The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

The first total survey of Jef Geys' work.

Andrzej Karałow's piano metamorphoses in the cogs of Jérôme Noetinger's tape recorder, multiplying and playing with its distorted mirror: a journey through imaginary landscapes haunted by a ghostly presence.

People Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of "Copia". This album marks the first new musical material since 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.

A selection of previously unpublished photographs from the Bolol project conducted by Eva Diallo since 2018 on the trail of overland migration routes from Africa to Europe.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

Cross remixes by two emblematic figures of the contemporary electronic and experimental scene.

The architecture of disaster: Eyal and Ines Weizman trace the history of the before-and-after image from 19th-century photography to contemporary satellite images.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

Designers and researchers question the notion of resources (being material, human or intellectual) and our everyday habits to explore the ways in which design can respond to contemporary issues by rethinking production, consumption and innovation (the catalogue of the 13th Saint-Étienne International Design Biennial).

Slavs and Tatars, Stephanie Comilang, Ho Tzu Nyen, Sohrab Mohebbi, Lauren Cook, Édouard Glissant, Mira Dayal, Elvira Dyangani Ose, Dani Blanga Gubbay, Ruoru Mou, Virginia Ariu, Bagus Pandega, Ceidra Moon Murphy, Oshay Green, Shafei Xia, Christian Rattemeyer, Lamm & Kirch...

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the second volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

A reflection on two essential formats in photographic production: the book and the exhibition space (featuring Christian Aschman, Julien Carreyn, Bertrand Cavalier, Wade Guyton, Pierre Hourquet, Aurélien Mole, Katja Stuke & Oliver Sieber, Batia Suter, Rebecca Topakian, Wolfgang Tillmans, and Ruth Van Beek).

In this anthology of essays, twelve artists explore radically self-reflexive research attitudes integrating embodied experiences within the production of theory.

Interviews with Dan Ploeger, Derek Curry & Jennifer Gradecki, Liz Pelly, Barnaby Francis & Bill Posters; Poetic Terrorism & Brand Sabotage; reports: xCoAx 2024, Konton-ni-Ai!, 7th International Digital Art Biennal...

Céline Guichard; Dalia Taha; on autodidacticism in music, by Fanny Chiarello; towards intercultural listening, a conversation between Kristoff K. Roll and the Mexican collective La Lleca; interviews with Alexandra Spence and Ayami Suzuki; Noises at Pompidou: a conversation between Marion Camy-Palou, Kasper T. Toeplitz and Nicolas Ballet; creating in psychic precariousness, by Aude Romary; book and record reviews..

The fifth issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of voice (with François J. Bonnet, Marja Ahti, Scott Arford, Nicolas Debade, Michael Gatt, Tim Ingold, Rolf Julius, Jules Négrier, John Richards, Marina Rosenfeld, Hildegard Westerkamp, Randy Yau...).

The 2025 Villa Medici residents catalogue.

From submerging as emerging: a cross-disciplinary perspective of the medial, aesthetic, and material aspects of submerging, as well as its methodological qualities as a resistant practice and figure of thought.

To a Dead Hare collects images from trajectories around photography, created by mentormentor over the past few years for S.M.A.K. Moves, a programme centred around inclusivity, with art as a universal language.

This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand.

The links between feminized labor, technological advancements, and their associated languages: a very special publication including a softcover book and 19 booklets with artists' imagery in a box. Accompanying the exhibition curated by Maurin Dietrich and Gloria Hasnay at Kunstverein München.

For Summer 2025, Spike is getting freaky with the truest image of our time: Vulgarity.

An in-depth look at nearly two decades of artistic output by the Palestinian artist and filmmaker Basma al-Sharif.

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

In Meta Cars, Beni Bischof transforms found images of cars into visual distortions. Through digital manipulation and radical simplification, the original shapes are abstracted—reduced to ghostly and ridiculous silhouettes that feel both familiar and alien.

A moment in bird territory: a musical piece created live in an aviary fitted out with musical instruments, in which visitors are invited to stay in the company of some sixty live Australian finches, hopping quietly (and harmoniously) on 12 tuned electric guitars that have become perches.

A fictional text by Geneva based artist Timothée Calame aka T. Freakson Calame: a collection of short stories that follow the urban wanderings of a protagonist through a series of unlikely events and encounters.

Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with impressions of Macaronésia: Canary Islands, Açores and Cabo Verde.

A publication that directs dialogue and points of exchange among art, science, and environmental justice in the Americas.

An artist's book by architect, forester and refuge keeper Wim Cuyvers, examining the changing climate and the very definition of architecture through a photographic investigation of the landscape.

Vaginal Davis offers insights into her collaborative practice of making music in art-punk bands in Los Angles and Berlin.

This enchanting convening of texts and images, diaries and epistles celebrates a unique voice and ongoing dialogue around the erotics of art.

The Zurich-based artist reinterprets the fear of emptiness from a feminist, psychological and socio-political perspective, through a pictorial reappropriation of the aesthetics of bureaucratic documents.

A broad survey of the Brazilian artist's work since 2016, dwelling on the recurring motifs and iconographic sources that feed the complex imagery of his painting.

A Nomadic Book celebrates the first five editions of the Nomadic School. Launched in 2020 by Office for a Human Theatre [OHT], the school takes place each summer at around 2000 meters in the Alps, offering a different pedagogical approach—one that's more open to the mountain's ecosystems and rhythms.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

A rigorous and mind-blowing account of the dynamics of capitalism today through an in-depth exposition of software, speculative finance, and the highest scales of arbitrage.

Eight sound pieces delicately handcrafted like a game between inside and outside.

International curator Cristina Ricupero uses the figure of Frankenstein as a common thread to explore and share her curatorial practice.

A series of watercolor house studies by the Swedish artist, printed in risography.

A hundred recipes, almost 500 pages, 27 dinner-locations from 15 years of supper-clubbing and displacement of artistic practice in urban space.

Artist Bruno Zhu's project on the perception of migratory phenomena and the creation of identity and nationalist narratives.

The posthumous publication of the German philosopher: a major work on the collapse of Western philosophy and on the necessity to rethink the past to build the future.

The ToiletWalter PaperChandoha Calendar 2026 presents 13 photographs of sweet, polyamorous and sleepy cats by the American photographer Walter Chandoha and the artistic duo and animal lovers of Toiletpaper.

Four texts by Teri Wehn Damisch, attending to the conception of her films on artist Robert Morris, photographer Gisèle Freund and anthropologist Françoise Héritier.

The first two albums of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner.

A meeting of minds and bodies on a heady percussive trip with no clear destination, captured live at Espacio Cultural El Tanque in Tenerife.

A double CD with Suite blanche, a musique concrète composition by Anouck Genthon (violin, sound recordings) and Lionel Marchetti (synthesizers, electroacoustics, sound recordings), and Angelica, a concert by the duo.

Robert Millis' first album with the Discrepant label explores his obsession with hidden sounds and its anomalies.