This monograph documents over a decade of works and exhibitions, and offers an intimate portrait of an artist who put the language at the center of his visual practice.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

This publication provides a wide-ranging survey of the Argentinian artist's literary collages—produced from 1965 to 2013—which use appropriated texts, representing a kind of experimental writing at the intersection of visual arts, performance, theater, literature, and activism.

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

This publication both documents and extends Martin Beck's cycle of exhibition and residency at the Carpenter Center for the Visual Arts in Harvard. This two-year long project focused on the exhibition histories and academic pursuits of the Carpenter Center, built in 1963 by Le Corbusier.

A comprehensive and focused reader on Wilkinson's output and documents the Glasgow-based artist's practice spanning from 2015 to 2010, including six exhibitions and works produced within that time period, in reversed chronological order.

Merlin Carpenter investigates the status of the midcareer artist with a conceptual project involving the exhibition of transit blankets. The publication documents these works and related gallery shows, in addition with texts by Kunsthalle Bern director Valérie Knoll and artist Sam Lewitt.

The Rough Law of Gardens documents Olaf Holzapfel and Nahum Tevet's eponymous joint exhibition and explores the intergenerational differences between two unique artists. Both artists' work rejects the global logic of growth and traverses the bounds of sculpture and painting: each of their practices involves ideas to do with materiality, learning, and memory.

Arcana 3 is part of a series of books designed to mount an archive of the present through a collection of emblematic documents of the twenty-first century, culled from the media, advertising, and the Internet. This third volume focuses on advertising imagery targeting women.

This publication documents a work by David Horvitz made on the occasion of a Bas Jan Ader-themed exhibition in Holland in 2012. Annoyed by the curators, Horvitz literally disappeared one month before the show, leaving all his belongings and quitting social media. He returned on the exhibition's closing day, and explained his piece to the curators.

Arcana 2 is the second volume of a series of books designed to mount an archive of the present through a collection of emblematic documents of the twenty-first century, culled from the media, advertising, and the Internet. Based on the Nordic myth of Odin, this volume investigates the contemporary representation of the male body.

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents a cycle of works recently made by the artist in Rome: the installation of white olive trees's mouldings among the ruins of the Trajan Forum, and the exhibition “Vocabulary of Solitude” at the MACRO Museum, where sculptures of forty-five clowns were accompanied by a multitude of rainbow drawings.

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.

The Painter is a robot programmed to paint and to improvise and generate unexpected narratives—in response to visitors entering. It is center piece of a larger project lead by Italian artist Piero Gola at the Kunsthaus Baselland—documented in this publication. Includes a text by Ines Goldbach, and an interview with the artist by Jonathan Monk.

First monograph dedicated to the long forgotten German artist Josef Maria Schröder. Starting as a painter during the interwar period, Schröder then developed a ballpoint pen technique with which he produced intensely luminous abstract compositions and portraits of a surrealist/constructivist cast. These late works are featured in this volume, which includes original documents from the artist's estate.

Publication dedicated to Noël Dolla's pictorial experiments in nature: this lesser-known side to the artist's work offers a unique insight today on the painter's research on the medium. The book features a chronological documentation exploring in detail these 13 “Spatial Restructurings”, along with texts by Fabrice Flahutez and Rachel Stella.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

This publication extensively documents the exhibitions and activities of M/2, a local but emblematic example of an artist-run space founded at the end of the 1980s in Vevey, Switzerland.

Cloak is a total-blue book which documents a site-specific intervention by Mike Nelson in the UBS building in Monaco. The artist has painted every single room and detail of the building with a pigment called ultramarine blue, extracted from the precious lapislazzuli—originally from the Middle East, and more expensive than gold.

Catalogue documenting the Canadian artist's most important works to date and a specially commissionned installation. Her steel structures and ceramic works represent menacing hybrid-species engaged in a role play of predator and prey. Includes an essay by Golberg, texts by critics and curators, and a conversation between art historian Leah Pires and neuroscientist Sara Constantino.

A collection of 37 postcards based on family pictures gathered by the participants of a collective workshop held by the artist and writer Valérie Mréjen. The postcards tell two fictitious family stories, which the reader can freely rearrange to create his own narrative.

