This vinyl LP associates a visual project and a musical piece by the multidisciplinary German artist. Müller's interest with Wagner's composition Rheingold forms the basis of the sound piece, which consists of a mix of layers of Rheingold recordings. Vinyl sleeves features facsimiles of four ash-painted postcards from the series Not a bird.

A panorama of the world of do-it-yourself fanzines.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

Final chapter of a publication series by Ugo Rondinone, this catalogue presents the artist's exhibition on the occasion of the reopening of the Bass Museum of Art in Miami. The volume also takes a look at the Museum's acquisition of Rondinone's Miami Mountain, which follows his iconic mountain series, recognizable for their brightly colored, fluorescent contrasting palates.

This publication gathers a series of photographs made during the artist's formative years. Between 2004 and 2008, Nadim Asfar photographed anonymous passersby from the balcony of his studio in Beirut. As faceless figures cast shadows under the hard city light, heading in undisclosed directions, their narratives are only announced, never told.

Field recordings and electromagnetic improvisations by French artist Pali Meursault.

This leporello artist's book is the last iteration of an ever-mutating project by artist Tanaz Modabber. It reproduces a sixty-meter-long drawing which was also used in the past as a score, and as a referential mapping. The work also refers to the links between poetry, music, architecture, and politics in Iran.

Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. Therefore, critical analyses regularly reduced the artwork to its material and its social use. Based on this observation, historian Sebastian Egenhofer takes Deleuze's readings of philosophers as a starting point to renew the narrative of art history since the 1960s.

A poetic narrative in which the author, sound artist Émilie Mouchous, investigates her own psyche through an exploration of plants. The artist's first publication features a hyperlink to download the soundtrack of the poem, an 18-minute piece with voice and synthesizers.

This publication presents a series of some forty autobiographical drawings in pencil, ink and watercolor. The artist chose to recount his life as a children's story, flicking through fleeting memories, dramatic events, and brief anecdotes.

Sound artist Anne-F Jacques' first publication: an inventory of objects and materials with which she produces sound and kinetic assemblages. The book features a selection of recent drawings from the artist's notebooks.

The first monograph of the artist, looking back at 20 years of artistic practice through her variable projects: paintings and drawings, installations, films and videos. The publication gathers texts by Patricia Falguières, Rabih Mroué, and Ghassan Salhab, as well as interviews with Lamia Joreige by Etel Adnan, Kader Attia, Lav Diaz, and Charbel Habre.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

This catalogue surveys the work of object design creator Ineke Hans.

This catalogue documents three video works by the Belgian-American artist Cécile B. Evans, in which she explores the impact of digital technology on human condition.

The catalogue published on the occasion of Navas' first institutional exhibition continues her research on art and design, which deals with phenomena such as memory, translation, interpretation and authorship and documents a wide exchange of images and ideas. A collection of photographs the artist received from friends and acquaintances provides an insight into how her work is influenced and understood by others under the motto “I had to think of you”.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

Edition of poetic texts, illustrated with original works by Olivier Bringer.

Edition of poetic texts, illustrated with original works by Olivier Bringer.

Chantier is a collective project with Pascal Battus on found objects, Bertrand Gauguet on saxophone, and Eric La Casa on microphones. The trio's proposal is to develop a sound practice created on building sites, amongst the machines and the builders. The fourth part of this project was recorded on the building site of the Philharmonie in Paris.

An improvised musical piece recorded with the friends of Herman de Vries at his 80th birthday's summer party on June 18, 2011, in Eschenau. With liner notes by Herman de Vries and photos of the event on the back sleeve.

Initiales, the art and research magazine published by the École nationale supérieure des beaux-arts de Lyon, dedicates its eleventh issue to a major figure of contemporary sculpture, Isa Genzken.

Monograph celebrating the practice of Swedish multidisciplinary artist Johanna Gustafsson Fürst. The publication is a true collaboration between the artist, her publishers, and graphic designer Jonas Williamsson. It includes a series of essays by artists, critics, and curators.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

35 years after the release of their critically acclaimed albumVibrant Stapler Obscures Characteristic Growth the British dadaist group Hastings of Malawi have released a new album—an epic sound poem entitled Visceral Underskinnings. It is a 40 minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers.

The encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement.

Juillet features a small selection of Ronan Bouroullec's recent drawings.

During a residency at Les Laboratoires, in the Parisian suburb of Aubervilliers, choreographer Lenio Kaklea collected information from nearly 300 residents about their habits, rituals, and professions. This publication gathers these accounts in the form of written portraits.

This catalogue documents the performance and visual arts collective's new body of work—a series of sculptures and a four-act theatrical production imagining the potential of an automated machine or software with the ability to compose tragic and dramatic scripts.

Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

This publication brings together the 50 unique life-cast portraits of the artist's work, Imagines; inspired by ancient Roman life-casts of the same name. Each life-cast portrait is presented as a postcard; the reverse of which, written in Edmier's own hand, provides interesting details about the individual casts. The set of postcards is presented in a hard-back “stone” box-envelop, with white debossed text.

Limited special edition, signed and numbered by the artist with a custom seal. Also included is a card of the 50th and final lifecast self portrait of Edmier made on the exact minute of his 50th birthday and the day of the exhibition opening at Petzel Gallery. Special editions come in a set of 2 books: one first edition copy & one sealed and signed by the artist with the final card.

Julien Blaine's new collection of poetic, visual and typographic experiments.

An history of graphic design before modernity: this first volume is a transdisciplinary collection of documents recording the existence of graphic design before the development of the written form.

The artistic practice of Birdhead associates photography with particular collage skills and mounting technique. The publication is a visual diary of the duo's experimentation in Italy, accompanied with a dual language essay by art historian Maurizio Bortolotti.

The publication is the first comprehensive study of Baruchello's relationship with the moving image from the sixties on.

This catalogue revolves around a project by Damir Očko inspired by the works of Brecht and Orwell. The Croatian artist produced a video collage reflecting on the impoverishment of language in the public space.

This publication features an unpublished series of artworks by artist Paolo Gioli based on polaroid images of etruscan funerary sculptures set in the Italian city of Volterra. The volume is supplemented by a text on Volterra by novelist D. H. Lawrence, and an essay by historian of photography Roberta Valtorta.

Federico Lodoli and Carlo Gabriele Tribbioli went twice in Liberia to carry out a study on the war. This publication gathers their travel memoirs, interviews with Liberian warlords and a photographic reportage.

The private and personal side of a painter (first monograph / artist's book).

The self-titled 2nd release of the trio featuring Anthony Pateras, Scott Tinkler and Erkki Veltheim, a stochastic / carnatic free improvisation session recorded in Melbourne's Church of All Nations.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

This catalogue presents an unpublished series of work by Tomoko Yoneda: the Japanese photographer has followed in the footsteps of Albert Camus, through Algeria and France, carrying on her reflection on the memory of places by way of her sensitive and poetic photographs. It is a subtle evocation of the youth of the author of “The Stranger.”