This first English monograph on the work of Zhao Zhao examines the Chinese artist's working practice, emblematic for art's ability to address conflict—social, political, and aesthetic—in a world undergoing unprecedented upheaval. It features essays by Hou Hanru and Li Zhenhua.

This monographic catalogue presents a series of works by artist Minouk Lim which draws on the tragic events of the 1950 Korean war and their aftermaths. Based on installations, sculptures, videos, and performance pieces, Lim's visual language mirrors a nation's refusal to face up with its history and initiates a reflective process to come to terms with the past.

Artist Sara van der Heide converted the German Library in Guangzhou, China, into a restaging of the Goethe-Institut's German Library and Information Centre of Pyongyang, which operated from 2004 to 2009. The publication features the original multilingual booklets, a documentation on the exhibition and a critical reader.

Companion book / reader to the eponymous exhibition at MAAT, Lisbon. It features previously unpublished essays on the ongoing transition from the notion of utopia toward its mirror image: dystopia.

First published in 1964, this wordless and colorful picture book is a tale of friendship between a pink bird and an orange fish. The illustrations by Swiss artist Peter Wezel are rendered with a deliberate childlike naiveté which will delight children and adults alike.

This publication provides a peek into the practice and work of the Swiss artist, using a selection of black and white “behind-the-scenes” photographs taken from Kaspar's hard disk. An additional booklet includes a list of works as they appear in the book as well as a text by artist Mikael Brkic and a longer essay by art historian Daniel Horn.

An historical and theoretical study of the surface in the Western avant-gardes of the twentieth century.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

A new electro-acoustic composition by Berlin-based artist Stefan Roigk. The radio play like combination of poetic lectures, vocals treatments, concrete sounds and deep vocal drones is based on several live recordings and performances made between 2012 and 2015.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

Constructed around three themes—an essay, a series of interviews, and an exhibition catalogue—this publication studies the links between contemporary art and sport with a specific focus on the notion of game.

Cloak is a total-blue book which documents a site-specific intervention by Mike Nelson in the UBS building in Monaco. The artist has painted every single room and detail of the building with a pigment called ultramarine blue, extracted from the precious lapislazzuli—originally from the Middle East, and more expensive than gold.

Set in a grotesque and colorful decorum, the new kaleidoscopic visions of Keiichi Tanaami intertwine the obsessional patterns of the great Japanese master—eyes, military aircraft, eroticized flesh, and pop culture icons.

New monograph of one of the most important artists rooted in Eastern Europe.

First performance of the original 60-minute composition for string quartet in 4 parts, recorded at the Nitsch Foundation in Vienna in 2016. With Anne Harvey-Nagl and Diane Pascal on violins, Marta Potulska on viola, and Mara Achleitner on cello.

Halfway between the catalogue and the artist's book, From Some Paintings gathers a selection of still life paintings made between 2000 and 2010. Translated into black and white images, these works represents small everyday objects, alternating full size reproductions and details.

The young Albert Einstein has a very important job: he must deliver electricity to the big Oktoberfest celebration in Munich. As he hurries from one merry-go-round to another, nothing seems to be going as planned. With his sister, Maja, Heinrich the dog, and Niels Bohr, a qualified dwarf-thrower, can he win a battle against the laws of the universe? The key just may lie in the question of whether a dumpling can fly faster than light (an illustrated philosophy book for children).

Diogenes as a dog (an illustrated philosophy book for children).

Summer preview of 45 shows worldwide; Irene V. Small explores Jennifer Allora & Guillermo Calzadilla's latest project, which places a Dan Flavin light sculpture deep in a cave in Puerto Rico; Christine Macel talks with Michelle Kuo about the 57th edition of the Venice Biennale; Art Under Nationalism: Dispatch from Warsaw; Johanna Fateman and Tobi Haslett on the 2017 Whitney Biennial and the violence of cultural representation; Ara Osterweil on Warhol and Fassbinder; Lantian Xie; the fall-winter 2017 fashion collections, and much more.

Interviews with Florian Hecker, Ben Bogart, Jonas Lund, Gene Kogan, Eric Drass; AI representation in Black Mirror TV series; Machine Fallibility and Emergent Weirdness; Burak Arikan's Data Asymmetries; the “Fear and Love” exhibition at London's Design Museum…

First publication to present the work of Italian sculptor Chiara Camoni from the outset until today. It gathers artworks, the artists' writings, and texts commissioned for the occasion.

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.

Fanzine-like artist's book gathering historical anecdotes on modern print culture.

