First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

The images shot on Egyptian film sets by prominent photographer Fouad ElKoury over more than a decade capture the essence of Arab cinema.

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

A tribute to Derek Jarman manifold and vital practice.

A tribute to Derek Jarman manifold and vital practice.

In this prophetic 1978 essay, legendary science fiction author Philip K. Dick explores the nature of reality, the power of media, and the authenticity of human experience, offering startling insights that resonate eerily with our modern world.

Over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of Jacopo Pagin's work.

Retrospective monograph.

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take, with the aim of creating a renewed awareness of what it means to breathe, both on an individual and collective level, at a time when the world is living in a climate of generalized asphyxia.

This double issue of the critical graphic design journal examines the origins of the automation and mechanization of translation and writing.

An essay by Yoann Sarrat on two works by Jean-François Bory and Kathy Acker.

The Forgive Us Our Trespasses Reader explores radical and emancipatory significations and fabulations of trespassing, turning towards practices that transgress and reshape the boundaries of, among other dimensions, currency, governance, religion, spirituality, language, and artificial intelligence.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

Comprehensive documentation on 43 outstanding socially committed artistic projects over the past twenty years.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

This history of art collecting traces a multiplicity of aesthetic attitudes through the prism of certain key figures in the history of taste. Over the course of the chapters, we discover how art collecting reflects—or responds to—an individual's character.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

Ingo Giezendanner's wild herbarium.

Retrospective monograph.

A collection of the artist's writings from 2019 to 2024.

A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.

The second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

Artist's book.

A philosophical reflection on the place of sound, from musical aesthetics to sound habitat, at the crossroads of sound, music and technology studies, and phenomenology.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

The nine printed issues of the Urbane Künste Ruhr Magazine from 2019 to 2023 create an experimental publication in bound form that documents the institution's projects over the entire period.

How AI can be used in the creative process in art and design.

Garrett Bradley, Maija Peeples-Bright, Tarik Kiswanson, Matthew Barney, Charles Atlas, Tracey Emin...

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

76 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists, published by e-flux between April–May 2024, arranged into 11 thematic chapters—ranging from the live question of cultural censorship through to the role of diagrams and notation in contemporary artistic practice.

This volume brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010.

An exploration of the various paths of ecodesign, from material environments to our imaginations, from concern for uses to new narratives.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

First monograph.

Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.

The diary of the Korean-born artist based in France.

A drawn chronicle of sleepless nights, Vigil brings together over one hundred and sixty drawings by the artist.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last five years.