Reconstitution of a comic book appearing at the beginning of the film Fahrenheit 451 by François Truffaut. With this publication, Spanish artist Francesc Ruiz also questions the status of the comic book at the time the film was made and also within the dystopian universe originally created by Ray Bradbury.
The publication is the reconstruction of a prop from the film directed by François Truffaut in 1966: a comic without text that the main character browses for a few seconds while lying in bed. The 8-page publication contains some original images of the comic from the movie itself and others taken from the still film images from the shooting and was completed after research on styles and authors of the period, mixing some material borrowed from James Bond comic strips (Truffaut's film was shot in Pinewood Studios in London with the same production team as the James Bond movies) with new content that helps to understand the meaning of both the film and the novel, adding a new narrative perspective.
Limited edition of 400 copies.
Published on the occasion of the exhibition “No Words, 3 Walls, 3D Porn,” Florence Loewy, Paris, from October 15 to December 18, 2016.
Drawing, typography and graphic design are the tools used by Francesc Ruiz (born 1971, lives and works in Barcelona) to modify the publications that he mobilises in his installations, which for several years have tended towards architectural structures such as kiosks, bookshops, record shops or libraries.
Francesc Ruiz is fascinated by the aesthetic of the comic books of which he has been an avid reader since childhood, and he is particularly interested in their narrative construction and the complexity of social systems conveyed by this aesthetic.
Erotic and homosexual comic books in particular enable him to deal with issues such as censorship and creative freedom and thus to examine the evolution of social and individual identities. In parallel to his socio-political explorations Francesc Ruiz takes a more general interest, through the press and comic books, in the various aspects of popular culture which dissimulate their subversive nature behind amusing façades.