A comprehensive monograph covering Nannucci's whole career and presenting a selection of his major projects.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

The guide of the video and digital art collection.

Special “Migrations & Borders” issue: texts by Bernard Schütze, Geneviève Chevalier, and Michael Blum, Milutin Gubash by Chantal T. Paris, François Morelli by Bernard Lamarche, interview with Aram Han Sifuentes, Dominique Sirois-Rouleau's essay on outdoor art, the usual features…

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

A series of short visual stories designed with refinement by Japanese artist Koyama, whose subtle's pencil stroke, narrative use of geometric forms and application to render textures contributed to build a most fascinating artist's book.

Sophie Agnel, Anne Montaron, Vivian Grezzini, frederic dumond, Kasper T Toeplitz on the notion of composition...

This broadsheet publication documents and extends the investigations initiated during the first edition of Screamscape, an informal international institute of creation and research on screaming.

Up to date / Art, biology, (Al)Chem(istr)y / Etre étonné, c'est un bonheur ! (Ardouvin, Bagot, Barbazanges, Brial, Chotard, Darrot, Davrinche, Pierre & Gilles, Rauzier, Rousseau, Villeglé) / Céleste Boursier-Mougenot / Jocelyn Robert / Pascal Pinaud.

The Four Seasons Forever is the catalogue of Sam Falls' one year show which presents 13 sun-printed photograms of vinyls on colored textiles exhibited in a dramatic stage-like atmosphere, with parts of Vivaldi's masterpiece playing according to the season (artist's book, the first in a series published in limited editions by Flash Art).

The first live recording of the duo formed by Gerome Nox (sound) and Black Sifichi (spoken words and texts).

This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law–based economies. It attempts to shift practices of thought toward both critical realism and new materialism.

A sound installation and collaborative project with a survival station for the homeless in Cologne (color vinyl, with David Sylvian, Demdike Stare, Pye Corner Audio, Pluramon...).

Second volume of the Toilet Paper book, gathering all of the images published in the last six issues of the magazine, also including a significant portion of previously unpublished images.

A reference book, the first in French dedicated to the work of Pino Pascali, a central figure of Arte Povera and art of the 1960s.

This two-volume publication tells the story of Juhan Ojaste, an Estonian gay icon, and tackles the issue of homophobia in authoritarian political regimes. Not Suitable for Work attempts to create counter-narratives that recognize the inclusion of suppressed histories, communities, and identities (catalogue of the Estonian Pavilion at the 56th Venice Biennale).

Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.

Cutting across diverse thematic interests and modes of investigation, the thirty-five essays in Realism Materialism Art (RMA) offer a snapshot of the emerging and rapidly changing set of ideas and practices proposed by contemporary realisms and materialisms, and examine their ramifications on the arts.

This substantial monograph gathers reflections on Ane Hjort Guttu's recent film projects and offers insight into the artist's work and methodology, and the potential of art as a critical and political tool.

This unique publication, filled with annotated images, presents an inventory of design, furniture, and textiles produced for Fogo Island Inn. Each piece is a collaborative effort between artisans and craftspeople living on the island and designers from various parts of the world who were invited to engage with the history and communities of Fogo Island and Change Islands in Newfoundland, Canada.

Five cinematic works examining how the artist approaches the relation of montage editing techniques with the concept of film and memorial and film as memorial.

This artist's book gathers a collection of interviews by artist Mathilde ter Heijne, exploring the idea of open-ended, collaborative art processes and their transformative potential beyond the confines of art.

The second volume of Sculpture Unlimited looks at the influence of new technologies on the practice of sculpture.

Through the use of a saturated blue color altered by light and demarcated by architectural forms, Haliti's installation for the Kosovo Pavilion at the 56th Venice Biennale reflects on the salient concepts of the border, freedom and mobility. This extensive documentation is an invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

A new series of oil paintings by Swiss artist which unveils the strange and wonderful aspects of common life.

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

Artist's magazine.

6th issue of the art and research magazine is dedicated to Jean-Christophe Averty.

A collaboration between Toilet Paper and Kenzo (limited edition of 2000 hand numbered copies).

New monograph.

New monograph.

New monograph.

An anthology of texts on the work of Sigmar Polke written between 1973 and 2000.

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

Luca Trevisiani stamps images derived from antique herbaria and design magazines on objects with heterogeneous surfaces (textiles, clothing, tropical leaves, minerals).

Reference monograph: an overview of Marie Bovo's work, juxtaposing her latest projects with her emblematic photographic series, inspired by Mediterranean cultures (each series being put into perspective with the corresponding exhibition views), with two essays and an interview.

A documentation on Claude Closky's artwork commissioned by the Paste association as part of the New Patrons program.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

A 300 page pulp book, compiling a series of 230 short texts by Justin Lieberman in alphabetical order, as well as an essay telling the story of a now-destroyed installation piece, to which the texts were originally related: “The Corrector's Custom Pre-Fab House”. The texts, with their sarcastic tone, can be read autonomously: they are a meditation on capitalism and material culture, between poetry, description and fiction.

A tribute to François Ristori (new monograph).

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

Rike Frank and Grant Watson's research project examines the referential and analytical qualities of textiles through both contemporary and historical works.

A collective work bringing together thirty contributors, based on an experimental research project conducted with artists and theoreticians (philosophers, sociologists, historians, scientists...) around the question of the formats of art, a forgotten yet decisive issue that crosses contemporary artistic practices in depth.

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.

This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

Art and the City 2.0.

Taking the historical account of philosopher René Descartes' creation of an animatronic effigy of his deceased young daughter as its foundation, Descartes' Daughter explores the traditional divide between conceptual and expressive works, those dealing with either the mind or the body (catalogue).