English translation of Artaud le Mômo, edited in the spatial format Artaud intended, for the first time since its original edition in 1947. Includes eight original drawings by the French poet.

The heart of the political-aesthetic debate.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

This monographic study catalogs, explores, and interprets the manifold manifestations of music in Thomas Pynchon's novels.

A transdisciplinary reevaluation of the dialogical character of humanism.

The heart of the political-aesthetic debate.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

An anthology of Claire Fontaine's texts.

The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.

Prominent voices of the debate on transdisciplinarity in a transdisciplinary manner.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

First English translation of Antonin Artaud's writings from his apocalyptic journey to Ireland in 1937.

Based on the writings of Carl Einstein, this comprehensive, richly illustrated reader examines how the artistic avant-gardes reacted to the multiple crises of European modernity around 1930. Structured around a glossary, the publication gathers commissioned essays, texts by Einstein, and documentation on the namesake exhibition.

Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. Therefore, critical analyses regularly reduced the artwork to its material and its social use. Based on this observation, historian Sebastian Egenhofer takes Deleuze's readings of philosophers as a starting point to renew the narrative of art history since the 1960s.

The cultural public sphere at the digital age.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

In recent years, most diverse disciplines have been stressing the importance of matter within the web of relationships of culture and nature. This publication focuses on this new material phenomena in arts in relation to the humanities and social sciences and brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

This study offers a reflexion on the complex temporality in the series Breaking Bad. The author develop her theories through examples coming from the show's various visual elements and masterful temporal and narrative structuring.

With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

How to talk about his art as an artist? A series of discussions with Jan Verwoert and artists and composers of the Graduate School at the Berlin University of the Arts. In parallel, the book presents a careful selection of original artistic contributions by the participants.

Yves Netzhammer ranks among the most renowned Swiss contemporary artists, his work comprising animation, video and sculptural installations, objects, and drawings. Concave Thoughts offers an entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.

Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.