Research-based art has become one of the defining genres of the century. Taking the collective Forensic Architecture as a case study, Emily Watlington, senior editor at Art in America, argues against what she sees as the dangerous slippage between artistic research and alternative facts.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

A collective reflection on the tensions and shifts taking place in design, in light of contemporary and future challenges, combining forward-looking visions with concrete experiments, and bringing together theoretical approaches, manifestos, and analyses of design practices, from a critical perspective that responds to the environmental, social, cultural, technological, and political transformations of our time.

An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

A vast collection of Ettore Sottsass's writings, edited by design historian Emanuele Quinz.

A groundbreaking study of the broader impact of the various theories of colour psychology on visual cultures at the turn of the 20th century.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

The first monograph devoted to the entire multidisciplinary and unclassifiable body of work of French poet, writer, musician, and director F.J. Ossang, spanning more than half a century.

The first book to document the evolution of bio art and the aesthetic development of Eduardo Kac, the creator of the "artist's gene" as well as the controversial glow-in-the-dark, genetically engineered rabbit Alba.

A powerful and highly original psychoanalytical, philosophical, and political exploration of the dimensions of sensitivity, the unconscious, and psychedelia in the context of an experience based on medicinal plants (peyote, mushrooms, and ayahuasca) and psychotropic drugs, in the wake of Félix Guattari's thinking.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

A reflection on the ways in which current artistic and curatorial practices, with their emphasis on cooperation, and pedagogical practices informed by feminist, anti-racist and ecological epistemologies, interact today to create an other pedagogical turning point.

The first French translation of one of the seminal texts on the decolonization of art.

A fascinating journey through the long history of media before the age of mass media.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

A project that considers the role of the Tirailleurs in liberating France from Nazi Germany, how their efforts contributed to the liberation of Germany itself, and their impact on securing peace in Europe post-1945.

A collaborative research and artistic project about restitution, reparation and transformation taking place in multiple locations over several years.

The anthology black monument explores how artists and communities across Europe, North America, the Caribbean, and Southern Africa disrupt colonial monumentality.

A comprehensive overview of the legal framework governing artistic practice, intended for creators, authors, and artists.

Forest Encounters invites you into the forest and its many meanings. It brings together voices from different disciplines, geographies, and cultures. Artists, foresters, art historians, philosophers, anthropologists, wildlife researchers, landscape architects, and writers all participate in this collective reflection on the diverse meanings, challenges, and perspectives related to the forest.

Special issue on performance and sound art.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe (new expanded edition).

All 693 images in a series created by Luc Delahaye over several years using details from photographs cut out of newspapers, marking a turning point in the evolution of this great photographer’s work, which bridges documentary and artistic practices.

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

The script (with drawings) for Peter Greenaway's film tells of a 19th century Chinese love affair and its consequences, based apparently upon a real historical situation taking liberties with history to make an extravagant fantasy.

A look back at the career and work of Vasıf Kortun, an exhibition curator, author, and educator.

First monograph.

Música para Plátanos takes its name—and much of its inspiration—from the group's recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.

Reference monograph.

We Lost Control Again surveys the questions raised by the work of artist Rikke Luther between 2015 and 2025, exploring the long-range effects of this era of collapse, and the effect on social orders and the stability of the Earth system.

Mud … and the Earth System explores Rikke Luther's groundbreaking research in Earth system sciences and highlights the challenges of communicating these findings to the public.

A media theorist, filmmaker, cyberfeminist, and navigator of both the seas and the internet, Nathalie Magnan (1956–2016) left a transdisciplinary mark on the history of critical thought, media and technology, feminism, and LGBTQIA+ struggles. This book traces her journey through the voices of those who knew her.

Fifty verses by New-York musician Moondog (new edition).

An ambitious publication by the artist duo mountaincutters, offering an in-depth insight into their multidisciplinary practice.

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 risograph prints, an 8-page booklet, and a postcard).