Through his sculptures in black-stained wood, set with fragments of stone and bitumen, Theo Guicheron Lopez traces, across the remains of ancient stone, a sensory landscape for a poetics of the ground.

Jeanne Hubert explores a place of passage—the shoreline—through her drawings.

Two sharp accounts by Ana Teixeira Pinto and Abeera Khan on the current ideological shifts and the subsequent forms of violence they produce.

A look back at the career and work of Vasıf Kortun, an exhibition curator, author, and educator.

First monograph.

Música para Plátanos takes its name—and much of its inspiration—from the group's recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.

Reference monograph.

We Lost Control Again surveys the questions raised by the work of artist Rikke Luther between 2015 and 2025, exploring the long-range effects of this era of collapse, and the effect on social orders and the stability of the Earth system.

Mud … and the Earth System explores Rikke Luther's groundbreaking research in Earth system sciences and highlights the challenges of communicating these findings to the public.

A collective biography exploring the legacy of Nathalie Magnan (1956–2016), a pioneer of cyberfeminism and media activism.

A selection of critical writings that blend sociological procedure, technological metaphor, visual and theoretical apparition, indexing the material and linguistic problems of making art.

An ambitious publication by the artist duo mountaincutters, offering an in-depth insight into their multidisciplinary practice.

A large survey of the practice of artist Oscar Murillo with a concentration on bodies of work produced from 2019-2026.

The American photographer's first book.

One of Phill Niblock's final compositions, commissioned by bassist Robert Black, completed in late November 2023, based on recordings of acoustic bass and bass clarinet performed by Neil Leonard and Robert Black under Niblock's direction in 2021.

Lydia Ourahmane’s first monograph, documenting a project developed through immersion during a several-month residency in Venice, as part of the 61st Venice Biennale.

This book showcases the research work of designer Mathilde Pellé, who explores design through subtraction in a sensitive yet radical way. It brings together a body of documentation and an inventory of prototypes and objects created over the course of a decade.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Departing from a series of concrete projects and international exhibitions, this book considers the conditions of artistic research and related discourse via twenty significant concepts.

A series of reflections on research and fieldwork that situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

This array of source material from Peter Wächtler's 2024 show at Simian, Copenhagen, traces a free-spirited voyage towards the outer edges of professional exhibition-making and beyond.

Research-based art has become one of the defining genres of the century. Taking the collective Forensic Architecture as a case study, Emily Watlington, senior editor at Art in America, argues against what she sees as the dangerous slippage between artistic research and alternative facts.

A visual travelogue that critically captures the 2025 World Expo on Yumeshima, Japanese for "Island of Dreams," which took place from April to October 2025.

New edition.

A chronicle of the punk wave in France in the late 1970s, as seen and experienced from the inside, weaving together the memories of Miss OD, the muse of the emerging Parisian punk scene, and FanXoa, at the dawn of the formation of Béruriers / Bérurier Noir, like flashes of a remarkable, dangerous, and out-of-control era that undoubtedly still has something to say about our present day.

A comprehensive study of the impact of the life sciences—primarily botany—and their expansion in the 19th century on the thought and work of Gustave Moreau.

A groundbreaking study of the broader impact of the various theories of colour psychology on visual cultures at the turn of the 20th century.

An essay on the figure of the writer-

Globalized popular culture as a starting point for a new way of thinking about art and visual culture.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

Through an analysis of the social and cultural history of the imperative of "creativity" that now shapes our lives, Andreas Reckwitz examines the paradoxical promises of aesthetic capitalism.

An exploration of the encounter, in the early 1960s, between the controversial—yet now world-renowned—writer Yukio Mishima (1925–1970) and Tatsumi Hijikata's (1928–1986) Dance of Darkness (Ankoku butō). This paradoxical connection remains little known and is rarely mentioned in the chronologies and biographies of this turbulent man of letters.

The mythologies and ecologies of water, the poetics and politics of voice through film and other arts.

Issue 1 of the journal of psychoanalysis and interdisciplinary discussions, focusing on the theme of vertigo.

Published in conjunction with the 11th Contour Biennial, this book edited by curator Sofia Lemos weaves together curatorial reflection, philosophical invocation, and playful fable, moving between essay, image, and story.

An encounter between dance and visual arts.

A dialogue between masterpieces from the collections of the Centre Pompidou, Kanal, and other significant Belgian public and private collections.

The third volume in the "EKES (EarthKeeping EarthShaking)" series, this collective work—a forum for dialogue among artists, curators, and experts in the humanities and environmental sciences—sets out to explore "ecological vitality."

A photographic and conversational study of public sculptures embedded within Jeddah's urban circulation.

A special edition bringing together three issues of the journal of architecture criticism under a single title: "Dixit: Switzerland!". Six prominent figures with links to Switzerland (Hélène Binet + Elli Mosayebi; Tiphaine Abenia + Alia Bengana; Carlotta Darò + Raphaël Kadid) are invited to discuss common and topical issues.

This publication brings together artists, theorists, and writers primarily from Africa and its diasporas to explore a constellation of experimental and contemporary approaches to ever-evolving discourses and practices of decolonization.