Even n° 03

sommaire
ESSAYS

THE ROBOT'S MIXTAPE
The boundary between man and machine became foggy long before the advent of Instagram and Spotify. Your computer is already smarter than you; might it soon have better taste, too? by Deirdre Loughridge

LOUDSPEAKERS
Anri Sala has never turned back from his early training in cinema. But his newest videos reveal an artist who puts more faith in soundtracks than in scripts by Daniel Fairfax

THE SOUTHERN DYNASTY
For the first time in 12 years, Argentina's president is no longer named Kirchner. A postmortem of the art of the “K Era”, and of its vehement debates over freedom of expression by Florencia Malbrán

INTERVIEWS

NEÏL BELOUFA
December 23, 2015, 9:30 a.m., at Le Sarah Bernhardt café, Châtelet, Paris

URSULA VON RYDINGSVARD
January 6, 2016, 11:00 a.m., above a woodworking studio in Bushwick

NEGATIVES

Chantal Akerman's Manhattan
The Louvre goes back to work
Brazil's tax authority as curator

REVIEWS

I. Which scares you more: terrorism or climate change, war or warming? A Louvre exhibition stared down both this unseasonable winter, while Olafur Eliasson melted all too elegantly by Thomas Chatterton Williams

II. Giorgio Morandi and Robert Ryman: two paragons of shy-guy painterly seriousness. Form and formlessness in a world fading from beige to white by John Ganz

III. After 1945 Warsaw was rethought, redrawn, and constructed on ruins. The postwar settlement gave shape to today's Poland, where the art is flecked with debris by Karol Sienkiewicz

IV. In just a decade, little Norway has been transformed into an oil-fueled artistic hothouse. Transformed, too, by a refugee crisis that has reached the Arctic circle, and shocked artists into action by Johanne Nordby Wernø

PORTFOLIO

The art of MATHIEU K. ABONNENC: museums and antimalarials


 haut de page