Zoran Terzić's wide-ranging and sharply detailed essay takes up the cultural-historical figure of the idiot and follows its numerous appearances throughout intellectual history in an examination of the art of idiocy that extends outside the hypertrophic present.
By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.
The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.
The translated transcripts of two radio broadcasts by Artaud: To have
done with the judgement of god (1947-48) and Madness and Black
Magic (1946). Correspondences from that period are also included.
English translation of Artaud le Mômo, edited in the spatial
format Artaud intended, for the first time since its original edition in
1947. Includes eight original drawings by the French poet.
This publication explores the pioneering role of 19th century photographer
Eadweard Muybridge in the development of moving-image
projection. The study also maps the exceptional influence of his
experiments on contemporary world's visual form.
A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.
A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.