Second volume of the catalogue dedicated to the collection of digital art at the Espace Multimedia Gantner, presenting 23 new acquisitions as well as a glossary and two unpublished texts on the place of digital art in contemporary art and the issues related to conservation and restoration.

4-volume box set gathering six of the artist's most iconic photographic series. This special publication brings an end to a research on the notion of document that started in 1999 (limited edition of 700 signed copies).

Sixteen exhibitions and four video works by the artist, in an original handmade screen-printed cardboard box.

Limited edition of Betty Bui's DVD, turned to a night light.

Retrospective monograph (also available in English edition).

Retrospective monograph.

In this essay, Franck Leibovici attempts to describe how information technologies can serve as tools in our lives. Illustrated with examples taken from the scientific, political and artistic spheres, his reflection leads to a new division between art and science.

A collection of digital artworks.

Daniel Buren, Ugo Rondinone, Mike Kelley, Donald Judd, Plamen Dejanov...

Allen Ruppersberg, Angela Bulloch, Nicolas Bourriaud, Maurizio Cattelan, Sylvie Fleury, John Miller...

Cartsen Höller, Dan Graham, Mike Kelley, Liam Gillick...

Allan McCollum, Nicolas Bourriaud, Angela Bulloch, Liam Gillick, Daniel Buren, Pipilotti Rist...

Rirkrit Tiravanija, Pierre Huyghe, Felix Gonzales-Torrès, Barbara Steiner...

Paul McCarthy, Philippe Parreno, Sylvie Fleury, Erik Dietman, Bertrand Lavier, Dominique Gonzales-Foerster...

George Brecht, Eric Duyckaerts, Jason Rhoades, Robert Altman...

Carsten Höller, Harald F. Müller, Jacques Lizène, Louis Bec, Frédéric Bruly Bouabré, Odeurs...

Bernard Bazile, General Idea, David Cronenberg, Liam Gillick, Julia Scher, Lily van der Stokker, Xavier Veilhan...

An anthology.

This catalogue examines the strategies deployed by Iraqi contemporary artists to reinvent their heritage, after decades of wars. Focusing on archives, historical collections, and databases, these artists celebrate a visual culture that resists erasure. The publication includes a critical apparatus and detailed presentations of the artists.

A collection of documents of Tom McCarthy's “semi-fictitious organisation” International Necronautical Society, cofounded with Simon Critchley.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Documents artist Liam Gillick's process in building a functioning weather station for Fogo Island, Newfoundland.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

The publication "Travail à façon" by French artist Élisabeth Ballet presents research carried out with the textile industry between 2011 and 2022.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

Issue 1 of Fidback, the film journal edited by the FIDMarseille festival, with a a look back at the 35th edition of the festival, a focus on films that made waves on the global cinema scene in 2024, a carte blanche to Clara Schulmann, and a portrait: of the artist and filmmaker Declan Clarke by Alice Leroy.

The Zurich-based artist reinterprets the fear of emptiness from a feminist, psychological and socio-political perspective, through a pictorial reappropriation of the aesthetics of bureaucratic documents.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

A hundred recipes, almost 500 pages, 27 dinner-locations from 15 years of supper-clubbing and displacement of artistic practice in urban space.

The first comprehensive survey of fifteen years of work by Belgian-Brazilian artist Elen Braga.

This book is a visual and geographical journey through the artist's work and exhibitions, enriched by five original samples—olive leaves, charcoal, street paper, earth and seaweed—inserted and activated by hand according to the artist's recommendations.

Jochen Lempert brings his signature blend of scientific sensitivity and poetic vision to the remote Greek island of Kastellorizo.

The tenth and final anthology from Blank Forms offers an exceptional insight into the work, working methods and thinking of the French pioneer of musique concrète and electroacoustic composition Éliane Radigue, through key texts, a wealth of archival documents, in-depth interviews and commissioned essays.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

A collection of photographs and interviews in the form of a journal, documenting the exploration of the Saint-Sernin and Arnaud-Bernard districts of Toulouse (France), which were invested as part of the third edition of the contemporary creation festival Le Nouveau Printemps 2025.

Keeping up the tension between exhibition catalogue and monograph, Impasse des Lilas explores the interweaving of theories, personal histories, objects and projects that define the architectural practice of MBL.

The River is Elsewhere is a story in pictures from the last years of log driving on the Glomma River in Norway. The book is both a work of art and a manual, an "ABC" of log driving.

The catalogue of the Lebanese-American artist's first exhibition in Italy.

This inaugural retrospective volume unveils the œuvre of Lebanese artist Jamil Molaeb (b. 1948) and marks a seminal moment in the appreciation of his artistic legacy.

An unprecedented journey into the astonishing multidisciplinary work of Altagor (1915-1992)

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

An archeological inventory of the bizarre beauty of art brut, popular gardens and improbable architecture, palaces and tree castles, chapels and converted caves, concrete and matchstick models, rustic furniture and animal sculptures, caravans and flying bicycles, calvaries... and the last homes of creators of all kinds (mental patients, abbots, bistro owners or self-proclaimed artists), most of which now only exist on postcards from the period, around 1900.

The seventh volume of the series dedicated to the life and work of Ilya Zdanevich - Iliazd presents the first English translation of the "Albanian" issue of Bloodless Murder magazine, published in Petrograd in 1916. 

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

Writing as a shifting space in which to embody the singular relationship that artists—and art critics—can have with words, texts and language.

The debut publication by French, New York-based, photographer Eric Guillemain offers a privileged insider's view into the captivating world of film sets.