Collaborations / collectives

This publication traces the extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. structured around their highly political work Maiwar Performance, this book also covers their activities both before and throughout their work together.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

Taking as their starting point Susan Sontag's book On Photography (1977), Marcelline Delbecq and Ellie Ga embarked on a long-term words-and-images dialogue addressing films, books and artworks that have marked their individual trajectories, together with historical events related (or not) to the year 1977.

This leporello is the result of a collective photographic stream of consciousness based on a project lead by the Bureau d'investigation photographique: In random order, each member of the group opts for an image to which the following member answers by association and according to his own subjectivity.

This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.

An insurrectional youth in quest for alternative words: a poetic and visual work by photographer Sadie von Paris and writer Véronique Bergen.

The Liberated Page is an international union based in Geneva, Switzerland, which aims to support and promote the critical and intellectual dissemination of artists' books and independent editions across the world. A collective study gatheringthe thoughts of the union's actors on contemporary books and publishing (with Jungle Books, Footnotes, Edition Patrick Frey, Cadrat Éditions, Kodoji Press, edition fink, Nieves...).

The two authors of this publication, each by means of their own specific medium, question the relation of humanity to digital technologies. In his text, Pacôme Thiellement describes the digital alienation to come; Lauren Huret's collages revisits the time when personal computers entered the domestic space.

New “electro-contempo” collaboration, born out of the encounter between turntablist DJ Olive, musical director of Ensemble Musiques Nouvelles Jean-Paul Dessy, and violonist David Núñez. The second CD includes a live recorded at Les Transnumériques festival.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” video games.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

A collection of multidisciplinary essays assembled as cadavres exquis and inspired by the magical-financial theories of Finnish-Swedish alchemist August Nordenskiöld (a project by Swedish artists' duo Goldin+Senneby).

Fifth part in the Selten Gehörte Musik reissue series: recordings by Dieter Roth and Oswald Wiener, at Mosfellssveit, Iceland, from May 28 to 30, 1976.

This publication, edited by Enzo Cucchi, gathers drawings by Alex Katz and words by his son Vincent. It is a project that takes shape through the intimate relationship between the three subjects.

The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate.

The 4th album of Babils—an atypical six members Brussels underground band, mixing rock, new wave, psyche, kraut, experimental and repetitive music. Ji Ameeto is the first recording without the late Michel Duyck.

The music of Swedish-Australian duo Native Instrument graciously mixes vocal experimentations and wildlife field recordings. Their debut release compiles four sound collages moving between tropical ambience, club inspired bug beats and amphibian trance.

Photographic account of the two photographers's automobile trip from Switzerland to Mongolia, through the mystical realms of the East.

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.

Monograph gathering most of the artists's recent works—ceramic and faience sculptures, watercolors and gouaches, drawings, collages, and installations—divided into three thematic chapters. The publication includes an interview of several voices (with special guest Mathieu Mercier), and a text by Annabela Tournon.

This collective publication questions the literary strategies at stake in the work of visual artist Yoan Mudry.

First retrospective monograph dedicated to the “agency” created in 1984 by Jean-François Brun, Dominique Pasqualini and Philippe Thomas: an immersion into the collective's history through numerous press archives and exhibition views. The publication also includes an unpublished interview with Brun and Pasqualini, and a glossary.

Trilingual monograph investigating five film-projects by the French-German duo. The publication features a series of essays and a high-quality photographic documentation.

Publication introducing the synthesis of a project inspired by the artistic and intimate experience of Hans Hartung and Anna-Eva Bergman on the island of Menorca, where they built a house-workshop and lived in from 1932 to 1934.

Retrospective catalogue (new edition).

In September 2015, Japanese legend Keiji Haino played with two of Belgium's most active and valued musicians: keyboardist Jozef Dumoulin and drummer Teun Verbruggen. The Miracles Of Only One Thing is a deep and intense testimony of this meeting.

High Winds is an artist's book written by Sylvan Oswald, with graphics by Jessica Fleischmann. This “western phantasmagoria” is a bedtime book for adults based on Oswald's experiences with insomnia, gender transition, and moving to Los Angeles.

This publication gathers drawings, paintings and silkscreens, as well as references to readings that nourish both Atelier McClane's reflection and editorial work. All of that constitutes a reflexive system about their practice.

Similar to a travel diary, sprinkled with tropes of paradisiacal holidays, Dos Imperial interweaves the work of an artist, Bruno Aeberli, a graphic designer, Pauline Piguet, and a writer, Simon Dubois.

This collaborative artist's book is a work of fiction set in a Kafkaesque world where creativity is a criminal offence and artists are imprisonned. Alexandra Grant's text, the testimony of the prison's warden, is powerfully illustrated by Eve Wood's drawings.

A collection of recordings from 1987 to 2013 by German experimental band Argo. The double vinyl LP features mostly live performances overviewing the work of the trio (violin, viola, clarinet) around the notion of transient music.

Part fact, part fiction, this collaborative artist's novel is set in the curious town of Kalimpong, India, where past meets present in a multi-layered tale of espionage and the esoteric.

An intervened facsimile of a anthropological catalogue listing the items belonging to three collections of Mexican fabrics and weaving patterns constituted during the mid-seventies.

I Want reviews the eponymous duo's double-projection film installation examining issues of gender, sexuality and performativity—and inspired by the words of punk poetess Kathy Acker and convicted whistle-blower Chelsea Manning.

Writer Emanuele Trevi and photographer Giovanna Silva recount, each in their own manner, their journey with artist Luigi Ontani in Bali at the time of the preparation of the Ogoh Ogoh carnival procession. With original illustrations by Ontani.

This publication is part of an artistic and performative project conceived by artist Raphaële Bidault-Waddington and critic Sylvain Menétrey. Part poetic neologism, part scientific concept, the semiospace, as a linguistic creation, seems to mirror Bidault-Waddington's practice—the creation of hybrid objects at once cognitive models borrowed from science, and exuberant fictions.

First reissue ever of one of the holy grail LP from the vault of the amazing Italian library music label Octopus. Originally released in 1973, Climax is a killer studio session by Amedeo Minghi, Piero Montanari and Roberto Conrado. An incredible collection of psych jazz funk tunes with crazy moog sounds, violent drums and deep bass. Ultra rare, hard to find item finally available again.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.