A list of titles for exhibitions available free of charge from the artist (artist's book).

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

Starting from the art collection of the museum M in Leuven, Vilanova reflects on the artof exhibiting and explores display modes from showcases to postcards.

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

Poet Harry Burke recounts an extreme and barely legal experiment led by artist Raphael Hefti in a mountain village in Switzerland in 2008 (artist's book).

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

A photographic attempt to capture the elusive nature of the Californian landscape.

Addressing fifteen years—from 1999 to 2014—of André Guedes's artistic practice, this monograph also proves to be the medium of a reflexion on anthological exhibitions.

A comprehensive monograph, including preparatory documents and two essays by Jens Hoffmann and Alessandro Rabottini to better understand the delicate paintings of Dutch artist Maaike Schoorel.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Caroline Sury's latest work: a series of phantasmagoric shadows cut out of black paper in a very refined mirror game.

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

6th issue of the art and research magazine is dedicated to Nathalie du Pasquier.

Bomb's Summer Issue: interviews with Lawrence Paul Yuxweluptun, Wadada Leo Smith, Dmitry Krymov, Patricia Treib, Lee Clay Johnson, Jesse Ball & Catherine Lacey, Jason Simon, Vince Staples, “artists on artists” section with Frederick Terna by Stephen Westfall, Brandan “Bmike” Odums by Zachary Lazar, Rebecca Smith by John Newman, David Brody by Elliott Green, portfolio by Steel Stillman, fiction and poetry, exhibitions and books' reviews…

Andreas Tschersich's photographic portraits of peripheral areas around the globe capture the uniformity of these transitional spaces that form the hidden face of urbanity.

New monograph.

An acoustic-phonetic approach of book's corporeality in 38 tracks.

First monograph.

New monograph.

A series of seven silk-screen prints depicting close-up images of Antunes's sculptures inspired by the works of Anni Albers and Lina Bo Bardi (artist's edition).

Over 300 watercolors inspired by the film Rambo II (artist's book).

The fictional diary of Gabriel Krampus, an artist who has been living with his artist wife on a deserted island of the Indian ocean for 44 years.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

Botanical trajectories and symbolic dimensions of Merano's palm trees (artist's book).

This catalogue documents Charlemagne Palestine's eponymous solo exhibition, including his early video works, sculptures, paintings, installations, and sound scores.

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

A manual / first monograph on Lara Favaretto's works comprising iconographic documentation and complementary essays by critics and specialists.

First monograph.

Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.

A deconstructed overview offering the widest selection of Jodice's works ever presented: more than twenty years of eclectic art—alternating between photography, videos and installations.

In specially commissioned essays, as well as interviews, archival material, and new texts by the artist, this first monograph addresses the in-depth investigation of Plender's research and artwork into educational models and their relation to social organization.

Amateur is the first comprehensive publication about Wendelien van Oldenborgh's moving image works, and their accompanying installations.

A selection of notes on Cally Spooner's forthcoming novel—shaped as a map of potential starts, plots and snippets of dialogue between possible characters.

Ten years of ceramic work by an important figure among post-war artists.

This catalogue presents an art-historical angle on Chen Zhen's unique way of questioning his experience of globalization through art.

A photographic artist's book focusing on a former cement factory in Sweden. Kriemann's concern with archaeology, archival materials, and lost narratives is once again affirmed in this publication which came as the result of a residency program in Gotland Island and for which she collaborated with poet Maria Barnas and writer Kirsty Bell, among others.

A collection of texts defining utopia as a place existing only within the domain of language, Utopia gives a synthesis of historical utopias and a snapshot of the 1970-1980's poetic scene.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

A collection of 70 penis drawings inspired by the borough of Manhattan. Made in one day in 1978, this early work forms a singular, ecclectic and playful guided tour of the city—including drawings and series such as Phallic buildings form 7th Ave., Drawing Penises in front of Tiffanys, Penis with doors – Carnegie music hall, The best place to draw penises, Self portrait at home…

Recording of Hermann Nitsch's mighty pipe organ concert in Berlin, January 22, 2016.

Brazil's artists face multifront crisis, Jordan Wolfson's distressing robot ballet, official repression and crowd-sourced censorship against Istanbul's galleries and artists, interviews with Kaari Upson and Ian Cheng, Malick Sidibé's Bamako nights, Beyoncé's Swiss inheritance, architecture's charity cases, where not to eat in Paris, reviews from Boston, London, Los Angeles, and New York, and a portfolio by Pilar Mata Dupont…

Homeschooling (parental education) is at the center of the performance and video work by Angela Marzullo, who, in analyzing critical texts from the '60s and '70s, recreates them involving her two daughters as protagonists. The publication presents a decade of Marzullo's works, highlighting the evocative value and content of images and text.

An interactive catalogue in the form of a map with replicas of the works exhibited by the artist at Turin's Palazzo Madama.

This catalogue / artist's book interconnects disciplines to reflect upon the complex role of scent as a fluid vector of identity, myth and memory, post-evolutionary science, body-synthesis, capitalism, power and branding.

One of Matt Mullican's central and most consequential inventions, the so-called “Rubbings,” are a kind of “frottages,” a technique the artist uses to produce specific pictures. The book presents a catalogue of the Rubbings on canvas from 1984 to 2015. It comprises around 500 works, documented by images and catalogue entries (the book also contains an essay by Dieter Schwarz).

A manual for public art projects in Zurich.