Catalogue raisonné, with 170 publications described, a biography, a bibliography 1995-2004, and 14 texts by Herman de Vries read by the author on an audio CD-ROM included.

Artist's edition: three books batch ("philosophy", "history", "economy").

Catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

Conférences sur l'affinité de la peinture avec le reste des beaux-arts (“Conferences on the affinity of painting with other fine arts”) shed a new light on the career of the inventor of the famous Morse code, best known at his time as one of America's most promising painters of his generation.

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

Special offer for the purchase of two volumes dedicated to correspondence of Gustave Courbet.

Walsh has produced many artist's books and prints that function as an experimental field for his paintings. The first documentation on this body of work.

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

The catalogue raisonné of Claude Rutault's books and prints.

Catalogue raisonné, with 170 publications described, a biography, and an USB card containing a PDF file and an audio interview of Paul-Armand Gette.

A postmodern portrait of French art schools outside Paris, from the example of Mulhouse, which evolved from industrial arts and fine arts to contemporary art and design.

As much adventure novel as catalogue raisonné, this book tells the fabulous pedagogical and artistic experience of the studio Pensée nomade, chose imprimée (Nomadic thought, Printed matter) led from 1989 to 2013 at the Bordeaux School of Fine Arts in France by Michel Aphesbero & Danielle Colomine (4taxis), and Jean Calens.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

A history of art in France from the women's perspective.

The new, adapted and expanded edition of Benjamin Sommerhalder's children's book (the story of the little ghost Knigi, learning how to read).

First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn towards participation, experience, and the whole of human relations. Over twenty years after its original release, Relational Aesthetics has been updated with a new translation by Denyse Beaulieu and a new foreword by the author.

Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.

An overview and historical, critical, and theoretical perspective on the French artist's work.

Joke Lanz; female duo (Ana da Silva & Phew, Marja Ahti & Manja Ristić, Lea Bertucci & Olivia Block, Angel Bat Dawid & Naima Nefertari, etc.); Magali Dougoud; François Bayle; Céleste Gatier; Banetoriko; Ed Williams; Madelyn Byrd & Ashlynn White; Nicolas Field & Thomas Florin; book and record reviews...

The reissue of issue 34 of the critical graphic design journal: a questioning of the criterion of "beauty" applied to typography and the challenges of the "Most Beautiful Swiss Books" award.

The reissue of issue 43 of the critical graphic design journal: a reflection on the dynamics of formal relationships between writing and typography.

What happens, then, when contemporary graphic designers appear to take up the torch of an iconography that so-called iconographer-artists had already reclaimed—since the beginning of the last century—from graphic designers themselves, along with their culture and skills? (by Thierry Chancogne).

A record-cum-publication that unfolds through sound and text by transposing and transforming the soundtrack, dialogues, and images of Salomé Lamas' film Ouro e Cinza / Gold and Ashes (2025); featuring text by Frédéric Neyrat, Isabel Pettermann, Isabel Ramos, Lucas Ferraço Nassif, Salomé Lamas. The experience is intended to be intimate and meditative as it resonates between the spoken and unspoken, between sound and silence.

French photographer Estelle Hanania sets the tone for her publishing house Myriorama's program, inaugurated with the singular work discovered in the shopping cart of Mrs. N., an artist on the margins who, at 78, sells her drawings on the sidewalks of Paris's southern suburbs on market days.

Through a combination of critical texts and a visual essay, this issue of Faire explores 3D computer graphics, sometimes called CGI, 3D-CGI, or three-dimensional computer graphics.

How the Right is ruining culture; the return of magic in agriculture; art, war and video by Hito Steyerl; a counter-visit of Paris-Charles de Gaulle airport with its nocturnal inhabitants; coming out of the 20th century with Mélanie Plouviez; the solitude of scroll with writer Sheena Patel, after nature with economist Cédric Durand...

An issue under the sign of vital breath and breathability.

This fully illustrated monograph marks the occasion of the first European survey of Nicola L. (1932–2018).

Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichord presents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus.

Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichord presents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus.

A visual journey through an extensive collection of fashion ephemera housed at the International Library of Fashion Research in Oslo, the world's most comprehensive repository of specialized fashion research and contemporary fashion publications. Aude Fellay discusses the challenges facing fashion research today.

A monograph designed in dialogue with George Trakas based on a choice of works from 1970 to 2022 made by the artist.

An artist’s book, a work to be read, a journey through the history of painting, drawing on the collection of paintings at the Musée des beaux-arts de Rennes.

This issue of the journal of the inter-schools of art, design and architecture research network Réseau Peinture explores the genre of portraiture.

Focus on the blockchain digital ecosystem: art on the web of value.

Four epistolary exchanges between Thierry Chancogne and Richard Niessen about the Palace of Typographic Masonry, a project initiated in 2014 by the Dutch graphic designer as an imaginary architecture devoted entirely to the variety, abundance, digressions and poetry of graphic expression.

Two series of brutal, raw drawings by Miriam Cahn.

Denzil Forrester, Sophie Calle, "The Imaginary Institution of India", PST ART, Bill Viola...

Farida Amadou & Martina Berther; Cécile Babiole; LUFF 2024; Fuji|||||||||||ta; Emmanuelle Tornero; Clément Vercelletto; Donald Miller (1958-2024); Sophie Agnel; Annick Nozati & Daunik Lazro...

The 49th issue of the critical graphic design journal, about Lawrence Weiner and his relationship with typography.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

Artistic expressions of mourning.

This double issue of the critical graphic design journal examines the origins of the automation and mechanization of translation and writing.

Ingo Giezendanner's wild herbarium.

The 46th issue of the critical graphic design journal is devoted to the Zurich-based graphic design studio Norm.

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.