starting point for a new way of thinking about art and visual culture.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

A volume about artistic processes and practices that do not pursue an explicit political or critical agenda, yet nevertheless have a unique potential for intervention.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Moondog's poetic autobiography.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

Departing from a series of concrete projects and international exhibitions, this book considers the conditions of artistic research and related discourse via twenty significant concepts.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

A look back at the career and work of Vasıf Kortun, an exhibition curator, author, and educator.

Reference monograph.

A visual travelogue that critically captures the 2025 World Expo on Yumeshima, Japanese for "Island of Dreams," which took place from April to October 2025.

A special edition bringing together three issues of the journal of architecture criticism under a single title: "Dixit: Switzerland!". Six prominent figures with links to Switzerland (Hélène Binet + Elli Mosayebi; Tiphaine Abenia + Alia Bengana; Carlotta Darò + Raphaël Kadid) are invited to discuss common and topical issues.

French ceramicist Jacques Monneraud's first monograph, So-Called Reality, covers three years of the artist's practice and focuses on his trompe-l'œil cardboard ceramics.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

A series of reflections on research and fieldwork that situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

A fascinating journey through the long history of media before the age of mass media.

This catalogue examines how the act of "making" can restore a different sense of time and physical perception within an increasingly accelerated society, through the work of ten Japanese artists with material-driven, craft-based approaches.

This issue 0 of the annual magazine dedicated to ceramics and related arts unfolds like a day, from morning until evening. But behind this day lies another, more expansive one: that of a life, from birth to death.

Soft Photography examines the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).

A book that builds on the curatorial work developed by Elvan Zabunyan around the archives and correspondence of Angela Davis, Audre Lorde, and Toni Morrison.

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

Marking fluent's tenth anniversary, this book traces the organization's archive and includes an exhaustive chronology of over 300 pages that examines its own narrative while revisiting its history.

Artists, media theorists, scientists, and science-fiction writers explore the reciprocity between ecology, industry, technology and consumption.

Special issue on performance and sound art.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene (new edition).

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

A philosophical perspective on photographic images.

La Gauchère is an illustrated book that chronicles several years of research on left-handedness. It calls for left-handedness to be viewed as a creative force, beyond the pejorative connotations commonly attributed to the term and to those who are mal à droite (uncomfortable with right-handedness and awkward).

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound.

The first book devoted to the late writer and actress Dorothy Dean (new expanded edition).

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

The search for identity by Stefan Oberbrünner, a German Jewish lawyer who fled to France in 1934, was interned under the Vichy regime, and was then deported on Convoy No. 51 to Sobibor in 1943. A narrative woven from archival materials, evocative drawings, and reflections on memory.

Jeanne Hubert explores a place of passage—the shoreline—through her drawings.