A vast selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

An overview of the use of textile in contemporary visual arts around the world.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

The story/manifesto of an architect's life: a re-reading of Gilles Perraudin's career by himself, enabling us to retrace the path of a thought in perpetual motion.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

ToiletAlex PaperPrager is the new edition of Toilet Paper magazine, born from a collaboration with american artist Alex Prager: a vibrant dialogue between visionary minds, where the ironic style of Toilet Paper meets the dark humor of Alex Prager, a parade of familiar yet strange images, suggesting a timeless world placed somewhere between dream and reality.

A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

The portfolio of the exhibition conceived by the Jeu de Paume, offering a chronological look at the evolution of sporting practices since the end of the 19th century, through photographs by some thirty authors (René-Jacques, André Kertész, Jacques Henri Lartigue, Paul Nadar, Marie-Paule Nègre, Bruno Réquillart, etc.).

A "minor" and alternative history of architecture.

A new poem composed by the legendary dancer, artist and choreographer Simone Forti.

The first French translation of the texts of the Japanese artist and writer Akasegawa Genpei (Katsuhiko Akasegawa, aka Otsuji Katsuhiko, 1937-2014), a figure of the Tokyo avant-garde of the 1960s, on the concept of Tomason, with a rich iconography.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

A collective reflection on the question of objects in artistic situations, at the crossroads of art history and theory, social sciences and artistic practices.

The result of a collaboration in the fields of architecture and photography, Glasraum explores the deliberate ambiguities embedded in a seemingly aloof approach to the construction of both space and image.

The inaugural issue of Flash Art's yearly review dedicated to design at large and an in-depth analysis of market relevant issues, titled Anti Composition, provides an aesthetical upgrade at world scale sources and phenomena (featuring Michael E. Smith; Peter Fischli; Anne Imhof; Paride Maria Calvia; Armature Globale; Joshua Brinksman; Mishima House, Tokyo; Winter House, London; Hopkins House, London; Wolf D. Prix; Bruce Graham Residence, Chicago; Sci-Arc, Los Angeles; The Met, New York; Scad Museum Of Art, Savannah; Bottega Veneta...).

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

Charles Fourier or utopia as reality.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

A picaresque tale of Clara Schulmann's often collective experiences.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

A comprehensive overview of Makiko Furuichi's work, focusing on her special installation for the Musée d'Art Moderne et Contemporain in Les Sables-d'Olonne.

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

An overview of the career of Amerindian composer and artist Raven Chacon.

An island photographic wandering (a series of photographs taken on a small island in the Aegean Sea, Kastelorizo, focusing on its hollow spaces and silent atmospheres).

Interviews with Michel Dector et Jean-Baptiste Farkas, Alice Dourlen, Apichatpong Weerasethakul, Jim O'Rourke, Steven Stapleton, Andrea Laszlo De Simone; Johanna Went and Dame Darcy by Nicolas Ballet; Mickael Vis; Yûichi Yokoyama; SMITH; Marcel Broodthaers; Current 93; IKHÉA©SERVICES; Alan Dunn; Oskar Schlemmer; Blaine L. Reininger; Martin Le Chevallier; Ludovic Chemarin©...

The eleventh issue of the journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts: Jeffrey Perkins, Sophie Lapalu, Billy Sullivan, Liz Magor, Moyra Davey, Zoe Beloff, Paul Thek, a long previously unpublished conversation between Paul McCarthy and Sabrina Tarasoff...

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

New approaches to Iannone's unique work.

Ronan Bouroullec's daily drawings.

This book on the films of Anton Vidokle features essays and conversations by theorists, curators, and artists exploring the themes of technological immortality and resurrection informed by Cosmist philosophy.

This critical biography guides readers through artist Magda Stawarska's practice via a series of journeys—from the streets of Istanbul to the canals of Venice and across the waters of Zanzibar.

Inspired by how rivers bend and curve connecting ecosystems, Meandering is a case study for community-oriented artistic research into the cultural, spiritual, and ecological trajectories of waterways.

How does the world—and the world of visual culture in particular—creates itself in a creative act that knows no economic return.

This notebook from the Academy of Fine Arts, Vienna contains 192 blank pages for making your own notes.

Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art.

MUdec United, the publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The second issue questions the quintessential symbolic device of the museum machine: the showcase—a tool of preservation, mummification, and desire, with many stories to tell.

An interdisciplinary investigation by French-Bulgarian visual artist Iglika Christova, an explorer of the microcosm, into the relationship between the mechanisms of the living world and drawing.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.