Box set comprising five books, a vinyl and a supplementary dust jacket, each highlighting different practices and transformative developments occurring in the realm of writing and speaking today as triggered by digital communication.

Three multidisciplinary essays—from cultural anthropology to photography analysis—based on visual archives documenting the visit of writer, painter and politician Carlo Levi to an Albanian community in Southern Italy (second volume in the series “Archivi della Basilicata”).

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

First monograph.

This catalogue investigates the genealogy of the relationship between art and ecology in Europe, introducing a series of pioneering research conducted on both sides of the Iron Curtain in the 1970s.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

A multidisciplinary investigation of the interrelations of space and time, memory, architecture and urban planning through and beyond Henri Lefebvre's concept of Rhythmanalysis.

Conceived for the 12th Edition of the Bamako Encounters this book captures thoughts and responses of writers, poets, and artists to the curators' proposition to think the practice of photography in Africa and its diaspora through the notion of the “stream of consciousness.”

First monograph of the French artist who makes the changing states of the body the territory of her research, between desires and suffering.

Six short stories by Maria Kakogianni, between literary fiction and philosophy.

Monograph.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

A complete archive of contents from the 11th Biennale Internationale Design Saint-Étienne.

Richard Tuttle and color.

First official solo album of Claire Bergerault, Stick Slip is an incredible cloud of frequencies where voice and accordion twist the space like an electronic music with psychoacoustic effects. A light and intense record at the same time, always on this acoustic border which makes the inner ear resonate like a mini oscillator.

A piece created in 2013 that is a step towards applying spectral techniques in an electroacoustic environment.

Vast cross-composition by Jean-Yves Bosseur and Benjamin Bondonneau created for the Bordeaux ensemble le Un. A wild thought towards Claude Lévi-Strauss and his notion of "bricolage".

This artist’s book gathers childhood memories, some lived experiences and personal reflections on the family histories and relations, and the ways in which they interweave with geographical locations.

Mads Emil Nielsen continues his Framework series, a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen's own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations—in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.

The encounter of the rock band Melmac with the poet Anne-Claire Hello.

An essay by the French composer that provides some perspective on his musical concepts and formulates his vision of music and society.

Facsimile scores and documents about the radiophonic work created by Luc Ferrari in 1991.

Facsimile scores and documents about the creation premiered on 28 February 1977 at the Palais des Arts, Paris, by Bernard Parmegiani.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

The 1Shanthiroad Cookbook brings together a collection of recipes from the community kitchen of 1Shanthiroad Studio/Gallery, compiled and edited by the space's founding director, Suresh Jayaram.

Moving across personal anecdotes, moments in history, cultural memory, and scientific did-you-knows, Mario Santanilla's Still Life takes the reader on a virtual journey across a range of sights and sites.

Ben Alper and Stanley Wolukau-Wanambwa present visual unknowns and forgotten gestures from the defunct archives of American mid-century news photography.

A glimpse into the genesis of Harun Farocki's film IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR (1988), which evolved from the unrealized project "On the History of Labor" between 1985 and 1988.

Nadira Husain's comprehensive work is brought together in this monograph for the first time in its breadth and complexity and shows over 100 works from the past six years.

The magical drawings and works of Samantha Davies and Matthew Bower of the noise-rock band Skullflower, which invoke and evoke the Egyptian god Set.

The research and series of exhibitions that this publication grew out of, is part of an ongoing project exploring the significant work of individuals, collectives and institutions in the field of alternative art and publishing practices, past and present.

An oral performance (concept, texts and voice by Karl Holmqvist).

The piece "Blue" is based on a writing cycle focusing on the idea of biography, fiction, fulfilled and unfulfilled dreams. Like the piece "L'appétence", which was created in collaboration with a group of ASMR artists, it was developed for an audio installation. Anne Le Troter then transformed it into a version for this record.

A series of illustrations depicting automobiles set in a chaotic post-apocalyptic world, inspired by the dystopian aesthetics of the 1980s and 1990s.

This historical essay recounts the story of the EXAT 51 collective—the first Yugoslavian abstract art group—and how it shaped the idea of abstract socialism by associating socialist cultural politics and modernist artistic practice.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

An overview of video art production from the Pearl River Delta in China: having emerged in the mid-1980s, this vital yet under-represented art scene is thoroughly documented in this richly illustrated catalogue (460 ill.) which features works by nearly sixty artists (catalogue of the inaugural exhibition at Times Art Center Berlin).

Stemming from the namesake exhibition program at Cooper Gallery, Of Other Spaces draws on women artists' activism from the 1970s to the present day to build a reflection on feminist thinking as a provocative and cogent mode of creative and critical inquiry.