A comprehensive overview of artist Kathrin Böhm's multifaceted, deeply collaborative, and durational practice and networks.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

The 15-year history of the production of a "German scotch" Black Whisky, made by Dexter Sinister together with Stahlemühle, a distillery set up by ex-publisher Christoph Keller.

A long-distance correspondence reflecting on the infravoice of a blue whale and other so-called “silent” subjects.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

A poetics of perception, between sculpture, architectural installations and photography.

A collection of Dan Graham's interviews and conversations with a wide array of individuals from various backgrounds and disciplines.

First monograph.

The use of art and architecture to develop practical solutions to economic and ecological crises.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

An overview of the influential work of a key figure in experimental film and video.

An inquiry into Zach Blas's singular practice through a series of newly commissioned essays, an interview and writings by the artist himself, expanding on the technological, queer, filmic, and cultural inquiries that comprise the rich world of Blas's practice, exemplary among his generation of digital artists.

How research-led practices in the arts can develop legal frameworks for understanding the future of digital technologies and their relationship to airspace.

Art historian Raimund Stecker looks back at the ever-changing work of German artist Gregor Schneider, who has been transforming his own domestic world since his youth.

An unconventional invocation of Michael Stevenson's practice over the past 35 years.

What happens when social scientists write about artworks? How does it affect the academic environment of a business school and how does it change the perception of art? Can it be used as a novel scientific method in the business studies?

Retrospective monograph.

Retrospective monograph of the Greek painter Yannis Tsarouchis (1910-1989).

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

This catalogue brings together a series of contributions taking as inspiration Polys Peslikas's painting at the Cyprus Pavilion at the 57th Venice Biennale, in 2017.

The Polish artist's memorial archive traces a history of homosexuality and queer culture in Eastern Europe and opens up possibilities for the future.

A poetic and scientific meditation on the artist's iconic cinematic installation exploring post-human mythologies, future archaeology, and the invisible structures that enfold us, from the cosmic and geologic to the ecological and political.

The first comprehensive monograph of the highly accomplished Albanian artist Edi Hila.

The script for, and conversations around, artist Jesse Ash's multi-dimensional project built around a play about a bitter argument between two ex-lovers.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

New monograph / catalogue.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

A selection of drawings from the Belgian artist's extensive corpus.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.

First monograph dedicated to British filmmaker and video artist Stephen Sutcliffe. Including commissioned essays and an interview with the artist, At Fifty examines over twenty years of film collages practice, delving into Sutcliffe's extensive use of television archives and critical reflection on British cultural identity.

Jolly Rogers is a collection of Peter Wächtler's latest short texts, written in preparation of his two solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), and combined with a nearly complete collection of the artist's drawings and prints from recent years.

A series of drawings considered the starting point of the artist's mature work.

A new series of photographic works by Shirana Shahbazi.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

New monograph: an overview of Andrea Pichl's sculptural, drawn and photographic work, with four essays.

A body of research that focuses on the fragility of memory and the potential for its preservation, defying the gradual breakdown of matter through the effects of time.

Prototypes by Doireann O'Malley is a multi-screen film installation, a series of dreamscapes interrogating trans* semiotics through psychoanalytic practices, speculative technologies, and live action role-playing. O'Malley's work references scientific and medical investigations into the human psyche that address wider philosophical concerns relating to biology, gender embodiment, sexuality, utopianism,  and biomolecular advancement in human evolution.