New monograph.

Reproduction of the artist's book published in 1975.

37 minutes sound piece realized in 1995 (limited edition).

First study on the Ecart collective.

This "book of hours" is a first time assemblage of a large number of project drawings.

350 palindromes.

Exhibition catalogue.

The fourth and last poem by Kippenberger, written several days before his succombed to illness. A short letter of adieu, with two portraits of the artist by Elfie Semotan.

35 copies limited edition poster, signed.

Monograph conceived in close collaboration with the artist, with three essays.

The journal of one of the first women artists of the history of painting.

Two texts written at a twenty-year interval.

Conversations with Daniel Baumann and Jutta Koether, accompanied by "reconnaissance photos".

A sociological analysis of the history of alternative art in Quebec.

27 artists from 14 countries around a performance and interactive TV program.

This artist's book, printed in blue, contains a text by Jean-Claude Lebensztejn and an intervention by Lawrence Weiner.

Artist's writings.

This monograph investigates Opalka's relationship with numbers, time and infinity. With an original long-term interview of the artist which ran on for more than twenty years.

This monograph investigates Opalka's relationship with numbers, time and infinity. With an original long-term interview of the artist which ran on for more than twenty years.

Ten French, American and German philosophers come together in discussion around several of the major problems raised today in æsthetics.

Allan McCollum, Nicolas Bourriaud, Angela Bulloch, Liam Gillick, Daniel Buren, Pipilotti Rist...

Rirkrit Tiravanija, Pierre Huyghe, Felix Gonzales-Torrès, Barbara Steiner...

Unpublished text, original accumulation signed, unique.

Unpublished text. Original intaglio etching signed.

An unpublished text inspired by the motifs of the labyrinth and the mirror, with sections written backwards. Accompanied by an original signed artwork on mirror.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

An artist's book focusing on the question of copy (reproductions of Huysmans and Degas' works).

A presentation of Hans Hartung's painted work.

Using unpublished material at the Fondation Hartung Bergman, this exhibition catalogue concentrates on the earlier phases of Hartung's career and demonstrates the critical importance of his drawings.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by McCarthy and Cornelia Butler, biographical and bibliographical notes.

30 drawings with a transcription and translation of the captions.

“Photos-Traps”

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by Bas Jan Ader, Paul McCarthy, and Thomas Crow, biographical and bibliographical notes.

French exhibitions catalogue.

Exhibition catalogue.

First retrospective catalogue: includes a chronology of the artist's works from 1967 to 1996, a bibliography, and texts by Yves Aupetitallot, Catherine Quéloz, Dan Cameron, and Ruppersberg himself.

Art and nature / residual landscapes.

Booklet published on the occasion of the first French exhibition of the American video artist. The publication includes a text by Collier Schorr, biographical and bibliographical notes.

A rereading of the work of the famous and controversial art critic.

Daniel Spoerri's works declining the variations from the drawings of Charles Le Brun's animals to understand the human face.

An eight-page dossier in which artists and friends retrace the trajectory of the French artist Alain Gibertie, who passed away on 13th July 1996.

Cultural mediation in France.

Published for the 1996 exhibition at Yvon Lambert Gallery, Paris, this publication presents Kiefer's works, with a reflection by Daniel Arasse.

The critical importance of the theme of “designation” in arts and its gradual emergence in the thinking of Thierry de Duve since 1985.

An analysis of an installation by Sylvie Blocher.