An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.

Combining archive material with a wide selection of photographs of body paintings produced by the duo in the 1970-1980s, this publication retraces the evolution of gender identities and the treatment of the female body in visual culture from the 1950s to the present.

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.

Curator, art historian, writer Chus Martínez and writer and curator Filipa Ramos bring together a group of artists who have been using clay, pottery and ceramics to imagine, project and shape the world they live in.

Reference monograph of the most renowned Japanese artist-poet of the 20th century in Europe and the United States, active since the 1920s, a figure of visual poetry, linked to all the European and American literary and artistic avant-gardes, with numerous illustrations.

This latest book—part of a ten-volume series that began with Léman in 1990—takes up and redistributes the elements of an investigation whose main material is autobiographical. The author restores an imaginary "childhood" that he writes about in a poetic attempt to understand it, and never ceases to "become".

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

Written with a sensitive ear to the present, Matinées sans police reveals a relationship with the world in which the intimate and the extimate assert themselves in all their political dimensions.

A critical and ethical reflection on contemporary art and ecology, based on long-term research into the work of some twenty international artists committed to environmental issues.

Through more than 500 images by 95 photographers, the Musée de Grenoble's collection of photographs from Antoine de Galbert's collection and his foundation offers an impressive panorama of our times and the decisive role played by photography in shaping our perceptions and contemporary mythologies.

1000 drawings ranked from lightest to darkest, a major work by a rare and powerful artist, a major influence on the current graphzine scene.

A collective publication resulting from a research project led by Sophie Orlando and Katrin Ströbel that takes as its starting point the way in which current geopolitical, economic and social changes induce a renewal and adjustment of artistic strategies, by investing, in an intersectional perspective, contextual thinking and feminist, queer and postcolonial thinking in an artistic and conceptual way.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.

This monograph, taking a thematic approach that brings together both words and objects, aims to highlight the extreme inventiveness of Gaston Chaissac.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

The major influence of Henri Matisse on the work of one of the leading figures of American Pop Art.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

Some insights into the imaginaries that inhabit techno-scientific realities, transforming our relationship with the world, closing or opening up the future.

This collection does not propose a theory of architectural drawing, but brings together seven essays (written over the last fifteen years), which explore the potential of architectural drawing during the 20th century, through seven modes of representation: plan, section, arrow, grid, images, diagram, drawing.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

Reissue of a book of poetry from 1984—perhaps F.J. Ossang's most incandescent poetic period—that never saw the light of day.

A journal of critical and political poetry

Louise Bourgeois' flowers series, painted in gouache on paper.

A collection of quotations from Thelonious Monk, organized as an alphabet book (new revised and augmented edition). More than a hundred entries based on the testimonies of musicians (Steve Lacy, Sahib Shihab, Henri Renaud) and journalists (Leonard Feather, Ira Gitler, Val Wilmer…).

Attempting to bridge the gap between specialised scholarship in the humanistic disciplines and an interdisciplinary project of cultural analysis, Mieke Bal has written an intellectual travel guide that charts the course "beyond" cultural studies.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

A vast research on the notion of acoustic and sound ecology and its transition to a new sound ecosophy, integrating the multidimensionality of listening to propose to hear differently.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

On the border between arts and surveillance studies, this book analyzes the technopolitical role of new "machines vision" and considers sousveillance as a democratic counter-power.

Suspected of having been completely assimilated by the commercial industries, it is not so much against these that art must be defended as against a simplistic narrative imposed by a certain sociology of art. When one is finally interested in the artistic practices themselves, it becomes obvious that the art continues to resist: by its politics of the forms.

A collection of three new aesthetic essays, between the visual arts and literature, by Belgian philosopher and semiotician Herman Parret: a reflection on the "delicacy" in the various fields of sensoriality (the visible, the sound, the taste and the tactile)—a most suggestive reading for the construction or the development of a sensitive semiotics.

Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.

What does Bergson bring to the history of the concept of "structure" even before the advent of structuralism? Why is his approach still relevant today? Sébastien Miravete proposes a rereading of Bergsonian philosophy to show how it outlines an other structuralist metaphysics, which can inspire all 21st century thought.