This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

Presenting the first perfomance of Hermann Nitsch's grand and large-scale “Traubenfleisch” symphony.

A small selection of Ronan Bouroullec's recent drawings.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

The collected reviews and interviews of art critic, curator, and artist Christian Egger.

Ian Kiaer's new monograph is based on a project that the artist began several years ago and whose configuration changes with the circumstances. Drawing on the notion of marginal endnotes in books, it references the utopian concepts of the Austrian American architect Frederick Kiesler (1890-1965).

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (hardcover edition).

Drawings and texts by Olivier Bringer (series of 30 drawings and 12 unpublished texts printed on Munken paper).

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

Stéphane Vigny's first monograph, conceived as an object with several levels of reading, as well as the sculptures of the artist.

Ça m'est égal: The Involution of Desire by Estelle Hoy; Hervé Guibert by Pierre-Alexandre Mateos and Charles Teyssou; Julien Nguyen by Mónica Belevan; Andrew Berardini on artist, writer, and Semiotext(e) coeditor Hedi El Kholti; Tsai Ming-liang by Dora Budor; Wendy Vogel on artist and writer Rosemary Mayer (1943–2014), one of the founding members of A.I.R., New York's first all-women cooperative gallery; Carolyn Lazard by Richard Birkett; Tuan Andrew Nguyen converses with Rahel Aima...

Curating performing arts (a research project by Reykjavik-based curators Alexander Roberts and Ásgerður G. Gunnarsdóttir).

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

A book produced in conjunction with Bauer Verlag's eponymous series of screenings at the Studio/Cinema in Brooklyn, with about 25 contributions.

The first ever anthology of feminist poetry from Russia.

Conceived as a children's book, Stories of Little and Big Blossoms is a collection of illustrated short stories about Elham, a little Iranian girl exiled in Germany, and her difficulties to fit in this new environment. A poetic work on exile, friendship, courage and open-mindedness, inspired by the childhood of author and illustrator, Shirin Azari.

Photographer Mihai Barabancea portrays the underworld of post-Soviet Romania and Moldova: a set of subjects and scenes revealing the crude reality of the streets, zeroing in on moments of ruthless rawness and keen poignancy.

Monograph / artist's book.

The unpublished story, reproduced in facsimile, of the journey to Paris of Frédéric Bruly Bouabré (1923-2014), Ivorian poet and artist, "prophet", creator and inventor of the Bété alphabet, who writes a "report" of his encounter with the Western world on his return from the opening of the mythical exhibition "Magiciens de la Terre".

A photographic journey in contemporary Turkey, looking for traces of the protean presence of Mustafa Kemal Atatürk, the founder of the Republic, in more than 600 pages.

A series of still lifes and interior scenes by the Swiss artist.

Retrospective monograph.

Agricultural landscapes and portraits of the Swiss Alps: a fascinating visual study of the relationship between humans, animals and topography in the context of a rapidly changing agriculture and dairy industry.

Catalogue dedicated to contemporary artists whose production concentrate on the reuse of existing images (new expanded edition). This publication investigates the various practices of these iconographer artists through documentation, illustrations, essays, and interviews (with Haris Epaminonda, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Jonathan Monk, Linder Sterling…).

A dozen of exhibition reviews (Sylvie Fleury, Martin Kippenberger, Christian Boltanski & Bernard Frize...), 8 interviews (Giusto Van Campenhout, Andrew Power, Virgil Abloh, Sean Landers, Richard Kennedy, Saadane Afif, conversation between Jordan Wolfson & Bjarne Melgaard...), 8 exhibitions, places and collections in pictures (Shara Hughes, Bruno Serralongue photographed by himself, Thomas Bernhard's house, the Gaby and Wilhelm Schürmann Collection...), some artists special projects, and the chronicles.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

Jean-Baptiste Farkas; Nathalie Leleu; RYBN; Laura Kopf; Marianne Derrien; Dorothée Deyries-Henry; Guillaume Aubry; Étienne Charry par Hervé Zénouda; Maxime Ansiau; Carole Douillard, Amelia Jones, Suzanne Lacy & Barbara T. Smith; Éric Degoutte; Jérôme Grivel; Vaughan Oliver; Alain Bergala; Gwendoline Samidoust; Yann Ricordel; Emma Briant; Olivier Mosset...

A collection of texts by Alessandro Bosetti, between theory, poetry and score, all of which breathe in concert with a series of sound projects and often focus on the voice from different angles and perspectives.

Matali Crasset's drawings sketchbooks.

Rafael Pérez' sketchbook presented in this publication was created in his studio in December 1992 in Dielsdorf, Zurich, as a Christmas present for his wife Ursula. Only minor alterations to the pagination, size and dedication have been made.

The third solo album by Paris-based Japanese experimental musician and sound artist Tomoko Sauvage, recorded in a former water tank in Berlin, a building with a special architecture and acoustics.

Klima #3 focuses on the occult, the spiritual dimension that emanates from the different encounters and cohabitations of the living and the non-living, the deviant and erudite aspects of witchcraft, magic, rituals, spiritism and their societal implications.

Thulani Davis' collection of poetry about music.

New monograph / artists' book.

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers.

Nigel Peake's drawings for Japanese distillery Mitosaya.

Set alongside guest contributions, this catalogue offers, from the works of the two Dutch artists Nicky Assmann and Jan Robert Leegte, a fresh take on the fundamental concept of nature, in an age when science and technology are capable of replicating its phenomena.

This issue of Flash Art comes with a new brand identity, introducing a seasonal publication schedule starting from fall 2020. A new logo also heralds this change: an apparent return to the visual identity of Flash Art, albeit revised and updated with an evolving graphic layout and doubled page count and contents to offer readers a more in-depth, discursive experience. This issue explores the dynamic hybridization of the languages of contemporary art, focusing on the theme of the curatorial process—the exhibition as a moment of reflection and revelation with infinite potential for investigation.

A range of artistic and theoretical proposals on the theme of "laboratories".

An historical perspective of the representation of non-western art in western museums and imagination / an essay on the relations between African arts and avant-garde.

This first monograph of the international net art pioneer allows us to (re)discover this always contemporary artistic practice, inviting us to plunge into the specificities of the internet medium (flows, URLs, protocols, etc.), and sketching a media archaeology.

An artistic project carried out around Fordlândia—a town built from 1928 onwards by Henry Ford in Amazonia on the banks of the Tapajòs to intensively exploit the rubber tree needed to manufacture tyres, which, following the failure of the project, became a small village in the middle of an industrial heritage of uncertain statu. With twenty international artists and researchers, in collaboration with Fotoativa, a Brazilian collective from Belém.

A collective analysis of the emergence of the “contemporary” and the transnational and transhistorical logics at work in artistic practices in Dakar in response to questions raised by globalization since the Independances, opening up new territories for sociological, economic, political and aesthetic investigations.