Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” video games.

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Taking as a starting point Hamilton's “Reaper” series—inspired by the work of Swiss historian and critic of architecture Sigfried Giedion—this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture.

For her show at Mamco, the French artist borrowed from the museum collections to reinterpret a series of artworks by Imi Knoebel, Steven Parrino, Frank Stella, John M. Armleder, Luciano Fabro, Robert Filliou, and Christian Robert-Tissot. Both a catalogue and an artist's book, this publication replays the exhibition much like a snapshot collection.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

Cura #25 Summer issue celebrates its special edition, dedicated to 25 (+1) outstanding protagonists of the contemporary art scene, selected among the most interesting female artists of the new generation. A collectible and celebratory issue!

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

Discovering the id, ego, and superego with Dr. Freud (an illustrated philosophy book for children).

Catalogue documenting two projects by the Colombian artist—a photo essay and an artist's book—focusing on immigration and family ties.

The future of the exhibition space; virtual reality; Documenta 14 in Athens; Liam Gillick on Rirkrit Tiravanija's “untitled (1992) free”; Q&A with Benjamin H. Bratton, Adriana Lara, and Rózca Farkas; Karen Kilimnik by Barry Schwabsky; images contributed by Elad Lassry, Sophie von Hellermann, GCC, Alex Da Corte; reviews from Austria, Berlin, Switzerland, Brussels, Paris, New York, and Los Angeles…

Monograph dedicated to the Californian artist, whose work takes the city of Los Angeles as both iconographic source and main subject. This well documented and illustrated publication offers a chronological overview of Israel's heterogeneous projects—paintings, flashmobs, a brand of eyewear and its related advertising, a talk-show, interviews, webseries, sculptures, a movie—each introduced by a short text from the artist.

Instruments is the catalogue accompanying Ismaïl Bahri's exhibition of the same title at the Jeu de Paume. It is also his first monograph. Bahri's oeuvre, which dates back to the 2000s, is like a precise and sensitive record of events and experiments; its often mechanical kinetics are particularly evocative of the film process. His experiments are based on the tiny nuances and minute developments that occur when simple things are brought into contact with each other. They demand an acuteness of gaze that leads one to question the limits of perception and the visible.

Artist Sara van der Heide converted the German Library in Guangzhou, China, into a restaging of the Goethe-Institut's German Library and Information Centre of Pyongyang, which operated from 2004 to 2009. The publication features the original multilingual booklets, a documentation on the exhibition and a critical reader.

A new electro-acoustic composition by Berlin-based artist Stefan Roigk. The radio play like combination of poetic lectures, vocals treatments, concrete sounds and deep vocal drones is based on several live recordings and performances made between 2012 and 2015.

This monographic catalogue presents a series of works by artist Minouk Lim which draws on the tragic events of the 1950 Korean war and their aftermaths. Based on installations, sculptures, videos, and performance pieces, Lim's visual language mirrors a nation's refusal to face up with its history and initiates a reflective process to come to terms with the past.

The new edition of a 1972 publication gathering a series of drawings and texts by Roland Topor in collaboration with his five-year-old son Nicolas.

Fifth part in the Selten Gehörte Musik reissue series: recordings by Dieter Roth and Oswald Wiener, at Mosfellssveit, Iceland, from May 28 to 30, 1976.

Constructed around three themes—an essay, a series of interviews, and an exhibition catalogue—this publication studies the links between contemporary art and sport with a specific focus on the notion of game.

Interviews with Florian Hecker, Ben Bogart, Jonas Lund, Gene Kogan, Eric Drass; AI representation in Black Mirror TV series; Machine Fallibility and Emergent Weirdness; Burak Arikan's Data Asymmetries; the “Fear and Love” exhibition at London's Design Museum…

Publication gathering a selection of materials—texts and artworks—produced during a series of discussions and workshops on contemporary painting held at the Istituto Svizzero di Roma. Artists of different generations, areas of meaning and geographical origins were brought together to debate around the value of painting today and its role in today's society.

