Two previously unreleased recordings from Philip Corner's "Gong/Ear" series of works. Side A was recorded on a South German night train ride in 1990, side B in the Alps in 1994.

A curatorial and research project that aims to move beyond insanity as the opposite of sanity, and imagine a space beyond what is understood as sane, i.e. ultrasanity—not a romanticization of madness or mental illness, but an effort to reconsider and challenge the notion of madness and the stigmas labelled on the so-called mad.

Stefan Römer's second deconceptual album: six gun shots and an algorithm.

Issues 27 to 30 of the critical review dedicated to graphic design.

This major monographic publication is the first in-depth study of the oeuvre of Swedish artist Ann Böttcher.

Azimuts #52 invites researchers to talk about their work and thinking, within and outside of their usual frameworks and fields of investigation, documenting a sensitive and critical perception of a reality on hold due to the pandemic.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

In this provocative intellectual biography, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

A photographic series that portrays details of the clothes of passers-by glimpsed along the streets of Manhattan (artist's book).

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

First monograph on French designer Noé Duchaufour-Lawrance, whose practice, deeply rooted in natural forms and fine craftsmanship, ranges from objects or furniture design to architecture working for majors industry leaders, as well as many private projects.

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

Artist's book.

Valentin Husson overturns the traditional hierarchy between being and having, rehabilitating the latter as an ecological imperative, in order to rethink our relationship to the environment, in an innovative re-reading of the history of philosophy.

A book about art, publishing and collaboration.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by Liliane Giraudon (drawing on tracing paper).

Compositions and epistolary improvisations, in tribute to the writer François Augiéras.

The first new Ilitch album since 2010—one of Thierry Müller's most personal, introspective and seducing recordings.

First monograph of the Beninese painter.

First encounter of two essential figures of the French underground and alternative music scene.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

Bangalore's Lalbagh is a chronicle and anecdotal narrative of the city and its oldest garden—the Lalbagh Botanical Garden— where the author, Suresh Jayaram, has grown up around.

A sharp and creative reflection on the interweaving of personal and national/ideological dreams.

Russian writer and philosopher Oxana Timofeeva was born and grew up in various parts of the USSR. The book explores the difficulty of reducing one's sense of homeland to one's country alone, the philosophical interconnectedness of movement and rootedness, our plant and animal souls, and how we need to reimagine our desired, fictional if need be, homelands.

Sound American's 25th issue celebrates explores the intersections of folk and experimental music practices (edited by Sarah Hennies and Anna Roberts-Gevalt, featuring Throbbing Gristle, Henry Flynt, Suzanne Kite and Scott Benesiinaabandan, John McCowen, Meredith Monk and Peggy Seeger...).

The soundtrack of Lili Reynaud-Dewar's film shot in Marfa (a horror movie about gentrification, the privatization and commodification of art, land, ideas, freedom, and depicting a group of 8 young artists struggling to find meaning in their engagement in the field of visual arts), composed and performed by Nicolas Murer.

A tribute to William S. Burroughs.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

The meeting of Vladislav Delay's electronics and Sly and Robbie's Jamaican rhythm section.

A deconstruction of Dennis Johnson's November by legendary artist Lustmord and renowned classical pianist Nicolas Horvath.

Stefan Römer performs quotations from cultural or musical theoreticians commenting on performances by two iconic musicians, Syd Barrett and Conrad Schnitzler.

Stereophonic versions based on the recordings and mixes used for the 4 sound installations, made in-situ between 2005 and 2016 (with Jean-Luc Guionnet, Arnau Horta, Seijiro Murayama and Michaële-Andréa Schatt).

C.C. Hennix realizes Karlheinz Stockhausen's famous “intuitive music” masterwork from the late Sixties.

All flag designs proposals rejected by the Council of Europe until 1955, published for the first time, with a text by German-French artist and writer Marie Rotkopf, who tackles the EU's neoliberal political cynicism and Germany's expansion of power with biting irony.

A selection of around 60 rarely shown photographs by French artist Jean Chauvin (1889-1976), one of the pioneers of abstract sculpture of the early 20th century.