Produced as part of a Continuous Project residence, the collective's final publication brings together contributions from artists, philosophers and art critics around the relationship between art and politics.

Artist's book.

Camel Zekri (electroacoustic guitar), Thierry Madiot (bass trombone and trumpets), Daunik Lazro (baritone saxophone) and Dominique Répécaud (electric guitar) reach a rare degree of balance between softness and roughness, between lightning and harmony.

The first biography of Robert Filliou.

Details shows a succession of scenes filmed in static shots, appearing behind words letters cut on a black screen, giving the word the function of the frame and therefore rephrasing the link between language and image.

The film of the exhibition at the 49th Venizia Biennal.

Art as theory of the practice and practice of the theory.

Recent works.

First comprehensive monograph.

First comprehensive monograph.

A collection of new work made using paper.

Colour drawings by the NYC based illustrator, artist and designer.

An unpublished interview with the American artist, a series of photographic boards and an essay by Kay Rosen: a presentation of her recent works as well as a general introduction to her oeuvre.

Reference monograph.

Reference monograph on the French artist (landscapes, installations, sculptures; architectural models, drawings).

Illustrated monograph dedicated to the American hyperrealist artist's drawings. With texts by Kim Gordon, Liam Gillick, Karl Holmqvist...

Poetry and space for Marcel Broodthaers—a critical essay.

Artist's book.

Charley 04 (Checkpoint Charley) is born out of the reasearch conducted by the curators of the 4th Berlin biennal for contemporary art (2006) and brought together images of works produced by more than 700 artists.

Positions in contemporary African art.

First monograph.

This small monograph follows the set-up of Robert Barry's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

Monograph featuring works from 2001 to 2004.

First monograph devoted to the US-based British artist, known for his sculptures made from everyday objects and urban furniture.

Baudevin's interviews about contemporary music (also in English edition).

A retrospective of Armleder's work in 600 drawings.

24 Semaine magazine issues in a box.

24 Semaine magazine issues in a box.

A multilingual project between art and history, the reproduction of the artist's drawings and texts, some exhibition views, an interview and two essays.

Numbered box set (1-100), with two silkscreens of original drawings by Japanese artist.

An artist's book in the extension of an exhibition: a reflexion on global urbanisation.

Monograph with texts by Eva González-Sancho, Michel Gauthier, Line Herbert-Arnaud and Richard Klein, exploring different aspects of Downsbrough's work (movies, maps, space...).

First monograph devoted to the Spanish artist, between an artist's book and an exhibition catalogue.

The monochromatic prints, drawings and paintings of the “neo-pointillist” artist (monograph).

The first opus in the story of the "paintless painter"'s clandestine pictorial actions.

Catalogue raisonné, with 170 publications described, a biography, a bibliography 1995-2004, and 14 texts by Herman de Vries read by the author on an audio CD-ROM included.

Patate is a magazine dedicaded to graphism and poetry edited by French punk graphic design pionneer Pascal Doury.

A quartet of string and woodwind instruments brings together masters of free improvisation.

Catalogue.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

The art of postproduction as a response to the proliferating chaos of global culture in the information age.