An unconventional catalogue gathering a rich iconography and the main text by curator Giacinto Di Pietrantonio, alongside a series of brief testimonies from seventy international artists, telling the alternative story of an icon and his corpus (includes texts by Cory Arcangel, Maurizio Cattelan, Enzo Cucchi, Jan Fabre, Victor Man, Alessandro Mendini, Tim Rollins, Marinella Senatore, Ian Tweedy…).

Reference monograph dedicated to the pioneer of digital poetry in France, including documentation illustrating recent projects as well as all theoretical texts on digital poetry written by Donguy from 1984 to 2015.

The young Albert Einstein has a very important job: he must deliver electricity to the big Oktoberfest celebration in Munich. As he hurries from one merry-go-round to another, nothing seems to be going as planned. With his sister, Maja, Heinrich the dog, and Niels Bohr, a qualified dwarf-thrower, can he win a battle against the laws of the universe? The key just may lie in the question of whether a dumpling can fly faster than light (an illustrated philosophy book for children).

Diogenes as a dog (an illustrated philosophy book for children).

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

Inspired by Beirut's urbanism and cultural history, Rechmaoui's sculptures and installations reflect themes of urbanization and contemporary social and behavioral demographics. Including documentation, essays, and interviews, this illustrated monograph takes a look back at twenty years of work by one of the most important post­war contemporary artists from Lebanon and the region.

Catalogue documenting the Canadian artist's most important works to date and a specially commissionned installation. Her steel structures and ceramic works represent menacing hybrid-species engaged in a role play of predator and prey. Includes an essay by Golberg, texts by critics and curators, and a conversation between art historian Leah Pires and neuroscientist Sara Constantino.

For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Paperback tribute guide to the work of Italian artist Salvatore Mangione (Salvo).

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

Original soundtrack of the eponymous “musicfilmdream”, in collaboration with video artist Makino Takashi. Created in tribute to late filmmaker Derek Jarman, this musical score was influenced by the early electronic recordings of pioneers like Terry Riley and Morton Feldman. The two artists first presented this work during the 2016 BFI London Film Festival.

Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.

Swedish artist Mamma Andersson is known for her melancholic paintings of private interiors, elegantly executed with her distinctive interplay of textures, and pictorial techniques. This new body of work stages a series of sculptures, whether as part of indoor space, or detailed in closeups.

Photographic series dedicated to pareidolia—the phenomenon of perceiving non-existing things in inanimate objects, such as human faces or animal heads in rocks (artist's book).

Spike #51 raises the question of the social role of art, and many more, with: Grzegorz Kowalski; Bob Flanagan's Visiting Hours; Angela Bulloch on Damien Hirst; Cyprien Gaillard's Desniansky Raion; a roundtable with Chus Martínez, Michaela Meise and Dieter Lesage; Dorothea Von Hantelmann; Kenny Schachter; Daniel Baumann; the portraits of Dorothy Iannone, Tetsumi Kudo, and Marie Angeletti; an interview with Josef Strau; an essay by Jan Verwoert; the TV series The Crown; Andrew Berardini on Jimmie Durham's retrospective in LA…

Somewhere in between a magazine issue, an artist's book and a research report, this Kaleidoscope Asia Special edition with guest-editor Simon Denny revolves around a new project by the New Zealand artist set in the Chinese city of Shenzhen.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

This issue dedicated to documenta 14 addresses themes, artists, and projects spanning between Athens and Kassel. Including: Moyra Davey by Quinn Latimer; Vivian Suter & Elisabeth Sussman; Roee Rosen; “Preliminary notes for a Black manifesto” by Rasheed Araeen; Khvay Samnang “; The Globalised Museum?” by Bonaventure Soh Bejeng Ndikung; articles by Kirsty Bell, Irena Haiduk, Pierre Bal-Blanc, Neni Panourgiá, Dieter Roelstraete, and more.

The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate.

The transcription of a lecture by Marjorie Micucci on the connections between two installations by Italian artist Rosa Barba.

This catalogue brings together a selection of early paintings by the american artist, accompanied by an essay illustrated with archival images.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

A reference monograph resulting of a 10-year research on Italian sculptor and conceptual artist Paolo Icaro.

A poetic and philosophical text investigating the use of the sentence.

Series of collages based on guitar patterns found in album covers.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.