Marxist geographer David Harvey opened his 2016 lecture at Harvard with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

An investigation of the role and function of the rehearsal in artistic production at large.

Box set gathering 2 books / DVDs and one book.

Creating Bob: a food truck with a living, warm and hospitable public purpose, set close to Lille-Europe Train Station and commissioned as part of the “New Patrons” program.

The new organic soundtrack creation by Francisco López inspired by trance rituals.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

Around the Palais de Tokyo's programme dedicated to urban art, Palais magazine is devoting its latest issue to artists whose work has been developed in the street.

Reconstitution of a comic book appearing at the beginning of the film Fahrenheit 451 by François Truffaut. With this publication, Spanish artist Francesc Ruiz also questions the status of the comic book at the time the film was made and also within the dystopian universe originally created by Ray Bradbury.

Two-volume catalogue of the Fifth Rennes Biennal (France): twenty-nine international artists were invited to construct an exhibition based on the particular issue of shaping emotions in a world which formulates them in terms of markets.

A mystery tale illustrated with artworks by twelve contemporary artists.

Ben Vida's new LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero, in which the american artist return to the durational drone based forms that he first experimented with in his early days.

Writer Emanuele Trevi and photographer Giovanna Silva recount, each in their own manner, their journey with artist Luigi Ontani in Bali at the time of the preparation of the Ogoh Ogoh carnival procession. With original illustrations by Ontani.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.

50 black & white photographs of post-war Italy taken by director Luigi Comencini shortly before his debut behind the camera. With a series of writings establishing connections between his work as a photographer and his cinematographic oeuvre.

Special issue published to celebrate the 22nd edition of L'Étrange festival—dedicated to the strangest and most provocative cinema.

An analysis of the posthumous interpretations of Brancusi's life and work, and of the political use of the Romanian sculptor as a nationalist figure.

Companion book to Basim Madgy's eponymous video: a dreamlike tale about the ocean and its secrets.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

Transmitting specific technical skills in contemporary dance (an educational booklet).

The musical education of the dancer (an educational booklet).

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

A presentation of Pierre Conté's notation system and research on dance and movement.

These notebooks gather texts and photographs documenting the creation process at the heart of Jean-Guy Coulange's radiophonic practice.

An introduction to the art of Stephen Felton, with an essay by Jill Gasparina, “On the uselessness of sophisticated discourse,” as a guiding thread to better understand a work relying on simplicity and narratives.

In this post-truth era, how does one navigate the endless information available and choose a viable narrative of reality? In How to Know What's Really Happening Glasgow-based writer and curator Francis McKee looks at various techniques for determining verity, from those of spy agencies and whistle-blowers to mystics and scientists.

Interviews with the artist Alain Bublex and the architect-designer-researcher Joseph Grima, a text by the designer and typographer François Chastanet on the graffiti of Los Angeles gangs...

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

Jordan Wolfson, Ari Marcopoulos, Kahlil Joseph & Deana Lawson, Pierre Paulin, interview with Nhu Duong, contributions by Darja Bajagić, Georgi & Ketuta Alexi-Meskhishvili, Korakrit Arunanondchai, Julie Verhoeven, special feature on Disorientalism including interviews with Sophia Al-Maria and Meriem Bennani, two essays, a case study and a round table, Christopher Williams, Jasper Spicero, Alexa Karolinski & Ingo Niermann's Army of Love, a tribute to Alan Vega…

A publishing survey of the diagrams produced by Ricardo Basbaum in recent years. Both autonomous pieces or elements from installations, these diagrams act as interventional tools and visual poems that connect the literary and plastic spaces.

This publication presents five architectural environments that have been conceived through auditory and literary practices.

Élodie Lesourd's first retrospective monograph provides a complete overview of her work since 1993, highlighting her inclination toward Rock culture and hyperrealism.

Art magazines as exhibition objects and spaces.

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

Photographic essay featuring pictures of inactive TV sets: a powerful semiotic reflection on the medium and its design.

Monograph offering a collective literary and poetic rendering of Alan Reid's works.

Fully Fueled brings together pictures taken from 2012 to 2014 documenting the life of Emiratis through the lense of cars.

First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

The first monograph ever published on the work of Roman Stańczak: an incredible opportunity to discover the work of this influential and yet under-known artist. The publication includes an interview with Stańczak conducted by Zuzanna Hadrys & Michał Lasota and essays by Jan Verwoert, Zofia Krawiec, Łukasz Ronduda in addition to an extensive portfolio of images.

François Boutonnet's Mnemosyne offers the first consideration of the “Arts of Memory” from antiquity to contemporary art, connecting it to mind mapping in digital culture.

De Sardes' photographic wanderings in and around Beirut: an impressionist two-sided journey between day and night, dream and documentary.

De Sardes' photographic wanderings in and around Beirut: an impressionist two-sided journey between day and night, dream and documentary.