This catalogue documents two exhibitions by Xavier Antin inspired by William Morris' anticipation novel News from Nowhere. The French artist draws from the thinking of The Arts & Crafts movement's inspirer to provide a reflection on the mutations of craftsmanship and design.

Founded by Marinella Senatore, the School of Narrative Dance is an international initiative which proposes an alternative system of education, based on emancipation, inclusion, and self-cultivation. The School implements multidisciplinary projects focusing on storytelling and choreography. This publication documents a workshop at MAXXI, Roma, involving more than 300 people for five months.

Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.

Among Portugal's most interesting young filmmakers, Salomé Lamas explores the boundaries and circumstances of documentary filmmaking, working at the intersection of ethnography, history, storytelling, memory, and fiction. This publication documents her work since 2010, through contributions, video stills, and interviews.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

The transcription of a lecture by Marjorie Micucci on the connections between two installations by Italian artist Rosa Barba.

Four portraits depicted with four raw matters: the regular and expanded edition of a limited edition artist's book originally published in 2012.

First monograph.

First monograph.

British artist Monica Ross (1950-2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated publication documents Ross's works from 1970 to 2013.

Hubs and Fictions, originally a touring forum, invited international curators, writers, and producers to probe how fiction plays out in a globally distributed art-world ecology, and how infrastructures are invented against its background. This unconventional reader gathers documents, negotiations, and reflections from and on these conversations.

Retrospective catalogue (new edition).

A remarkably well-documented and detailed book on designer Richard Hollis's graphic work for London's Whitechapel Gallery, from the late 1960s to the mid-1980s.

The inaugural issue of Blank Forms' anthology, bringing together a combination of never-before published, lost, and new materials that supplement the non-profit's live programs. It is envisioned as a platform for critical reflection and extended dialogue between scholars, artists, and other figures working within the world of experimental music and art.

A series of sculptures set in a roofless exhibition space in Merida, Mexico.

In (ZUS), a visual essay by the French photographer Benoît Fougeirol, views of and views from eleven of the “Zones urbaines sensibles” (Sensitive Urban Zones) on the peripheries of Paris reveal harsh paradoxes of modern society. The series is accompanied by a text by author Jean-Christophe Bailly.

A collection of misprinted sheets originating from books designed by graphic designer Manuel Raeder: a “behind the scene” project, which documents the early stage of book production and its conventions.

The second issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine includes documents on Trevor Wishart, Denis Dufour, Hém-Ish, Ione, Broutin, François Poyet, Johannes Kreidler, Gil J Wolman at work, a film by Frédéric Acquaviva on the late Pauline Oliveros, Silva Gabriela Béju on Henri Chopin and the magazine OU, a set of posters and postcards…

Monograph featuring series of paintings made by the French-American artist between 2013 and 2016 and based from photographic documents originating mainly from sexploitation films of the 1960s. The volume also includes two essays and exhibitions views.

This volume documents two parallel solo shows by Angela Bulloch and Maria Zerres, framed by the notion of entropy.

Writer Emanuele Trevi and photographer Giovanna Silva recount, each in their own manner, their journey with artist Luigi Ontani in Bali at the time of the preparation of the Ogoh Ogoh carnival procession. With original illustrations by Ontani.

Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production. This highly documented publication features an interview with Seth Siegelaub, two essays by Regine Ehleiter and Michalis Pichler, and an extensively illustrated catalogue with bibliographic details.

I Want reviews the eponymous duo's double-projection film installation examining issues of gender, sexuality and performativity—and inspired by the words of punk poetess Kathy Acker and convicted whistle-blower Chelsea Manning.

This publication documents around 50 years of Nannucci editions, artists' books, multiples, prints, catalogues, posters, ephemera—edited as artist & editor—from 1967 to 2016. It includes an anthology of essays, two index of works, by category and in chronological order, a bibliography and a biography.

This artist's book documents the wind and weather conditions around the German Pavilion of the 56th Venice Biennial, which were recorded over the period of Nicolai's exhibition by a weather station positioned on the roof (limited, numbered and signed edition).

More than an hour of ultra-rare documents, recorded in several places in Greenland and Canada from 1905 to 1987: the testimony of a century of Inuits recordings.

More than an hour of ultra-rare documents, recorded in several places in Greenland and Canada from 1905 to 1987: the testimony of a century of Inuits recordings.