A multidisciplinary perspective on illegibility as a cultural phenomenon (new edition).

This first major monograph on Alfredo Aceto offers a comprehensive overview of his manifold practice, across sculpture, installation, video, photography, and drawing.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound.

An overview of the unique work produced by the studio for artists with disabilities that has been active in Fribourg since the late 1990s.

New monograph.

In For I am a Sign, an artist's book for children, Ryan Gander collaborates with his non-verbal son, Baxter, to explore the intersection between verbal and non-verbal language.

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.

Música para Plátanos takes its name—and much of its inspiration—from the group's recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.

Stone Assemblies takes Jumana Manna's major public artwork for Oslo's Government Quarter as its starting point, opening up a collective reflection on the politics of stone, ruination, and dissent.

A monograph centered on a series of recent oil paintings on linen by Calvin Marcus, that depict magnified renderings of the artist's flesh, extending Marcus's investigation of media, process, and the abject in the familiar.

Moondog's poetic autobiography.

An ambitious publication by the artist duo mountaincutters, offering an in-depth insight into their multidisciplinary practice.

A collection of sketches and research notes, texts, transcriptions of sound works, and visuals that document Dominique Petitgand's sound work.

This book brings together a series of previously unpublished essays on the work of Terry Riley, accompanied by numerous never-before-seen archives. It is the first major work to offer such an in-depth exploration of his body of work and his artistic career.

This book brings together a series of previously unpublished essays on the work of Terry Riley, accompanied by numerous never-before-seen archives. It is the first major work to offer such an in-depth exploration of his body of work and his artistic career.

The second volume of the defiinitive reference work on Belgian artist Philippe Van Snick, richly illustrated and featuring in-depth essays, offers a comprehensive overview of the artist's oeuvre, and new insights and discoveries about his work.

Reference monograph.

Designed in collaboration with the artist, this monograph provides a comprehensive overview of Benoît Piéron’s work from the late 2000s to the present.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing (new edition).

Special issue: 500 pages of interviews between artists.

This monograph on French-Caribbean artist Lucas Erin offers the first occasion to encompass an artistic practice rooted in a multicultural exploration of encounters, human interaction and forms of resistance to social normalisation.

Jeanne Hubert explores a place of passage—the shoreline—through her drawings.

A poetry collection by Venetian anthropologist, filmmaker and writer Elia Romanelli, with drawings by Marzia Migliora.

The second volume of the journal investigating movement-based listening practices that take the forms of militant inquiry and political education, edited by the international sound art and popular education collective Ultra-red, is dedicated to the "Learning Circles for Palestine."

An investigation into the repertoire of performative gestures emerging from the work of German artist Ulla von Brandenburg and the practice of her troupe of performers.

The second book in the "Brookinette" children's book series (published by Brook), We Look Alike is a book for little ones and older children alike that tells the story—through the drawings of Dutch artist Kinke Kooi—of encounters, friendship, and little mistakes, featuring a cast of snails, flowers, fruits, and ladybugs.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

Departing from a series of concrete projects and international exhibitions, this book considers the conditions of artistic research and related discourse via twenty significant concepts.

Celebrating Jacques Villeglé's centennial, this retrospective publication—designed as a black-and-white album/magazine (complete with a sheet of colorful stickers to place on certain pages!)—traces nearly sixty years of work by a "flâneur," a collector of posters torn down by anonymous hands.

A project by Francesco Bertocco dedicated to the cultural legacy of Franco Basaglia, a key figure in the transformation of modern psychiatry and a champion of a radical critique of total institutions.

A great Chinese painter, calligrapher, and poet, Fan Zeng conveys the spirit of literati painting in these studies, which draw on classical texts and his own experience with the painting.

A painter-poet reflects on Laozi and Zhuangzi "from the heart" in an illustrated volume featuring his ink drawings.

The debut-novel of the Lebanese-born and Berlin-based writer Edwin Nasr—a "work of hysterical fiction."

Raphaëlle Ricol's offbeat, cruel, or deceptively innocent paintings and drawings.

A visual travelogue that critically captures the 2025 World Expo on Yumeshima, Japanese for "Island of Dreams," which took place from April to October 2025.

Anne-Marie Morice traces the "urban drift" carried out in the northern suburbs of Paris in the 1950s by members of the Lettrist International, and later by those of the nascent Situationist International, led by Guy Debord, and analyzes how this way of experiencing urban space influenced both their artistic practice and their theoretical work.

Mathilde Roman explores contemporary video installation practices through the lens of theater and the performing arts.

A series of reflections on research and fieldwork that situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

This catalogue examines how the act of "making" can restore a different sense of time and physical perception within an increasingly accelerated society, through the work of ten Japanese artists with material-driven, craft-based approaches.

Issue 0 of the annual journal devoted to ceramics and related arts, dedicated to those who create, reflect on, observe, or draw inspiration from ceramics—without ever limiting themselves to it.

Published in conjunction with the 11th Contour Biennial, this book edited by curator Sofia Lemos weaves together curatorial reflection, philosophical invocation, and playful fable, moving between essay, image, and story.

Interviews with Tokio Hasegawa (Taj Mahal Travellers), Ami Yoshida, and Mélodie Blaison; "writing about sound: attempts at solutions for a particularly tough algorithm" by Kasper T. Toeplitz; Jérôme Bouve by Delphine Dora; book and album reviews...