United States

New monograph.

The first publication of a play by one of the pioneers of conceptual art in Los Angeles (new edition).

A “memorial” consisting of testimonies and interviews with friends, models, collaborators, and specialists of Robert Mapplethorpe (Pierre Apraxine, Pierre Bergé, Germano Celant, Lucinda Childs, Marcus Leatherdale, Richard Marshall, Bettina Rheims...).

Seven fold-out posters and a text by Martin Herbert.

New expanded edition: this reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation.

Critical texts by Kim Gordon brought together for the first time.

The first catalogue raisonné of editions and multiples by Matt Mullican.

A parallel between the artistic paths of four leading figures in contemporary art: Enrico Castellani, Dan Colen, Dadamaino and Piotr Uklański.

Other Writing.

Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.

The transcript of a piece that Paul Sietsema did in early 2011 for an exhibition in Los Angeles.

First French translation of the 1983 artist's fiction book by Richard Prince.

New monograph.

The first artist's book by Will Benedict.

A visual anthology (with John Armleder, Andrew Blake, Michael Bracewell, Tom Burr, Dan Graham, Harmony Korine, Malcolm Mclaren, John Miller, Bob Nickas, Walter Pfeiffer, Haim Steinbach, Lawrence Weiner...).

A literary tribute to Sarah Lucas, at once an adroit art-historical study and a poetic travelogue.

Guillaume Belhomme's first fictional narrative (limited edition with a musical piece by Michael Esposito on a mini CD).

This first volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s.

This second volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s through to the present.

New monograph, dedicated to Jay DeFeo's late work: paintings of the 1980s as well as the exceptional corpus of drawings of the 1980s and her photographic oeuvre of the 1970s.

A series of portraitures of arbitrarily selected people drawn with a single stroke of a ballpoint pen.

First monographic publication on American artist Mark Barrow.

First retrospective monograph on a legend of West Coast conceptual art.

Artist's book.

The first in-depth study of the reception of “French Theory” by American artists since the early 1960's.

Issue dedicated to John Baldessari.

A singular digital catalogue, designed in close collaboration with the artist, that allows to understand how Roe Ethridge thinks, edits and organizes his images.

Ericka Beckman's Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980).

An animated film by Robert Breer.

Thomas Crow aims to explain what makes Warhol a precursor and a virtual paragon of the contemporary artist.

First monograph: an overview of the artist's oeuvre of the last ten years.

An apocryphal autobiography of Andy Warhol's muse Edie Sedgwick.

This catalog accompanies the eponymous exhibition at TBA21 in Vienna which consists of a complex installation of videos, photographs, and archival material, composing a subtle and sensuous portrait of the Israeli choreographer, dancer, researcher, and textile artist Noa Eshkol.

Six texts exploring the mutations of contemporary housing and objects.

At the crossroads of genres and species, Thalia Field expands the art of storytelling.

Artist's book: a collection of 85 landscape drawings and sketches by Euan Macdonald that were produced over a three year period in many parts of the world.

An overview of American minimalist composer, filmmaker and video artist Phill Niblock's work since the 60's, through about twenty essays and interviews by musicologists, art critics and historians, various documents, scores, and more than 8 hours of videos on DVDs.

Second time in 20 years Charlemagne Palestine and Z'ev are performing together / first time they are recording it... (unreleased material from Palestine's lair, a place now called Charleworld, where both fellows spent 3 days in June 2010).

Second time in 20 years Charlemagne Palestine and Z'ev are performing together / first time they are recording it... (unreleased material from Palestine's lair, a place now called Charleworld, where both fellows spent 3 days in June 2010).

In this short essay, philosopher Richard Shusterman discusses Arthur Danto's aesthetic theory and develops a new reflection to go beyond the differences between art and life.

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

Exhibition history (Paul Thek at Moderna Museet 1971/72).

French edition of a study which not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project.

Audioplay by Adrian Williams (music by Theodor Köhler), performed and recorded live at Portikus, in Frankfurt am Main, between September 24 and November 6, 2011.

A dialogue between two major contemporary choregraphers.

Brandon LaBelle's revolutionary diary during the Arab Spring.