On their first album since 2017, the Berlin-based trio Denseland (Hanno Leichtmann, David Moss and Hannes Strobl) instead ventures slowly but steadily into unknown territory.

First monograph devoted to the work of the Italian-Senegalese artist Binta Diaw.

The heyday of New York's underground and alternative cultural scene in the 1980s: a look back at the history of the Pyramid Cocktail Lounge, a primary hub for the burgeoning East Village drag, gay, feminist, punk, and art scenes.

The "deconstruction" of design, between practice and reflection.

A selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

A zine and exercise book about the applied art of questioning, by the writer Cordula Daus and the choreographer Charlotta Ruth.

Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragičević proposes that we analyse sonic phenomena in econo-political terms.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

Gérard Berréby looks back at the first publishing experience of the man who was to become the director of Allia publishing house: the decision, in the early 1980s, to produce a pirate edition of Aragon's book—at the time opposed to any reprinting—, an unprecedented gesture that provoked numerous reactions in the literary world, and raised a number of questions linked to appropriation and self-publishing.

An analysis of contemporary artistic practices among artists from Estonia, Latvia, and Lithuania in the context of evolving global networks and art production.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

The first monograph of Puerto Rican born artist Lee Quiñones presenting his monumental work and following his evolution over five decades.

The first monograph by New York-based Chilean photographer Sebastian Sabal-Bruce.

The first book dedicated exclusively to the female protagonists of Latin American electronic music.

The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Les Feuilles (The Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.

A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

Nieves Notebook produced by Moleskine is a lightweight, flexible paper companion for everyday notes and sketches.

A curatorial approach towards deliberative cultures of assembly and a realistic scenario of decentralized power and decision-making (an anthology edited by Markus Miessen).

She Mad gathers materials and documentation on Martine Syms' seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials.

Pennsylvania State Senator Nikil Saval tells the story of an unlikely partnership between June Jordan and R. Buckminster Fuller, and their attempt to reimagine Harlem in the wake of the 1964 riots.

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

A music drama performed in the Hebbel Theatre Berlin in 1994—a key work from Sven-Åke Johansson & Alexander von Schlippenbach.

A unique 90s Berlin underground artefact by Kunstkopf.

The facsimile and English-language reprint of the volume published in 1721 by Austrian architect and historian Johann Bernhard Fischer von Erlach, a historical and theoretical work covering all architectural periods and styles, from Stonehenge to Chinese imperial arches, which had a considerable influence throughout Europe.

Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.

Curator, art historian, writer Chus Martínez and writer and curator Filipa Ramos bring together a group of artists who have been using clay, pottery and ceramics to imagine, project and shape the world they live in.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.

Two essays by psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis on Rachel Whiteread's singular project and experience in Bergamo, Italia.

Two previously unreleased collages for magnetic tape, both realized at the Studio di Fonologia Muisicale RAI in Milan. These pieces are precious testimonials to Aldo Clementi's intense and ongoing interest in electronic music in the 1960s.

The remastered anniversary reissue of the guitarist's first solo album, released in 1974, accompanied by a new album made by Fred Frith in similar conditions, celebrating the fifty years that separate them.

FasFari is composed of short vocal emissions that deal with a form of speech before the act of saying, sound particles that invoke meaning without ever fully unfolding it, and barely suggest a body and a biographical identity.

Wonderflux brings together a group of longtime contributors with graphic artists to collaborate on illustrated essays and develop a new pictorial language around some of the emergent consistencies and overarching issues that defined the first decade of e-flux journal.

How architecture powered European energy politics in the postwar era and paved the way for today's dependency on coal, steel, and nuclear power.

An artistic reflection on the political and social structures that shape the emotional state of loneliness and its perception in contemporary society.

Le meilleur système is a hybrid and meta text. At once a poetic collection and a critical reader, nourished by references to genre literature, it explores the narrator's dissociative affects and her experience of racial passing.

Conversations about embodied strategies of knowledge production and knowledge transmission based on the choreographic and curatorial practices of about fifteen international choreographers, performers, dramaturges and curators.

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

Toward a Transindividual Self examines the process of performing the self, distinctive for the formation of the self in Western neoliberal societies in the 21st century. It approaches the self from a transdisciplinary angle where political and cultural anthropology, performance studies, and dramaturgy intersect.