Unpublished text, original and signed collotype.

An unpublished text with an original artwork (printed canvas) signed by the artist.

Unpublished text, original lithograph enhanced with Roland Topor's fingerprints and signed.

The book presents an exhibition at The Consortium, Dijon, and reproduces 16 postcards.

A report of the activities of the art center in 1990-1991.

Giving a good introduction to the virtual realm, this book examines, through art, science and culture, the two visual forms and utopias that exemplifies our modern era: video and computerized images.

Monograph dedicated to the work of French television filmmaker, producer, scenarist, and video art pioneer Jean-Christophe Averty.

Preliminary graphic designs for paintings.

Unpublished text with an original silkscreen print signed by the artist.

Catalogue.

16 colour postcards

The report of the first Biennale of contemporary art and performance in Quebec.

Exhibition catalogue (Hanne Darboven, Gretchen Faust, Isa Genzken, Marthe Wéry, Laurie Parson, Jessica Stockholder, Judith Barry, Annette Messager, Cindy Sherman, Rosemarie Trockel, François Vergier).

A repertory of performance art practices in Canada over twenty years, with contributions by art critics, historians, and artists, a history of performance in Quebec and Canada, teh report of 35 major events, the description of 2000 performances, more than 600 photos, a bibliography...

Anselm Kiefer's universe revisited by the philosopher Jean-Noël Vuarnet.

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

Considering the relationship between technology and imagination , this book undertakes a mediological reflection on the current cross-hybridization of media which exacerbates and enriches the inherent differences between cinema, video and images. Included, a dictionary of international video-makers and their works.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

A series of paintings realized on the famous Vichy pattern of Tati stores. A dialogue from Paris, Texas accompanies the paintings.

67 international photographers around the given theme of the knife.

Paintings, photographies of two exhibitions, exhibitions plans.

Catalogue.

Catalogue of the 5th Festival d'In(ter)vention curated in Poland by Quebec art center.

This trio has only one line of instrumentation and remains in total harmony throughout, though the melodies and the rhythms often arise from unexpected places. An incisive and vertiginous climb towards pleasure and dreams, street music and dance music; these fragile and volatile moments were fixed in concert in Vandœuvre in 1989.

Catalogue.

Collective exhibition catalogue (Dimitrije Basicevic, Miljenko Horvat, Marjan Jevsovar, Julije Knifer, Josip Vanista).

This book reproduces a series of gouache drawings by Jean-Charles Blais, which uses a hand bandaged as pattern, drawn in very close-up.

Exhibition catalogue.

Collection of texts.

Artist's book: an album of twelve black and white boards realized specially for the project.

Reference monograph.

Nine oils and collages on canvas.

14 drawings.

Catalogue.

Drawings.

Monograph / exhibition catalogue.

An “editorial performance.”

Exhibition catalogue.

Group exhibition catalogue with Bruce Nauman, Niele Toroni and Giulio Paolini.

Catalogue dedicated to the exhibition held by the pionneer of Arte Povera at Le Magasin in 1986 in France. With a text by Franz Kaiser.

Exhibition catalogue (Jean-Michel Alberola, John Armleder, Ludger Gerdes, IFP, Hubert Kiecol, Bertrand Lavier, Allan McCollum).

Catalogue documenting the eponymous installation—250 clocks and 250 hammers mounted on a wall—especially commissioned by Le Magasin in 1987. The publication includes texts by Jacques Guillot, Franz Kaizer, Dominique Gonzales-Foerster, and René Denizot.

G. Merz, P. Downsbrough, R. Barry, H. Haacke, D. Buren, B. Lavier, D. Graham, P. Mondrian, B. Burkhard, C. Rutault, Bauhaus...

These tracks were recorded during the 1985 Musique Action Internationale festival, organised by CCAM. This vinyl record is a remnant of those days dedicated to new music.