Audio project based on field recordings which took place in various locations in New York, U.S.A, Gotland, Sweden, Rio De Janeiro, Brasil and the Greek countryside. Featuring soprano Irini Kyriakidou, this electronic immersive piece is fully part of Novi_sad's visual approach of sound.

New “electro-contempo” collaboration, born out of the encounter between turntablist DJ Olive, musical director of Ensemble Musiques Nouvelles Jean-Paul Dessy, and violonist David Núñez. The second CD includes a live recorded at Les Transnumériques festival.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

A conversation with French performer Benjamin Seror with Keren Detton, Julie Pellegrin and Eva Wittocx. Together they look at Seror's recent projects and influences, and discuss the notions at the core of his practice (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

Cura #25 Summer issue celebrates its special edition, dedicated to 25 (+1) outstanding protagonists of the contemporary art scene, selected among the most interesting female artists of the new generation. A collectible and celebratory issue!

Kathy Noble on narcissism in recent art; Robert Barry on Erkki Kurenniemi; John Knight; Seth Price; Julia Weist & Nestor Siré; Johannes Paul Raether; Yan Xing; Trix + Robert Haussmann; Kevin Jerome Everson; Leilah Weinraub; Lantian Xie; Basma Alsharif; Duane Linklater; Robertas Narkus; “Let's Make Protest Great Again” by Jens Hoffmann; “Weeping, Dreaming, Fucking, Laughing. This Is How Some Revolutions Get Started” by Andrew Berardini.

This exceptional catalogue follows an exhibition of video works from the La Gaia Collection in Italy. It features documentation of the show and individual presentations of works by the major video artists of the 20th century to nowadays: Marina Abramović, Pierre Bismuth, Mircea Cantor, Rä Di Martino, Ion Grigorescu, Gary Hill, Jonathan Horowitz, Alfredo Jaar, William Kentridge, Adrian Paci, Rosemarie Trockel, Valie Export, Bill Viola…

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” video games.

185 photographs of everyday objects secretly made by inmates in their cells.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

For her show at Mamco, the French artist borrowed from the museum collections to reinterpret a series of artworks by Imi Knoebel, Steven Parrino, Frank Stella, John M. Armleder, Luciano Fabro, Robert Filliou, and Christian Robert-Tissot. Both a catalogue and an artist's book, this publication replays the exhibition much like a snapshot collection.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

A collection of essays on art and literature—most of them unpublished in French—by the American poet, performance artist, and critic.

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Venice: a cultural and urban investigation on a city with two faces, between the reality and the logo.

Catalogue documenting two projects by the Colombian artist—a photo essay and an artist's book—focusing on immigration and family ties.

Diaphanes is a new bilingual English-German quarterly magazine with a focus on contemporary art, critical discourse, and multilingual fiction. This first issue features a special section dedicated to the work of Pierre Guyotat, including excerpts, an interview with Donatien Grau and drawings by Paul McCarthy. Also in this issue: Mike Wilson; Ute Holl; Haus Am Gern; Aya Momose; Mário Gomes; Marcus Quent; Julien Maret; Jason Swartz; Julian Röder; Peter Ott; Tyler Coburn; Francisco Sierras Malerei; Yves Netzhammer; Giovanna Marmo; Luc Meresma…

Discovering the id, ego, and superego with Dr. Freud (an illustrated philosophy book for children).

Collective publication bringing together artists, designers, and specialists to reflect on digital creativity within the city. Extending the investigations from the 11th meeting of the UNESCO Creative Cities Network, it questions digital and data practices in urban territory.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

Minna Henriksson's artist book Works on Paper is a graphic story with forty linocuts on the political history of the paper industry in Finland.

Art criticism: historical approach and current practices

Monograph dedicated to the Californian artist, whose work takes the city of Los Angeles as both iconographic source and main subject. This well documented and illustrated publication offers a chronological overview of Israel's heterogeneous projects—paintings, flashmobs, a brand of eyewear and its related advertising, a talk-show, interviews, webseries, sculptures, a movie—each introduced by a short text from the artist.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

Postmodernism and gift culture: everyday objects in contemporary art since the 1960s.

This study addresses the scope of the use of found objects and garbage by the Nouveaux Réalistes in the 1960s.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Elise Duryee-Browner / Angela Davis and Gina Dent's conference in Paris / Georgia Sagri at documenta 14 / interview with Ilaria Bussoni / Georges Didi-Huberman at Jeu de Paume / Tobias Madison on the film Two A.M. by Loretta Fahrenholz / Amelie von Wulffen / Yuki Kimura / “The Color Line: African-American Artists and Segregation” at Musée du Quai Branly / Morag Keil / Greg Parma Smith / Carole Boulbès on Picabia's retrospectives in Zurich and New York / Short Story, Jeanne Graff / Weather Report / Jean-Luc Moulène / Bernadette Corporation.

Vinyl made in France; artists from the French foreign legion; legal artist squats in Paris; interviews with Romeo Castellucci, Patrick Boucheron, Ismaïl Bahri, Alain Della Negra & Kaori Kinoshita; Oona Doherty; Sophie Perez & Xavier Boussiron; New York free jazz icon Annette Peacock; violent sculpting with Anita Molinero, Stéphanie Cherpin, and Daiga Grantina; portfolio by Antoine Bruy, Johanna Benaïnous & Elsa Parra.

Modern art heritage in the works of six major contemporary artists (David Diao, Simon Starling, Josiah McElheny, Martin Boyce, Lucy Williams et Farah Atassi).

An historical and theoretical study of the surface in the Western avant-gardes of the twentieth century.

A tribute to the long collaboration between Franz West and Galerie Eva Presenhuber, this volume offers a comprehensive yet singular overview of the artist's oeuvre, gathering together extensive documentation and rare archive material on the numerous exhibitions they organized together since 1995.

This publication extensively documents the exhibitions and activities of M/2, a local but emblematic example of an artist-run space founded at the end of the 1980s in Vevey, Switzerland.

First published in 1964, this wordless and colorful picture book is a tale of friendship between a pink bird and an orange fish. The illustrations by Swiss artist Peter Wezel are rendered with a deliberate childlike naiveté which will delight children and adults alike.

A collection of multidisciplinary essays assembled as cadavres exquis and inspired by the magical-financial theories of Finnish-Swedish alchemist August Nordenskiöld (a project by Swedish artists' duo Goldin+Senneby).

An overview of the German artist's work, through a selection of paintings from 2006 to 2016.

This monographic catalogue presents a series of works by artist Minouk Lim which draws on the tragic events of the 1950 Korean war and their aftermaths. Based on installations, sculptures, videos, and performance pieces, Lim's visual language mirrors a nation's refusal to face up with its history and initiates a reflective process to come to terms with the past.

Helke Bayrle has—on her own initiative—filmed the installations of exhibitions that have been held at Portikus since the end of 1992. This catalogue features more than 1,000 film stills, a full index of the recorded exhibitions, as well as texts by curators and deans who worked at Städelschule and Portikus over the years.

First of two issues dedicated to the notion of risk in art.

A collection of 37 postcards based on family pictures gathered by the participants of a collective workshop held by the artist and writer Valérie Mréjen. The postcards tell two fictitious family stories, which the reader can freely rearrange to create his own narrative.

The work of Austrian artist Christoph Meier examines space as a site of social interaction and interrogates the conditions of contemporary art production and presentation. This exhibition catalogue provides multiple entry points to his practice, with three in-depth articles by Vanessa Joan Müller, Anna Nowak, and Thomas D. Trummer, and an interview with the artist.