The special 8th edition concluding the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, with exhibition documentation and texts by different authors.

The seventh and last issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif is dedicated to the character of an Acrobats ("who are two but together as one," as Thomas Clerc says in his play, The Heptahedron).

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

The fifth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the tourist.

The fourth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the Fortune Teller.

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

Facsimile edition of Stephanie Oursler's 1975 artist's book.

A social fantasy whose bizarre fault lines and conflicts bear an uncanny resemblance to those of the present day.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

All flag designs proposals rejected by the Council of Europe until 1955, published for the first time, with a text by German-French artist and writer Marie Rotkopf, who tackles the EU's neoliberal political cynicism and Germany's expansion of power with biting irony.