Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” video games.

Venice: a cultural and urban investigation on a city with two faces, between the reality and the logo.

Discovering the id, ego, and superego with Dr. Freud (an illustrated philosophy book for children).

Collective publication bringing together artists, designers, and specialists to reflect on digital creativity within the city. Extending the investigations from the 11th meeting of the UNESCO Creative Cities Network, it questions digital and data practices in urban territory.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

Minna Henriksson's artist book Works on Paper is a graphic story with forty linocuts on the political history of the paper industry in Finland.

The new edition of a 1972 publication gathering a series of drawings and texts by Roland Topor in collaboration with his five-year-old son Nicolas.

Summer preview of 45 shows worldwide; Irene V. Small explores Jennifer Allora & Guillermo Calzadilla's latest project, which places a Dan Flavin light sculpture deep in a cave in Puerto Rico; Christine Macel talks with Michelle Kuo about the 57th edition of the Venice Biennale; Art Under Nationalism: Dispatch from Warsaw; Johanna Fateman and Tobi Haslett on the 2017 Whitney Biennial and the violence of cultural representation; Ara Osterweil on Warhol and Fassbinder; Lantian Xie; the fall-winter 2017 fashion collections, and much more.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

This publication, edited by Enzo Cucchi, gathers drawings by Alex Katz and words by his son Vincent. It is a project that takes shape through the intimate relationship between the three subjects.

Cloak is a total-blue book which documents a site-specific intervention by Mike Nelson in the UBS building in Monaco. The artist has painted every single room and detail of the building with a pigment called ultramarine blue, extracted from the precious lapislazzuli—originally from the Middle East, and more expensive than gold.

Set in a grotesque and colorful decorum, the new kaleidoscopic visions of Keiichi Tanaami intertwine the obsessional patterns of the great Japanese master—eyes, military aircraft, eroticized flesh, and pop culture icons.

Inspired by Beirut's urbanism and cultural history, Rechmaoui's sculptures and installations reflect themes of urbanization and contemporary social and behavioral demographics. Including documentation, essays, and interviews, this illustrated monograph takes a look back at twenty years of work by one of the most important post­war contemporary artists from Lebanon and the region.

This publication covers the discursive outcome of the project “Black Hyperbox”—a frame for performance and text based on the alienation between practice and conceptualization.

For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.

An unconventional catalogue gathering a rich iconography and the main text by curator Giacinto Di Pietrantonio, alongside a series of brief testimonies from seventy international artists, telling the alternative story of an icon and his corpus (includes texts by Cory Arcangel, Maurizio Cattelan, Enzo Cucchi, Jan Fabre, Victor Man, Alessandro Mendini, Tim Rollins, Marinella Senatore, Ian Tweedy…).

The second volume of the design research journal devoted to work and its mutations.

Providing an important platform for new and ambitious work from the Middle East, North Africa, and South Asia, the ninth installment of the Abraaj Group Art Prize features "seepage/ritual," an exhibition with the work of winner Rana Begum and the three short-listed artists: Sarah Abu Abdallah, Doa Aly, and Raha Raissnia.

This large-format artist's book (40 x 40 cm open) brings together graphic works by Claudia Comte. Mathematically structured like a Cartesian coordinate system, the publication folds and unfolds so that it can be read in four different ways. The book becomes a geometric play space in which to discover the many facets of Comte's visual identity.

Founded by Marinella Senatore, the School of Narrative Dance is an international initiative which proposes an alternative system of education, based on emancipation, inclusion, and self-cultivation. The School implements multidisciplinary projects focusing on storytelling and choreography. This publication documents a workshop at MAXXI, Roma, involving more than 300 people for five months.

Original soundtrack of the eponymous “musicfilmdream”, in collaboration with video artist Makino Takashi. Created in tribute to late filmmaker Derek Jarman, this musical score was influenced by the early electronic recordings of pioneers like Terry Riley and Morton Feldman. The two artists first presented this work during the 2016 BFI London Film Festival.

This issue dedicated to Jamaican music studies presents and analyses the main characteristic features of these musical forms—from riddims to sound systems—and their associated issues—from culture to slackness. The publication features nine articles and twelve book reviews written by leading world experts (including 7 Jamaican researchers). Watch out Babylon!

Featuring a cover by Wolfgang Tillmans; Art and resistance; General Idea; culture and critique in Beirut; Sky Hopinka and the Whitney Biennial; the rise of 3-D technology; Albert Serra; Kochi-Muziris Biennale; Kelly Akashi; Peter Voulkos; R. H. Quaytman; Richard Kennedy, and more.

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

10th anniversary box set gathering the complete collection of Sans niveau ni mètre (43 issues), the newspaper dedicated to the exhibitions showcased at Le Cabinet du livre d'artiste, a French-based space dedicated to artist's books since 2007.

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

Following the experimental format of the Maljković's eponymous exhibition, A Retrospective by Appointment deconstructs the traditional format of a retrospective catalogue. Adopting a nonhierarchical presentation, the publication introduces the artist's key concerns, methods, and works, and proves to be a relevant critic of Zagreb's institutional landscape.

Triple vinyl LP featuring a collection of recordings by by renowned visual artists (with Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger & Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar et Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne, and Ricardo Valentim).

Penghu Experimental Sound Studio Vol.2 uses interviews, field recordings, found objects and subtle electronic manipulation to transpose Yannick Dauby's impressions of Penghu island's natural beauty.

The catalogue for the Saint-Étienne 2017 International Design Biennial, focusing on the changing world of labor.

A bold manifesto for life after capitalism.

The first volume of the design research journal devoted to work and its mutations presents a collection of texts by the philosopher Pierre-Damien Huyghe.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

The February issue of Artforum, with features on the art of Zhang Peili, Hanne Darboven, and Heather Phillipson, a conversation between Julia Bryan-Wilson and Miranda July on feminist film project Joanie 4 Jackie, Tim Griffin on HBO's The Young Pope, Bibiana Obler on Barbara Kruger in Washington, a Top Ten from Jun Takahashi, and reviews from New York, Miami, Hamburg, Stockholm, Baku, Mexico City, Johannesburg, and more.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

Budapest-based composer Gábor Lázár debuts on Shelter Press with his second full length album, Crisis of Representation: these 8 tracks created from one single type of sound constitute a true example of experimentation in the field of extreme computer music.

French illustrator Julien Brunet adopts the chiaroscuro style and the pointillist technique to create lascivious nudes of monstrous figures, evolving in a background of floral and organic patterns. His first monograph gathers a series of 36 ink drawings produced between 2010 and 2016.

In Diary of a Leap Year, Lebanese artist produces 366 daily collages from political newspapers in Lebanon and the Arab World, as a protest to the violence taking place in this region.

Collection of poems and drawings by the Korean artist.

Inferno's eight issue features an in-depth review of the news in contemporary art (interviews with Maurizio Cattelan, Matt Mullican, Xavier Veilhan, Kader Attia, Provoke exhibition, Agnès Martin's retrospective…), performance art (interviews with Jan Martens, Xavier Le Roy, Boris Charmatz, Martin Faucher and the Montreal FTA Festival, Utrecht Spring Festival) and literature (interviews with Pierre Michon and Olivier Cadiot).

Near Future Laboratories, Brendan Howell, Julian Priest, Jason Kahn, Robert Pravda, Nicolas Maigret and Maria Roszkowska, Liam Young, Cinema Lascado exhibition, Cinnamon Colomboscope 2016, news and reviews in hacktivism, emusic and new media art…