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Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.
The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little attention has been paid to what has happened on the other side of the Atlantic.
Writing from Antwerp, Belgium and working with a rich array of sources from archives in Belgium and The Netherlands, Wouter Davids discloses that during the early years of his European career, Judd could count on significant critical and institutional interest in the European region better known as the Low Countries. The starting point is an interview with Judd for Belgian Radio and Television (BRT) from 1970, published here for the first time.
Richly annotated and lavishly illustrated, Donald Judd: The Low Countries. 1966-1971 adds a welcome, geographically specific chapter to the established scholarship on Judd.
Wouter Davidts is Associate Professor of Modern and Contemporary art at Ghent University (UGent), where he leads the interdisciplinary research group KB45 (Kunst in België sinds 1945 / Art in Belgium since 1945). He has published widely on the museum, contemporary art and architecture.
