A monograph covering more than thirty years of creative work, MONO ICONO GRAPHIE traces the unique career of Delphine Coindet, an artist at the crossroads of sculpture, image, and text, offering for the first time an unprecedented overview, both critical and visual, of a major body of work.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

The social, political, and anthropological implications of image production by machines, which permeate all spheres of existence and reconfigure the visible.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A seminal exploration into screens' crucial functions and profound impact on human culture.

Archivio n°11 offers an international overview of technology archives, divided into three sections—Stories, Institutions, and Collectors & Collectives.

Launching a series of children's books published by Kaph in Beirut, Saud's Adventure in the Art World recounts the initiatory wanderings of a child lost in a museum.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.

The first English-language catalogue dedicated to the Guangzhou-based artist.

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.

As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.

Architect Mark Lee presents a body of work on the basis of five considerations: on history, on cadence, on autonomy, on America, and on point.

What can resistance look like today? In search of an answer, Enis Maci draws a line from Jeanne D'Arc via Sophie Scholl to the Albanian Sworn Virgins.

How does photography depict our environment? How does it contribute to its destruction? This book explores this paradox through the analysis of the work of fifteen contemporary artists.

First comprehensive publication devoted to Turkish performance artist Moni (Salim Özgilik).

A queering of psychoanalysis put together by the forerunner of Inactual Magazine.

Recorded live at Amsterdam's Oude Kerk during the 2025 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

Lee "Scratch" Perry's photographic works and writings, inventoried in the Black Ark studio in Kingston, one of the cradles of reggae and dub.

The first issue in a collection of typographic specimens, each inviting a designer to create a fictional story around one of their typefaces, this volume is by Grégoire Romanet, who has repurposed 18th-century Texas Cattle Brand symbols to create a typeface.

Created for instrumental ensemble, electronics and film, Castle Terraces in Barry Lyndon is a spacious and quietly enigmatic work by composer and writer Zeynep Toraman, bringing together clarinet, cello, violin, electric guitar and electronic textures with a subtly unfolding visual layer.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

A never released before live CD/DVD by Univers Zéro, a precious testimony to the band's artistic resurgence and stage energy.

A major study in art history in which Sophie Leclercq, drawing on and analyzing multiple sources, texts, and visual documents, sheds light on a blind spot in French colonialism: how, between 1870 and 1960, children were taught about colonial conquest through edifying imagery, and how their view of colonized populations was shaped?

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

The prospects opened up for architectural education by the pioneering initiative of the Um Slaim school in Riyadh.

The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and Carla Lonzi, curators and art critics, as well as Seth Siegelaub

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A legendary artist's book finally reissued in an updated and revised version, Enseigner et apprendre, a truly collaborative work, provides a valuable introduction to Robert Filliou's work and his pioneering and innovative ideas on the educational dimension of artistic creation.

A retrospective of the work of Norwegian painter Leonard Rickhard (1945-2024) spanning more than half a century.

A vast collection of Ettore Sottsass's writings, edited by design historian Emanuele Quinz.

A groundbreaking study on Wassily Kandinsky's relationship with the photographic image.

Julien Blaine's new collection of poetic, visual and typographic experiments.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

An insect theory of media to understand our media devices and our technological modernity.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

The third of three projects to engage the resource industries of Vancouver Island, this publication responds to oceanic environments through contemporary art and writing.

A dialogue between the creations of the two designers.