A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

Two previously unreleased recordings from Philip Corner's "Gong/Ear" series of works. Side A was recorded on a South German night train ride in 1990, side B in the Alps in 1994.

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

How film may be a constructive tool to examine the state of the world and its cruelties, and how to form a more stable and supportive culture of film production and distribution.

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

Julian Charrière's filmic journey to some of the most inhospitable areas of our planet.

A series of “Outrenoirs” produced by Pierre Soulages between 1986 and 2018.

First comprehensive monograph.

The General's Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare in the Middle East from a bird's eye view.

An exhaustive documentation on ZimmerFrei's eponymous trilogy of short films.

The fertile exchanges between French and American poetry since 1968.

The first book written by Pierre Escot at the beginning of the 1980s, never published before, intertwines several stories in poetic and narrative fragments.

From Pantin to Paris-North Station, via "somewhere in Latin America": an implosive writing for a mapping of violence. Both a poetic document and a choreographer's notebook.

A series of recent drawings by London-based artist Faye Wei Wei.

A photographic series that portrays details of the clothes of passers-by glimpsed along the streets of Manhattan (artist's book).

A series of photographic performances by Fabienne Létang, confined to her studio, with texts by Liliane Giraudon, Amandine André and A.C. Hello.

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

This book examines the modes of execution in contemporary art from the viewpoint of production, by means of a series of eighteen interviews. It presents a plural and polyphonic thinking, bringing together the words of different participants concerned with the realisation of artworks and several generations of artists.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.

The efficiency of art in common.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

An unpublished tale by Raoul Ruiz.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

A somnambulant modern masterwork, Kali Malone's 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies co-released by XKatedral and Bleak Environment.

A musical and poetic performance by the Italian artistic collective.

A concise and poetic meditation on materiality and consciousness by Turkish artist and writer Deniz Gül.

First monograph of the Beninese painter.

C.C. Hennix realizes Karlheinz Stockhausen's famous “intuitive music” masterwork from the late Sixties.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

When she started writing the Corona Tales, Chus Martínez had been weighing how people and the media were addressing the outbreak of the virus as an unprecedented disaster. One possible contribution, as curator and writer, would be to write a short story a day and post it on an Instagram account that many could access…

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.

Each of the stories that make up this collection of narratives has as its starting point a phrase that must be taken literally, in its literal sense. The writing then develops its poetic and imaginary potentialities.

A series of drawings revisiting the history, the landscapes and the fantasy of Tyrol in Austria (leporello).

Giuseppe Ielasi experiments for the MMXX series with edgy and unpredictable rhythmic elements, buzzing tones and unusual environments.

The album “Balance” by Frank Bretschneider & Taylor Deupree was originally released in 2002 by Mille Plateaux on CD only. The 9 tracks are a perfect example for the aesthetics to arise within the Click & Cuts scene and (ambient-)glitch music movement of the late 1990s and early 2000s.

A conversation around books and reading, education and teaching methods, food and culinary practices, and agriculture and ecology.

The album from Marina Rosenfeld's complex audiovisual installation around the microphone, amplification, notation and listening.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

A selection of artists and authors records within a multifaceted mosaic some of the most relevant, urgent and dystopian visions of today's changing world.