New monograph.

New monograph.

Paintings and photocollages by the French artist based in Senegal, Vincent Michéa, which are part of a vast kaleidoscopic iconography, African but also European and American, that reorganizes space and time.

A writing workshop led by the writer François Bon and the artist photographer Bruno Serralongue at HEAD - Geneva from February 20 to 25, 2022.

A monumental monograph tracing ten years of the French sculptor's practice over some 500 pages, with an interview and five essays.

The Order of Things presents about a hundred analog photographs of landscaped gardens around houses and estates in the Swiss Canton of Valais and in Romandy, the western, French-speaking part of Switzerland.

Basse saison combines photographs taken by the artist mainly during the winter of 2020, while staying in her native region, La Grande Motte in southern France.

A story of love, lust and parenthood, born beneath a series of thunderstorms (the script by the acclaimed Welsh film director and screenwriter Peter Greenaway).

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.

A series of historical images of buildings and monuments, retouched by the artist who superimposes the flames that ravaged these monuments long after the time of the original image, overlaying the present and the past.

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

A photographic serie about Redeyef, a mining town in the south of Tunisia.

Artist's book.

An electroacoustic piece composed between 1984 and 1989, inspired by the ancient theory of the four elements and exploring the notions of matter and its transformation.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

An imaginary dictionary that navigates between language and landscape, notation and noise.

A monograph conceived as a self-portrait: the story of the artist's career through works and writings from 1961 to 2015, collected in chronological order to illustrate the ever-evolving, organic nature of Salvo's activities, which constantly interacted with the history of art.

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

A series of works by the duo of painters Les Sœurs Siamoises, who work the images together "like a decomplexed table tennis game, with Indian cactus in the pin-up colors of the forests of the kingdom of Siam".

The first novel by Swiss artist Johana Blanc.

What architectural possibilities can emerge when we reimagine arid landscapes as spaces of abundance? (a collective book conceived as a travelogue that challenges preconceptions around aridity: the official publication of UAE's National Pavilion at Venise Biennale of Architecture).

Victoria Shen; contemporary Arabic poetry: Rasha Omran; Anthony Pateras by Delphine Dora; Christina Kubisch in conversation with Carole Rieussec and Elena Biserna; Alexandre Chanoine; Sister Iodine; Léo Dupleix; Jeanne Lee; 80 album reviews...

The most significant critical, theoretical, and art historical texts by the artist, writer, and filmmaker Aria Dean.

Karen Kilimnik's artist's book Early Drawings 1976–1998 brings together the artist's own rich and varied selection of around 130 never before published early works on paper.

In his "Autobiography", Andrea Salvino uses different visual elements that characterized his production through the years: movie stills, details of master paintings, images of celebrities and many others.

A conversation between Eva Wilson and the 2022 Frieze Artist Award Abbas Zahedi, around the core concepts of "translation and transplantation".

A publication dedicated to the Axel and May Vervoordt Foundation, a Belgian art foundation containing over 700 artworks from both contemporary artists (Jef Verheyen, Anish Kapoor, Angel Vergara, etc.) as well as old ancient objects and artworks.

A very personal text by Yann Chateigné Tytelman, curator and critic, who establishes a link between his past, his childhood and his career as a curator, his artistic choices, his exhibitions, often in connection with the theme of silence.

Monograph.

Stefan Marx uses different media in his "Autobiography". Sketches, paintings, photographs and some texts, all carried out through the iconic style that made him a legend.

A monographic itinerary on Patrick Procktor (1936-2003), a leading, contradictory and flamboyant figure in the London art scene of the 1960s and 1970s, through a selection of about sixty works, including paintings, watercolors and drawings.

New monograph, devoted to Haegue Yang's "Mesmerizing Mesh" series, which dwelves into "Sacred Paper Cutting", a Korean shamanastic ritual which has inspired many of her recent projects.

Invited by Molly Warnock, nine artists living in the United States write about the work of Michel Parmentier (1938-2000). A radical founding figure of the BMPT collective who refused all formal and ideological compromise, Parmentier appears here through the diverse prisms of the authors' own artistic commitments and cultures.

A collection of poetic, political and ecological stories to be told aloud, in which the natural elements (the melting ice, the volcanic eruption, the hole in the clouds, or the flood) are the heroes, approaching ecology through its sensitive manifestations.

The debut of the duo Damāvand (Gianluca Ceccarini and Alessandro Ciccarelli), a tribute to the 18th Century Armenian poet and musician Sayat Nova, weaves a sprawling sense of rhythmic abstraction from ancient poetic touchstone, offering further proof that the future of ambient music is now.

A selection of Tanaami's Picasso's series.

A series of viral drawings by Jorge Zontal, signed General Idea, printed in 5 color offset.

As part of a series of publications on singular architectural bodies of work, this volume presents three projects by architects working with Bernard Quirot in Grachaux, Haute-Saône (France), which examine three materials and their use in a local perspective of "critical regionalism".

In this small volume, normally-inanimate objects are brought to life by Amelie von Wulffen's paint brush, moving throughout this strange, surreal universe as if they were real people. The result is a series of darkly funny paintings that shed light on our own mundane realities.

Lagoss (comprised of Tenerife based veteran producers Gonçalo F. Cardoso, Mladen Kurajica and Daniel García) and Banha da Cobra (Lisbon-based musicians Mestre André and Carlos Godinho) introduce the first volume on the "Aquapelagos" series—a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

A comprehensive overview of artist Kathrin Böhm's multifaceted, deeply collaborative, and durational practice and networks.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A retrospective of thirteen years of image production by the artist duo Hippolyte Hentgen.

A journey through the history of the pioneering Italian science fiction magazine Urania since the early 1950s.

A photographic portrait of Porpora Marcasciano, human rights activist, writer, sociologist and honorary president of MIT (the Italian Transgender Identity Movement).

Occupying a remarkable middle ground between the operatic, the abstractions of experimentalism, and seductive qualities of popular music, Italian berlin-based composer, performer and publisher Claudio Rocchetti has created an entirely singular from of electroacoustic practice, as though Philip Glass' Operas were tossed into a blender run by Alvin Lucier. Thrilling, deeply engaging, and bordering on the visionary, this transportive wonder taps the melancholic and ecstatic alike.