This large-format artist's book (40 x 40 cm open) brings together graphic works by Claudia Comte. Mathematically structured like a Cartesian coordinate system, the publication folds and unfolds so that it can be read in four different ways. The book becomes a geometric play space in which to discover the many facets of Comte's visual identity.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

Paperback tribute guide to the work of Italian artist Salvatore Mangione (Salvo).

Unreleased recordings composed for the cinema and the television.

This exhibition catalogue offers a thorough examination of the artist's book as both an artistic and editorial medium. Focusing on the collection by Jean-Paul Guy, the publication presents 68 artists' books by the likes of Ed Ruscha, Dieter Roth, Michael Snow, and Robert Barry.

The drawing tools, Richard Tuttle, Karina Bisch, Hugo Daniel, Gerard Ter Borch Le Jeune, Bianca Argimon, Mïrka Lugosi, Catharina van Eetvelde, Cameron Jamie, la collection du Musée Atger, selection of books by Brett Littman, FANFICTION 93, Anthea Lubat, Amélie Lucas-Gary and Maude Marris, Bianca Argimon...

Photographic series dedicated to pareidolia—the phenomenon of perceiving non-existing things in inanimate objects, such as human faces or animal heads in rocks (artist's book).

Anne Pontégnie on Daan van Golden; Sérgio B. Martins on Ferreira Gullar; Documenta 14; Christo & Jeanne-Claude's Running Fence; Alex Schweder and Ward Shelley's ReActor; exhibition history: Hans Haacke in Frankfurt, 1976; Top Ten by Sol Calero; Omar Kholeif on Nil Yalter's Le Chevalier d'Éon; the art of Michael Williams; reviews from Francis Picabia and Raymond Pettibon's exhibitions in New York, and more.

Spike #51 raises the question of the social role of art, and many more, with: Grzegorz Kowalski; Bob Flanagan's Visiting Hours; Angela Bulloch on Damien Hirst; Cyprien Gaillard's Desniansky Raion; a roundtable with Chus Martínez, Michaela Meise and Dieter Lesage; Dorothea Von Hantelmann; Kenny Schachter; Daniel Baumann; the portraits of Dorothy Iannone, Tetsumi Kudo, and Marie Angeletti; an interview with Josef Strau; an essay by Jan Verwoert; the TV series The Crown; Andrew Berardini on Jimmie Durham's retrospective in LA…

This issue dedicated to Jamaican music studies presents and analyses the main characteristic features of these musical forms—from riddims to sound systems—and their associated issues—from culture to slackness. The publication features nine articles and twelve book reviews written by leading world experts (including 7 Jamaican researchers). Watch out Babylon!

Photographic account of the two photographers's automobile trip from Switzerland to Mongolia, through the mystical realms of the East.

A collective survey on the current conditions of art and culture in Central and Eastern Europe.

Artist's book focusing on Victor Man's series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The publication includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.

10th anniversary box set gathering the complete collection of Sans niveau ni mètre (43 issues), the newspaper dedicated to the exhibitions showcased at Le Cabinet du livre d'artiste, a French-based space dedicated to artist's books since 2007.

This monograph offers a sweeping vision of the work of Lebanese artist Gebran Tarazi, whose paintings combine geometrical abstraction with oriental identity. The publication gathers reproductions of paintings, multidisciplinary projects, a selection of writings by the artist—log books, novel excerpts, correspondences—interviews, and critical texts.

This is the first monograph detailing the practice of the German artist Jan Peter Hammer. The two essays and the conversation between the artist and Adam Kleinmann address the economic, social and historical tones that characterize Hammer's video installations, as well as his sculptures and neon pieces, which are chronicled from 1993 to 2015.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

This catalogue gives an overview of the works by German painter Matthias Dornfeld, who depicts traditional subjects of classical paintings—landscapes, portraits, still lifes—with a style inherited from naïve expressive painting.

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Eight slogans from the May 68 events in France, in duplex printing (artist's book).

Hopf's multidisciplinary practice addresses the paradoxes and ridicule that spill form high-minded attitudes toward art making and the faith in technology, professionalism, and efficiency. This catalogue gathers a significant sampling of her works, as well as two essays and an interview.

Following the experimental format of the Maljković's eponymous exhibition, A Retrospective by Appointment deconstructs the traditional format of a retrospective catalogue. Adopting a nonhierarchical presentation, the publication introduces the artist's key concerns, methods, and works, and proves to be a relevant critic of Zagreb's institutional landscape.

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.